Winner of two Walter W. Naumburg Awards - as chamber musician
and solo recitalist - soprano Lucy Shelton continues to enjoy an
international career bringing her dramatic vocalism and brilliant
interpretive skills to repertoire of all periods. An esteemed
exponent of 20th- and 21st- Century repertory, she has worked
closely with today's composers and premiered over 100 works.
Notable among these are song cycles by Elliott Carter, Oliver
Knussen, Louis Karchin and James Yannatos; chamber works by Carter,
Joseph Schwantner, Mario Davidovsky, Stephen Albert, Lewis
Spratlan, Charles Wuorinen, Gabriella Lena Frank, Bruce Adolphe,
Alexander Goehr, Poul Ruders, Anne Le Baron and Thomas Flaherty;
orchestral works by Knussen, Albert, Schwantner, David Del Tredici,
Gerard Grisey, Ezra Laderman, Sally Beamish, Virko Baley and Ned
Rorem; and an opera by Robert Zuidam. In recent seasons, Shelton
has premiered works written for her by Shulamit Ran, Dan Visconti,
Frank Stemper, Kathleen Ginther, Tamar Muskal and Fang Man.
An avid chamber musician, she has been a guest artist with ensembles such as the Emerson, Brentano, Enso, Mendelssohn, Chiara and Guarnieri string quartets, the Lincoln Center Chamber Music Society, 21st Century Consort, Speculum Musicae, Da Capo Chamber Players, Sospeso, New York New Music Ensemble, Boston Musica Viva, Da Camera of Houston, eighth blackbird, Dolce Suono Ensemble, the Ensemble Moderne, Nash Ensemble, Klangform Wien, Schoenberg-Asko, and Ensemble Intercontemporain. Shelton has participated in numerous festivals including those of Aspen, Santa Fe, Ojai, Tanglewood, Chamber Music Northwest, BBC Proms, Aldeburgh, Caen, Kuhmo, Togo and Salzburg. In the fall of 2013, she is honored to begin a three-year term as a Board Member of Chamber Music America.
Shelton has appeared with major orchestras worldwide including Amsterdam, Boston, Chicago, Cologne, Denver, Edinburgh, Helsinki, London, Los Angeles, Melbourne, Minnesota, Munich, New York, Paris, St. Louis, Stockholm, Sydney and Tokyo under leading conductors such as Marin Alsop, Daniel Barenboim, Pierre Boulez, Reinbert De Leeuw, Charles Dutoit, Alan Gilbert, Oliver Knussen, Kent Nagano, Simon Rattle, Helmuth Rilling, Mstislav Rostropovich, Esa-Pekka Salonen, Leonard Slatkin and Robert Spano.
Over the years Shelton has participated in various composers' birthday and memorial celebrations as follows: Elliott Carter's 100th in Turin, Italy and New York; Oliver Knussen's 50th in London; Sir Peter Maxwell Davies' 70th in Turin, Italy; James Primosch's 50th in Philadelphia; both George Perle's and Milton Babbitt's 90th in Princeton and New York, followed in a few years by their memorials. In May 2013 Shelton sang Elliott Carter's "What Are Years" for his memorial tribute concert held at Juilliard.
Shelton's extensive discography is on the Deutsche Grammophon, Koch International, Nonesuch, NMC, Bridge, Albany and Innova labels and includes works by Carter, Knussen, Stravinsky, Messiaen, Wuorinen, Del Tredici, Adolphe, Rands, Ginastera, Kim, Le Baron, Baley, Ung and Schwantner.
A native of California, Shelton's primary mentor was mezzo-soprano Jan De Gaetani. Ms. Shelton taught at the Third Street Settlement School in Manhattan, Eastman School, New England Conservatory, Cleveland Institute and the Britten-Pears School. She joined the resident artist faculty of the Tanglewood Music Center in 1996 and in the fall of 2007 she was appointed to the Manhattan School of Music's Contemporary Performance Faculty. Shelton teaches privately in her New York City studio.
In recognition of her contribution to the field of contemporary music, Shelton has received Honorary Doctorate Degrees from both Pomona College (2003) and the Boston Conservatory (2013).