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Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most renowned and innovative conductors on the international scene today. Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most renowned and innovative conductors on the international scene today.
Nelsons began his tenure as Music Director of the Boston Symphony Orchestra in the 2014/15 season. This season, the BSO and Nelsons embark on a major tour throughout Asia, giving their first concerts together in Seoul, Taipei, Hong Kong and Shanghai. The orchestra also continues its appearances at Carnegie Hall as part of the Great American Orchestras series, with a special concert performance Tristan und Isolde featuring Jonas Kaufmann. Since his appointment as Gewandhauskapellmeister in Leipzig in February 2018, Nelsons and the Gewandhausorchester have completed a number of successful tours, including their first Asia tour together in May/June 2019, performing in Japan and China. This season, the orchestra looks forward to two European tours, which will include performances at the BBC Proms, the festivals in Salzburg and Lucerne, special highlight for Nelsons, the Boston Symphony Orchestra and the Gewandhausorchester: three joint performances in Boston will be given as part of the alliance between the two orchestras, and the Gewandhausorchester will perform additional concerts
During the 2019/20 season, Nelsons continues his regular collaborations with the Wiener Philharmoniker, with whom he conducts Furthermore, th anniversary, the Wiener Philharmoniker and Nelsons present a cycle of Beethoven's symphonies at the Musikverein and on tour at the Philharmonie de Paris, Philharmonie am Gasteig in Munich, and collaborations with the Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, Royal Concertgebouw Orchestra and has been a regular guest at the Bayreuther Festspiele and at the Royal Opera House in Covent Garden.
Andris Nelsons has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects. Nelsons and the BSO partner on recording the complete Shostakovich symphonies and the opera Lady Macbeth of the Mtensk District. The fourth and most recent instalment was released in February 2019. Each of the first three releases of the cycle have received Grammy Awards for Best Orchestral Performance, the third additionally winning in the Best Engineered Album, Classical category. Nelsons and the yellow label also have embarked upon a critically acclaimed project with the Gewandhausorchester that sheds new light on the symphonies of Bruckner, and pairs these distinctive symphonic pieces with works by Wagner. The most recent instalment was released in May 2019. Finally, Philharmoniker will be released in October 2019.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.
Andris Nelsons, conductor
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Augustin Hadelich is one of the great violinists of our time. From Adès to Paganini, from Brahms to Bartók, he showcases a wide-ranging and adventurous repertoire and is often referred to as a “musician’s musician” by colleagues. Recently named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited for his phenomenal technique, soulful approach, and insightful interpretations in solo appearances around the world.
International highlights of the 2018/2019 season include Mr. Hadelich’s debut with the Bavarian Radio Orchestra in Munich and engagements with the Belgian National Orchestra, Danish National Symphony, Finnish Radio Symphony, Hong Kong Philharmonic, Orchestre National de Lyon, Orquesta Nacional de España, and the symphony orchestras of Bournemouth, City of Birmingham, New Zealand, São Paulo, and Singapore. He will also perform in a 10-concert tour of Germany with the Academy of St. Martin in the Fields, featuring double concertos with violinist Julia Fischer. In the United States, Mr. Hadelich will return to the symphonies of Cincinnati, Dallas, Indianapolis, Minnesota, New Jersey, North Carolina, San Diego, and Seattle, as well as the Los Angeles Philharmonic at the Hollywood Bowl.
Summer 2018 saw his debut at the Salzburger Festspiele, performing the Sibelius concerto with the ORF Vienna Radio Symphony, as well as return appearances at the Aspen, Bravo! Vail, and Colorado music festivals. Other summer appearances include the BBC Proms, the Boston Symphony at Tanglewood, the Cleveland Orchestra at Blossom, Britt, Chautauqua (where he made his U.S. orchestral debut in 2001), Eastern, Grand Teton, Marlboro, and Sun Valley.
