Kristine Opolais joins Andris Nelsons for an exciting evening of opera and song!
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Koussevitzky Music Shed
- Lenox, MA
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The 2018-19 season is Andris Nelsons’ fifth as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. Named Musical America’s 2018 Artist of the Year, Mr. Nelsons will lead fourteen of the BSO’s twenty-six subscription programs in 2018-19, ranging from orchestral works by Haydn, Beethoven, Tchaikovsky, Stravinsky, and Copland to concerto collaborations with acclaimed soloists, as well as world and American premieres of pieces newly commissioned by the BSO from Thomas Adès, Sebastian Currier, Andris Dzenītis, and Mark-Anthony Turnage; the continuation of his complete Shostakovich symphony cycle with the orchestra, and concert performances of Puccini’s one-act opera Suor Angelica. In summer 2015, following his first season as music director, Andris Nelsons’ contract with the BSO was extended through the 2021-22 season. In November 2017, he and the orchestra toured Japan together for the first time. In February 2018, he became Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he brings both orchestras together for a unique multi-dimensional alliance. Immediately following the 2018 Tanglewood season, Maestro Nelsons and the BSO made their third European tour together, playing concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam. Their first European tour, following the 2015 Tanglewood season, took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals; the second, in May 2016, took them to eight cities in Germany, Austria, and Luxembourg.
The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His recordings with the BSO, all made live in concert at Symphony Hall, include the complete Brahms symphonies on BSO Classics; Grammy-winning recordings on Deutsche Grammophon of Shostakovich’s symphonies 5, 8, 9, and 10, the initial releases in a complete Shostakovich symphony cycle for that label; and a new two-disc set pairing Shostakovich’s symphonies 4 and 11, The Year 1905. Under an exclusive contract with Deutsche Grammophon, Andris Nelsons is also recording the complete Bruckner symphonies with the Gewandhausorchester Leipzig and the complete Beethoven symphonies with the Vienna Philharmonic.
The 2018-19 season is Maestro Nelsons’ final season as artist-in-residence at the Konzerthaus Dortmund and marks his first season as artist-in-residence at Hamburg’s Elbphilharmonie. In addition, he continues his regular collaborations with the Vienna Philharmonic and Berlin Philharmonic. Throughout his career, he has also established regular collaborations with Amsterdam’s Royal Concertgebouw Orchestra, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra, and has been a regular guest at the Bayreuth Festival and the Royal Opera House, Covent Garden.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007.
|Andris Nelsons, conductor||
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Kristine Opolais is one of the most sought after sopranos on the international scene today, appearing at the Metropolitan Opera New York, Wiener Staatsoper, Deutsche Staatsoper Berlin, Bayerische Staatsoper, Teatro alla Scala, Opernhaus Zürich and the Royal Opera House Covent Garden. She is working with such conductors as Daniel Barenboim, Antonio Pappano, Sir Simon Rattle, Sir Mark Elder, Daniel Harding, Andris Nelsons, Fabio Luisi, Kirill Petrenko and Semyon Bychkov.
In the 2017/18 season Opolais continues her notable collaboration with the Royal Opera House Covent Garden, making her role debut as Elsa in "Lohengrin", in a new production by David Alden, starring opposite Klaus Florian Vogt. Previously in London, Opolais has particularly cemented her title as "the leading Puccini Soprano of today" (The Telegraph), appearing in Kent's 2014 production as Manon Lescaut, as well as starring as Cio-Cio San and Floria Tosca. This season Opolais also looks forward to making her debut at the Hamburg Staatsoper, in "Madama Butterfly", in two special performance as part of the Italian Opera Festival. She also returns for performances of this signature role at the Wiener Staatsoper.
Kristine Opolais is particularly known for her notable collaborations with the Metropolitan Opera, her performances frequently broadcast in HD worldwide. She recently starred as the title role in Zimmerman's 2017 production of "Rusalka", and she received the highest critical praise for her "vocally lustrous and achingly vulnerable performance" (NY Times). Opolais has maintained this strong relationship with the Met since her debut as Magda in "La Rondine" in 2013. Famously, in 2014 Opolais made history at the Met, with two role debuts in 18 hours. She gave a renowned performance in "Butterfly", only to step in for a matinee of "La bohème" the next day, which was additionally cinema broadcast worldwide and Opolais wowed audiences around the globe. She has also forged a strong relationship with the Bayerische Staatsoper, which began in 2010 when Opolais made her debut, to wide acclaim, as Rusalka. Since this time Opolais has appeared in numerous titles including "Manon Lescaut", "Madama Butterfly", Tatjana in "Onegin" and Margherita in "Mefistofele".
