TFC Auditions

The Boston Symphony Orchestra holds regular auditions for the Tanglewood Festival Chorus.
We do not have an audition date scheduled at this time, but we invite you to please complete the TFC Audition Contact Form linked here so that we may contact you in advance of the next audition round.

When an audition date is announced, interested candidates are invited to complete an online application and submit an .mp3 recording. From these candidates, some will be selected for an in-person audition with Choral Director James Burton. Any candidates not initially offered an in-person audition will be notified of any openings in our schedule. Please see below for more information on the TFC audition process.

For more information about TFC membership and expectations please click here. If you have additional questions, please contact our team at tfc@bso.org.


Highlights of the 2018-2019 TFC Symphony Hall and 2019 Tanglewood Seasons:

18-19 Symphony Hall

October 25, 26, 27, 30
Andris Nelsons, Conductor
MAHLER Symphony No. 2
EINFELDE Lux aeterna

November 29, 30, & December 1
Andris Nelsons, Conductor
BACH Christmas Oratorio

December 5 – 24
Keith Lockhart, Conductor
Holiday Pops

February 21 & 23
Andris Nelsons, Conductor
PUCCINI Suor Angelica 

February 28, March 1 & 2
Andris Nelsons, Conductor
DVOŘÁK Stabat Mater 

April 11, 12, 13
Gustavo Dudamel, conductor
ESTÉVEZ Cantata Criolla 

2019 Tanglewood

July 13
Andris Nelsons, conductor
VERDI Requiem

July 26
Andris Nelsons, conductor
SHOSTAKOVICH Symphony No. 2
RAVEL Daphnis et Chloé 

August 23
James Burton, conductor
TFC Prelude Concert  

August 25
Giancarlo Guerrero, conductor
SCHOENBERG Friede auf Erden (Peace on Earth)
BEETHOVEN Symphony No. 9


Requesting an Audition

  1. When an audition date is announced, you will be asked to complete an online application form and submit a resume. You will also be asked to submit an .mp3 recording of yourself singing. See below for details.
  2. The .mp3 recording should fit the following specifications:
    • The recording should last no longer than 3 minutes.
    • It may be a cappella or accompanied.
    • It may be in any language.
    • You should sing straight through the piece. No post production editing should be used on the recording - a recording on a smart phone is acceptable.
  3. To be contacted in advance of the next audition round, please complete our TFC Audition Contact Form. 

In Person Audition Details
In person auditions take place at Boston Symphony Hall. If you are offered an audition time, more information regarding building access, etc. will be sent via email with your confirmed time. Below is what the in-person audition will entail; each audition will last approximately 15 minutes.

  • Please prepare ONE classical piece of your own choosing which best shows off your vocal talents, your vocal range and your musicality. The piece should fit one of the following categories:
  • An art song, eg Caro mio ben by Giordani, An die musik by Schubert, The Vagabond by Vaughan Williams, Sure on this Shining Night by Barber etc
  • An opera aria, eg Voi che sapete by Mozart etc
  • A solo aria from an oratorio or classical piece, eg Pie Jesu from Fauré Requiem, Esurientes implevit from Bach Magnificat, Ev’ry valley from Handel Messiah
  • An extract from a choral work in which your voice part is prominent or frequently used, eg Kyrie from Mozart Requiem
  • Please note that songs from the American Songbook, folk songs or Musical Theatre numbers are not permitted for this audition.

The piece should be between 2 and 4 minutes in length. Lengthy instrumental introductions may be cut to a reasonable length, and if the piece has a lengthy postlude this may be cut in order to fit the duration criteria. 

The piece should be sung in any one of the following languages: English, French, German, Italian or Latin. 

Your piece will be accompanied by our pianist, and it need not be memorized. A music stand will be provided but you are not obliged to use it if you would prefer to hold your music.  

Please use a recognized published edition of the piece (internet editions can be unreliable and contain musical inaccuracies). The pianist’s copy should be legible and have page turns which are practical. Please organize this in advance of your audition.

  • Please choose a simple song which we will hear you sing unaccompanied and from memory. This can be a folk song, hymn or a simple melody. It should be sung in English and last no more than 90 seconds.
  • You will be asked to do some Sight Reading. Please sing as much of your part as possible, ie notes, rhythms, words, dynamics and articulations. You will be given a starting pitch and an indication of the tempo. So as to give the impression of it being a ‘live’ choir reading a new work, the accompanist will play the other vocal lines, but will not play your part, nor stop the performance in order to correct. You may be asked to sing more than one piece of Sight Reading. The languages of the Sight Reading pieces will be either English or Latin.  
  • Ear Tests will consist of familiar tasks, such as naming and pitching intervals, identifying specific pitches in a chord of 3 or 4 notes etc. The purpose of the tests is to establish the accuracy and speed of your musical ear.
  • You may be asked to sing some vocal exercises as directed by the panel. The purpose of the exercises will be to establish in more detail the range of your voice, and your ability to respond to technical instruction, such as altering the placement of the voice, vocal timbre, vowel colors and so on.  

Audition Checklist

  • ✓ Choose and prepare a 2-4 min accompanied piece which fits the criteria as outlined above
  • ✓ Choose and prepare an unaccompanied short song to sing from memory – no longer than 90 seconds
  • ✓ Organize copies of your music to bring for the audition
  • ✓ Prepare for the Sight Reading and Ear Tests
  • ✓ Practice!