Among recent international performances are the BBC Philharmonic (Manchester), Concertgebouw Orchestra (Amsterdam), Hallé Orchestra (UK), Hamburg Philharmonic, London Philharmonic, Mozarteum Orchestra (Salzburg), Munich Philharmonic, Netherlands Philharmonic, Norwegian Radio Orchestra, NHK Symphony (Tokyo), Sapporo Symphony, Seoul Philharmonic, and the radio orchestras of Cologne, Frankfurt, Saarbrücken, and Stuttgart.
Augustin Hadelich has collaborated with such renowned conductors as Thomas Adès, Marin Alsop, Stefan Asbury, Herbert Blomstedt, Andrey Boreyko, Stéphane Denève, Christoph von Dohnányi, Thierry Fischer, the late Rafael Frühbeck de Burgos, Alan Gilbert, Hans Graf, Giancarlo Guerrero, Miguel Harth-Bedoya, Manfred Honeck, Jakub Hruša, Carlos Kalmar, Hannu Lintu, Andrew Litton, Cristian Macelaru, Jun Märkl, Juanjo Mena, Ludovic Morlot, Andris Nelsons, Sakari Oramo, Andrés Orozco-Estrada, Peter Oundjian, Vasily Petrenko, David Robertson, Donald Runnicles, Jukka-Pekka Saraste, Lahav Shani, John Storgårds, Yan Pascal Tortelier, Krzysztof Urbański, Gilbert Varga, Edo de Waart, and Jaap van Zweden, among others.
An active recitalist, Mr. Hadelich’s numerous engagements include appearances at Carnegie Hall, the Concertgebouw (Amsterdam), The Frick Collection (New York), Kennedy Center (Washington), Kioi Hall (Tokyo), the Louvre, and the Wigmore Hall (London). His chamber music partners have included Inon Barnatan, Jeremy Denk, James Ehnes, Alban Gerhardt, Richard Goode, Gary Hoffman, Kim Kashkashian, Robert Kulek, Cho-Liang Lin, Midori, Charles Owen, Vadim Repin, Mitsuko Uchida, Joyce Yang, and members of the Guarneri and Juilliard quartets.
Augustin Hadelich is the winner of a 2016 Grammy Award – “Best Classical Instrumental Solo” – for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony under Ludovic Morlot (Seattle Symphony MEDIA). A prolific recording artist, his newest disc – Paganini 24 Caprices for Warner Classics – was released in January. Germany’s Süddeutsche Zeitung wrote about this recording: “Anyone who masters these pieces so confidently has, so to speak, reached the regions of eternal snow: he has reached the top.” Other recent discs include live recordings of the violin concertos by Tchaikovsky and Lalo (Symphonie espagnole) with the London Philharmonic Orchestra on the LPO label (2017), and an album of duo works for violin and piano on AVIE in collaboration with Joyce Yang (2016). Previous recordings on the AVIE label include the Mendelssohn Violin Concerto and Bartók’s Concerto No. 2 with the Norwegian Radio Orchestra under Miguel Harth-Bedoya (2015), and the violin concertos of Jean Sibelius and Thomas Adès (Concentric Paths) with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra (2014), nominated for a Gramophone Award and listed by NPR on their Top 10 Classical CDs of 2014.
Mr. Hadelich’s career took off when he won the Gold Medal at the 2006 International Violin Competition of Indianapolis. Since then, he has garnered an impressive list of honors, including an Avery Fisher Career Grant (2009); a Borletti-Buitoni Trust Fellowship in the UK (2011); Lincoln Center’s Martin E. Segal Award (2012); the inaugural Warner Music Prize (2015); a Grammy Award (2016); an honorary doctorate from the University of Exeter in the UK (2017); and Musical America’s “2018 Instrumentalist of the Year.”
Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. He holds an Artist Diploma from The Juilliard School, where he was a student of Joel Smirnoff.
Mr. Hadelich plays the 1723 “Ex-Kiesewetter” Stradivari violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
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“The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.”
Augustin Hadelich, violin