In recent seasons, Opolais' concert performances have included appearances at Salzburg Festival, BBC Proms and Tanglewood Festival, where Opolais is a regular guest - this season headlining closing weekend in opera gala, including Act II of "Tosca", with Sir Bryn Terfel. Opolais has appeared with orchestras including the Berliner Philharmoniker, Gewandhausorchester Leipzig, Concertgebouworkest, Symphonieorchester des Bayerischen Rundfunks and Filarmonica della Scala. Highlights of 2017/18 include Opolais' joining an all-star cast, with Piotr Beczała and Rene Papé in Dvorak's Stabat Mater, opening the Prague Festival. She also debuts with the Wiener Philharmoniker, which stands as her third consecutive season appearing at the prestigious Musikverein.
Opolais' forthcoming recording is a DVD of Tosca, from Himmelmann's 2017 production in Baden-Baden, with the Berliner Philharmoniker, conducted by Rattle. Further DVD recordings include Royal Opera House's "Manon Lescaut", in which Opolais sings the title role opposite Jonas Kaufmann, Prokofiev's "The Gambler" at the Deutsche Staatsoper under the baton of Barenboim and "Rusalka" from the Bayerische Staatsoper. CD recordings include those with WDR Sinfonieorchester Köln of "Suor Angelica", released with Orfeo and nominated for a BBC Music Magazine Award, "Simon Boccanegra" on the Decca label and collaborating with Jonas Kaufmann on his Grammy recognised Puccini disc with Sony.
|Kristine Opolais, soprano|
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The Welsh bass-baritone Sir Bryn Terfel has performed in all the great opera houses of the world, and is especially recognised for his portrayals of Figaro, Falstaff and Wotan. He made his operatic début in 1990 as Guglielmo in Così fan tutte for Welsh National Opera. His international operatic career began in 1991 when he sang the Speaker in Mozart's Die Zauberflöte at the Théâtre de la Monnaie in Brussels and in the same year he made his United States début as Figaro at the Santa Fe Opera. Other roles performed during his career include Holländer in Der fliegende Holländer, Méphistophélès in Faust, both the Title Role and Leporello in Don Giovanni, Jochanaan in Salome, Scarpia in Tosca, the Title Role in Gianni Schicchi, Nick Shadow in The Rake's Progress, Wolfram in Tannhäuser, Balstrode in Peter Grimes, Four Villains in Les contes d'Hoffmann, Dulcamara in L'Elisir d'Amore and the Title Role in Sweeney Todd.
Bryn is also known for his versatility as a concert performer, with highlights ranging from the opening ceremony of the Wales Millennium Centre, BBC Last Night of the Proms, and the Royal Variety Show to a gala concert with Andrea Bocelli in Central Park, New York. He has given recitals in the major cities of the world and for nine years hosted his own festival in Faenol, North Wales.
He is a Grammy, Classical Brit and Gramophone Award winner with a discography encompassing operas of Mozart, Wagner and Strauss, and more than ten solo discs including Lieder, American musical theatre, Welsh songs and sacred repertory.
In 2003, Bryn was made a CBE for services to Opera in the Queen's New Year Honours list and in 2006 was awarded the Queen's Medal for Music. He is also the last recipient of the Shakespeare Prize by the Alfred Toepfer Foundation, Hamburg.
Highlights in recent years include Bryn's debut in the role of Hans Sachs in the critically acclaimed production of Die Meistersinger von Nürnberg for Welsh National Opera, his return to La Scala, Milan to open the 2011 season singing Leporello in Don Giovanni and Scarpia in Tosca. Highlights in 2012 included the role of Wotan in Wagner's Ring Cycle for the Royal Opera House, Covent Garden and the Metropolitan Opera, New York, the title role in Der fliegende Holländer for Zurich Opera, Scarpia for Bayerische Staatsoper, Munich and host to a four day festival, Brynfest, at the Southbank Centre, London as part of the Southbank Centre's Festival of the World.
In 2013, Bryn made his debut in concert at the Abu Dhabi Festival and the Royal Opera House, Muscat and performed with the Melbourne Symphony Orchestra, New Zealand Symphony Orchestra and returned to the Sydney Opera House in recital. His new album with the Mormon Tabernacle choir was released on the Deutsche Grammophon label in September 2013.
