A New Year’s Eve Celebration with Bernadette Peters and the Boston Pops
BOSTON POPS
TROY QUINN conducting (first half)
JOSEPH THALKEN conducting (second half)
Tuesday, December 31, 8pm
Please Note: photography and video are not permitted for this performance
Hooray for Hollywood
Whiting—arr. Williams
Overture to The Phantom of the Opera
Lloyd Webber—arr. Hollenbeck
Overture to Mame
Herman
The Way We Were
A. Bergman/M. Bergman/Hamlisch—arr. Knight
Overture to Beauty and the Beast
Menken—arr. Kosarin
Theme from The Pink Panther
Mancini
Comedy Tonight, from A Funny Thing Happened on the Way to the Forum
Sondheim—arr. Sebesky
Through the Eyes of Love, from Ice Castles
Hamlisch—arr. Byers
42nd Street
Warren—arr. Sebesky
INTERMISSION
Presenting
BERNADETTE PETERS
Benjamin Cook, piano
Kevin Axt, bass
Cubby O’Brien, drums
Selections to be announced from the stage
Guests are expected to drink responsibly. Intoxication will not be tolerated. Intervention with an impaired guest will be handled in a prompt and safe manner, which may include ejection from the premises.
The Boston Pops welcomes: Harvard Outings & Innings; MIT Activities Committee; Suzanne Steele
Steve Colby, Sound Designer | Pamela Smith, Lighting Designer
The Boston Pops Orchestra may be heard on Boston Pops Recordings, RCA Victor, Sony Classical, and Philips Records.
Steinway & Sons Pianos, selected exclusively for Symphony Hall.
The BSO’s Steinway & Sons pianos were purchased through a generous gift from Gabriella and Leo Beranek.
Special thanks to Fairmont Copley Plaza, Official Hotel of the Boston Pops.
New arrangements and works for the Boston Pops are generously supported by the Cecile Higginson Murphy Pops Programming Fund.
Broadcasts of the Boston Pops are heard on 99.5 WCRB.
The Boston Pops
Led by conductor Keith Lockhart, the Boston Pops, known affectionately as “America’s Orchestra,” performs an exciting and eclectic mix of orchestral arrangements from a wide range of traditions including Broadway and the great American songbook, film music, classical, jazz, pop, country, folk, and, of course, holiday classics. The Pops was created in 1885 as the “light classical” summer-season venture of the Boston Symphony. The Boston Pops Orchestra reached its current iconic status during the 50-year tenure of the legendary Arthur Fiedler, who was succeeded in 1980 by the equally renowned film composer John Williams. Keith Lockhart took the helm in 1995 and recently celebrated his 25th anniversary season. It was Fiedler who started the tradition of Pops performances on the Charles River Esplanade, including the annual Fourth of July celebration, brought the Pops to television with Evening at Pops (1970-2004), and initiated Holiday Pops, which marked its 50th anniversary in 2023. Fiedler welcomed to our stages dynamic, world-class guest artists including Ella Fitzgerald, Dizzy Gillespie, Julia Child, and Bob Hope. That tradition continues today with Keith Lockhart working with such stars as Brian Stokes Mitchell, The B-52s, Chaka Khan, Nick Jonas, and Rhiannon Giddens. With the Pops, Keith has made 81 television shows, led 45 national and 5 overseas tours, led the Pops at several high-profile sporting events including the Super Bowl, and recorded fourteen albums. Through it all the orchestra has remained of the most recorded, familiar, and beloved ensembles in the world today.
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Troy Quinn
Emmy-nominated conductor Troy Quinn has quickly established himself as one of his generation’s most versatile young artists. Lauded for his energetic and riveting, yet sensitive conducting, Quinn is in his eighth season as Music Director of the Owensboro Symphony in Kentucky. He is also in his seventh season as Music Director of the Venice Symphony in Florida and serves concurrently as the Pops Conductor of both the Santa Rosa Symphony in California and the Rhode Island Philharmonic.
