Broadway: Peter and the Starcatcher, Reckless, Noises Off. The Metropolitan Opera: The Merry Widow. Off-Broadway: Important Hats of the Twentieth Century, The Explorer's Club (Lortel Nomination), Based On A Totally True Story, House/Garden, Comic Potential (Manhattan Theatre Club) The Heir Apparent (Classic Stage Company-Lortel and Drama League Nomination) Lives of the Saints, All In The Timing (Primary Stages) Measure for Measure, All's Well That End's Well, The Tempest; (New York Shakespeare Festival) Oliver Twist (Theatre For A New Audience) Cavedweller (New York Theatre Workshop) Off-off: Waiting For Godot (NY Fringe Festival) Regional: The Heir Apparent (Shakespeare Theatre D.C.-Emery Battis Award.), Misallinace, Arsenic and Old Lace (Baltimore Center Stage), Our Town (La Jolla Playhouse), Bed Room Farce, Drawer Boy, Time of My Life, How The Other Half Loves, (Westport Country Playhouse), A Flea In Her Ear (Williamstown Theatre Festival), Oliver Twist (Berkeley Rep, A.R.T.) The Cherry Orchard, The Intelligent Design of Jenny Chow (Yale Rep), Merry Wives of Windsor, Love's Labour's Lost (Shakespeare and Company) Film: Wedding Crashers, The Weekend, Kissing Jessica Stein. TV: High Maintenance, Person of Interest, 30 Rock, Law & Order: Criminal Intent, Princess Grace Award Recipient. New York Theatre Workshop Usual Suspect. Actors Equity member since 2000. Training: BA: KU. MFA: NYU Graduate Acting. Upright Citizens Brigade. IOWest. Peoples Improv Theatre.