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Andris Nelsons is Music Director of the Boston Symphony Orchestra and is Gewandhauskapellmeister of the Gewandhausorchester Leipzig. With these positions, and in leading a pioneering alliance between two such esteemed institutions, Grammy Award-winning Nelsons is firmly underlined as one of the most renowned and innovative conductors on the international scene today.
Nelsons began his tenure as Music Director of the BSO in the 2014/15 season and after one year, his contract was extended through the 2021/22 season. Last season, the BSO and Nelsons embarked on a tour to Japan together for the first time, notably with three performances in Suntory Hall. At the beginning of the 2018/19 seasons, Nelsons toured Europe together with the orchestra for the third time since Nelsons’ Music Directorship, visiting the London Proms, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris and Amsterdam. Nelsons gave his debut with the Gewandhausorchester in 2011, followed by regular performances at the Gewandhaus zu Leipzig in subsequent years. In February 2018, Nelsons received the title of Gewandhauskapellmeister in a four-week inaugural festival, also marking the 275th anniversary of the orchestra. Three joint tours for the Gewandhausorchester Leipzig and Nelsons have been incorporated into the 2018/2019 season: two European tours, one in October 2018, including stops at London’s prestigious Royal Festival Hall, in Scandinavia and in Nelsons' native city, Riga, and the other in January 2019, to venues including the new Hamburg Elbphilharmonie, Philharmonie de Paris and Vienna’s Musikverein. The season’s third tour in May/June 2019 takes the orchestra and Nelsons to Japan and China, where they will appear together for the first time.
The 2018/19 season marks Nelsons’ final season as Artist-in-Residence at the Konzerthaus Dortmund, and Nelsons’ first season as Artist-in-Residence at Hamburg’s Elbphilharmonie. Furthermore, Nelsons continues his regular collaborations with the Berliner Philharmoniker and Wiener Philharmoniker, with whom he lead a tour through China last season in addition to his ongoing guest performances at the Musikverein in Vienna. In 2020, he will conduct the Wiener Philharmoniker’s prestigious New Year’s Day concert, broadcast to millions across the world. Throughout his career, Nelsons has established regular collaborations with Royal Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks and Philharmonia Orchestra. Nelsons has been a regular guest at the Bayreuther Festspiele and at the Royal Opera House Covent Garden.
Andris Nelsons has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects. Nelsons and the BSO partner on recording the complete Shostakovich symphonies, and the opera Lady Macbeth of the Mtensk District. The first and second instalments have both received consecutive Grammy Awards for Best Orchestral performance, the third has been nominated for two Grammy Awards, and the fourth instalment will be released in February 2019. Nelsons and the yellow label also have embarked upon a project with the Gewandhausorchester that sheds new light on the symphonies of Bruckner, and pairs these distinctive symphonic pieces with works by Wagner. The most recent release appeared in April 2018 to widespread critical acclaim. Furthermore, Nelsons will record Beethoven’s complete symphonies with the Wiener Philharmoniker between 2016-2019, and will return to Vienna to perform the complete cycle in 2020, celebrating the 250th anniversary of the composer’s birth.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of Latvian National Opera 2003-2007.
Andris Nelsons, conductor
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Anne-Sophie Mutter is a musical phenomenon and virtuoso who, for more than 40 years, has been a fixture in all the world’s major concert halls, making her mark in classical music as a soloist, mentor and visionary.
Since her recital debut at the 1976 Lucerne Festival and solo debut with the Berliner Philharmoniker under Herbert von Karajan at the 1977 Salzburg Whitsun Festival, Ms. Mutter has frequently performed with the world’s greatest orchestras, including the Berliner Philharmoniker, Boston Symphony, Gewandhaus Orchestra, New York Philharmonic, Chicago Symphony Orchestra, Orchestre de Paris, London Symphony Orchestra, and Bavarian Radio Symphony Orchestra, and has collaborated with the most prominent composers and musicians of our time.
Ms. Mutter is as equally committed to the great canonical works as to the future of music, and has given the world premieres of 26 works, many written for her, by composers including Unsuk Chin, Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn, Wolfgang Rihm and John Williams.
Ms. Mutter’s 2018/2019 season includes a six-city tour of China in October 2018 with the Sinfonia Varsovia featuring works by Krzysztof Penderecki on the occasion of his 85th birthday. In November 2018, Ms. Mutter returns to the Staakskapelle Berlin with the German premiere of Williams’ Markings for Solo Violin, Strings, and Harp for the Deutsche Grammophon‘s 120th Anniversary Jubilee Concert conducted by Manfred Honeck, followed by appearances with the Royal Scottish National Orchestra in Edinburgh and Glasgow performing Penderecki’s “Metamorphosen” with the conductor on the podium.
In March 2019, Ms. Mutter returns to North America for a five-city tour of the U.S. and Canada featuring the world premiere of Currier’s Piano Trio at Carnegie Hall on March 12. Ms. Mutter then embarks on an extensive tour performing Mozart’s Violin Concertos with the Chamber Orchestra Vienna-Berlin—consisting of members of the Berliner Philharmoniker and the Wiener Philharmoniker—in May and June 2019 with performances throughout Germany, Austria, Spain, Greece, and the U.S.
Dedicated to fostering the careers of emerging musicians, Ms. Mutter founded the “Association of Friends of the Anne-Sophie Mutter Foundation e.V.” in 1997, to which the Anne-Sophie Mutter Foundation was added in 2008. Since 2011, she has regularly shared the spotlight on stage with the foundation’s exclusive ensemble of fellows, The Mutter Virtuosi. She has featured them in recordings, including Vivaldi’s Four Seasons,andSchubert’s “Trout” Quintet with Daniil Trifonov.
The four-time Grammy® Award winner released an all-Penderecki album in August 2018 titled Hommage à Penderecki, which included the world premiere recording of the composer’s Sonata No. 2 for Violin and Piano. The album marks the culmination of Ms. Mutter’s season-wide celebration of Penderecki’s 85th birthday in 2018, which has included recitals across U.S. and Europe, performed with the London Philharmonic, Rundfunk-Sinfonieorchester Berlin, and at Carnegie Hall.
Ms. Mutter has received international awards and honors, including the Polish Gold Medal for Merit to Culture, the Bavarian State Foundation Culture Prize, the Romanian Order of Cultural Merit in the rank of Grand Officer, the insignia of a Commander of the French Order of Arts and Literature, the Crystal Award by the World Economic Forum for her services to music education and young artists, the Ernst von Siemens Music Prize, and the German Grand Order of Merit, among numerous others.
Anne-Sophie Mutter, violin