Quinn’s engagements have included performances with many prestigious orchestras in the United States, including the Boston Pops, Los Angeles Chamber Orchestra, Rochester Philharmonic Orchestra, and the Chamber Orchestra of Philadelphia.
Equally at home in the pops and commercial world, Quinn has performed and recorded with some of the most popular artists of our time, including The Rolling Stones, The Beach Boys, Barry Manilow, Lee Greenwood, Josh Groban, Jennifer Hudson, Michael Feinstein, Tower of Power, The Indigo Girls, and Nas. As an accomplished vocalist, Quinn has also collaborated with such prominent maestros as Helmuth Rilling, Carl St. Clair, and Dan Saunders of the Metropolitan Opera. In addition to his concert work, Quinn has worked extensively in the television and recording industry, earning an Emmy nomination for the PBS special A Night at the Oscars with the Owensboro Symphony. He has made appearances on such hit television shows as Fox’s GLEE, NBC’s The Voice, and The Tonight Show with Jay Leno while recording on films like The Call of the Wild and Indiana Jones and the Kingdom of the Crystal Skull. He has also appeared at many of the world’s major music centers and at such famed venues as the Hollywood Bowl, Walt Disney Concert Hall, and Tanglewood, where Quinn conducted the BUTI orchestra.
A native of Connecticut, Quinn pursued a bachelor of arts degree from Providence College where he was the recipient of the Leo S. Cannon award for superior achievement in the music field. He went on to earn his master’s degree with honors from the Manhattan School of Music, studying conducting with David Gilbert and voice with highly acclaimed Metropolitan Opera singer Mark Oswald. He completed his doctorate in conducting at the University of Southern California’s Thornton School of Music, where he studied with Larry Livingston and Jo-Michael Scheibe and was named the outstanding doctoral graduate of his class. Quinn has participated in numerous masterclasses as a conducting fellow, attending conducting institutes at the Royal Academy of Music, Eastman School of Music, and Bard Conservatory of Music. He has been mentored by such renowned conductors as Benjamin Zander, Neil Varon, and Leon Botstein. Quinn serves on the conducting faculty at the University of Southern California’s Thornton School of Music and has previously served as a faculty member at Providence College.
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Joseph Thalken
Joseph Thalken is an award-winning composer, conductor, and pianist whose theater and concert works have been performed internationally. His ballet "Chasing Home" was recently released by Albany Records, performed by the Dallas Chamber Symphony, and is available on all streaming platforms. He is the composer of the musicals Was, Harold & Maude, Fall of ’94, Borrowed Dust and Inventions for Piano, and his concert works encompass chamber, choral, orchestral, wind ensemble, and vocal music. He has served as music director and/or arranger for luminaries of Broadway and classical music, including Bernadette Peters, Julie Andrews, Liza Minnelli, Patti LuPone, Renée Fleming, Rebecca Luker, Marin Mazzie, Liz Callaway, Sierra Boggess, Catherine Malfitano, Elizabeth Futral, B.J. Ward, Kristin Chenoweth, Sally Wilfert, Polly Bergen, Faith Prince, Hugh Panaro, Michael Crawford, Howard McGillin, Jason Danieley, Nathan Gunn, Rodney Gilfry, Brian Stokes Mitchell and many more. He has taught music theater composition at Yale and is a proud graduate of Northwestern University.
Boston Pops Major Corporate Sponsors, 2024-25 Season
The Boston Pops and Symphony Hall major corporate sponsorships reflect the increasing importance of alliance between business and the arts. The Boston Pops is honored to be associated with the following companies and gratefully acknowledges their partnership. For information regarding BSO, Boston Pops, and/or Tanglewood sponsorship opportunities, contact Joan Jolley, Director of Corporate Partnerships, at (617) 638-9279 or jjolley@bso.org.