Highlights in 2014 include semi-staged performances of Sweeney Todd at the Lincoln Center, New York and at the Llangollen International Music Festival, a concert tour of South Africa and a return to ROH, Covent Garden to sing Méphistophélès in Gounod's Faust and Dulcamara in L'Elisir D'Amore.
Highlights in 2015 will be his debut in the role of Tevye in Fiddler on the Roof for Grange Park Opera and concerts to celebrate his 50th birthday at the Royal Albert Hall, London and Wales Millennium Centre.
Bryn is pleased to have an association with several companies, most notably Rolex, Clogau Gold and the Penderyn Distillery.
|Sir Bryn Terfel, bass-baritone||
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A native of Miami, Tenor Russell Thomas is quickly establishing himself as one of the most exciting vocal and dramatic talents on the international opera and concert scene, most recently as the First-Prize winner of the prestigious "Viñas Competition" in Barcelona (First Prize, Audience Favorite and Best Tenor) and at the "Competizione dell'Opera" in Dresden.
Russell Thomas' current season begins with his role debut as Pinkerton in MADAMA BUTTERFLY for his return to the Welsh National Opera. He will then be heard in two operas at his home company, the Metropolitan Opera, first as Foresto and Uldino in a new Pierre Audi/Riccardo Muti production of Verdi's ATTILA, then as the Steersman in DER FLIEGENDE HOLLÄNDER. Later in the season, Mr. Thomas will add two more Verdi parts to his repertoire: the tenor solo in his MESSA DA REQUIEM for the Basel Opera and Cassio in OTELLO with the Cincinnati Opera. Future plans include returns to the Metropolitan Opera and a debut with the Frankfurt Opera, all in leading roles.
Mr. Thomas' recent projects included Tamino in THE MAGIC FLUTE at the Metropolitan Opera, his debut as the Duke of Mantua in RIGOLETTO with the Arizona Opera, and the Steersman in DER FLIEGENDE HOLLÄNDER with Atlanta Opera. Russell Thomas also reprised his role of the Prince for John Adams' A FLOWERING TREE with Lincoln Center's Mostly Mozart Festival, the Los Angeles Philharmonic, the Perth International Festival and the Tokyo Symphony Orchestra. Among other notable debuts were the role of Mao Tse-Tung in Mr. Adams' NIXON IN CHINA with the Pittsburgh Symphony and the composer conducting as well as concerts of Schubert's MASS NO. 6 with the Houston Symphony and Hans Graf. He also performed George Walker's LILACS with the Philadelphia Orchestra at Verizon Hall and Carnegie Hall/Stern Auditorium, conducted by Charles Dutoit, as well as the tenor soloist in Michael Tippett's A CHILD OF OUR TIME as part of the Honor! Festival at Carnegie Hall/Stern Auditorium. In addition, Mr. Thomas appeared at Carnegie's Weill Hall for the Marilyn Horne Foundation in a joint recital that was part of the mezzo's 75th birthday celebration.
Further engagements included Tamino in THE MAGIC FLUTE for Welsh National Opera, Malcolm in MACBETH for the Metropolitan Opera, as well as appearances at Festival d'Aix-en-Provence where he reprised his role of the Sultan in ZAIDE and A FLOWERING TREE at the Concertgebouw in Amsterdam, among other concert and recital engagements.
In the 2006/2007 season the tenor returned to the Metropolitan
Opera to cover Tamino in DIE ZAUBERFLÖTE, while creating the role
of the Prince in the world premiere of John Adams' A FLOWERING TREE
for Peter Sellars' New Crowned Hope Festival in Vienna. The work
was also the vehicle for his Berlin Philharmonic debut under the
baton of Sir Simon Rattle, as well as his San Francisco Symphony
debut. Other engagements this season included debuts with the
Chamber Music Society of Lincoln Center, Michigan Opera Theatre as
Tybalt in ROMEO ET JULIETTE, concerts with the London Symphony at
the Barbican Centre in London and recitals in Miami and NYC with
renowned pianist Ken Noda.
An alumnus of the prestigious Lindemann Young Artist Development Program of the Metropolitan Opera, Russell Thomas was also a member of Seattle Opera Young Artist Program, a Roger R. Hinkley artist at the Florida Grand Opera, a Gerdine Young Artist with Opera Theatre of St Louis, an apprentice at the Sarasota Opera and was proud to take part in the 2005 and 2006 Marlboro Music Festivals. He holds a Bachelor's Degree of Music in Performance from the New World School of the Arts.
|Russell Thomas, tenor|
Tanglewood Festival Chorus