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Thomas Adès was born in London in 1971. Renowned as both a composer and a performer, Thomas Adès works regularly with the world’s leading orchestras, opera companies and festivals.
His compositions include three operas : the most recent of which The Exterminating Angel premiered at the 2016 Salzburg Festival and subsequently has been performed at the Metropolitan Opera, New York and the Royal Opera House, London; The Tempest (Royal Opera House and Metropolitan Opera); and Powder Her Face. His orchestral works include Asyla (CBSO, 1997), Tevot (Berlin Philharmonic and Carnegie Hall, 2007), Polaris (New World Symphony, Miami 2011), Violin Concerto Concentric Paths (Berliner Festspiele and the BBC Proms, 2005), In Seven Days (Piano concerto with moving image - LA Philharmonic and RFH London 2008), and Totentanz for mezzo-soprano, baritone, and orchestra (BBC Proms, 2013). His compositions also include numerous celebrated chamber and solo works.
Thomas Adès was recently appointed Artistic Partner by the Boston Symphony Orchestra through 2019; he will conduct the orchestra in Boston and at Tanglewood, perform chamber music with the orchestra players, and lead the summer Festival of Contemporary Music. He coaches Piano and Chamber Music annually at the International Musicians Seminar, Prussia Cove.
As a conductor, Thomas appears regularly with, among others, the Los Angeles, New York and London Philharmonic orchestras, the Boston, London, BBC, City of Birmingham, Melbourne and Sydney Symphony orchestras, the Royal Concertgebouworkest and last season he made his debut with the Czech Philharmonic. In opera, in addition to The Exterminating Angel, he has conducted The Rake’s Progress at the Royal Opera House and the Zürich Opera, The Tempest at the Metropolitan Opera and Vienna State Opera, and Gerald Barry’s latest opera Alice’s Adventures Under Ground in Los Angeles (world premiere) and in London (European premiere). This season he will conduct the London and Los Angeles Philharmonic orchestras, the Finnish Radio and Boston Symphony orchestras, as well as the Orchestre de Paris, the Leipzig Gewandhausorchester and Britten Sinfonia.
His recent piano engagements include solo recitals at Carnegie Hall (Stern Auditorium), New York and the Wigmore Hall in London, and concerto appearances with the New York Philharmonic. In recital, this season he will give a solo programme of Janáček in London, Paris, Lisbon and the Czech Republic, Schubert’s Winterreise at London’s Wigmore Hall with Ian Bostridge, and he will join Kirill Gerstein in duo recitals at Carnegie Hall and the Tanglewood Festival.
His many awards include the Grawemeyer Award for Asyla (1999); Royal Philharmonic Society large-scale composition awards for Asyla, The Tempest and Tevot; and Ernst von Siemens Composers' prize for Arcadiana; British Composer Award for The Four Quarters. His CD recording of The Tempest from the Royal Opera House (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d'Or de l'année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards); and The Exterminating Angel won the World Premiere of the Year at the International Opera Awards (2017). In 2015 he was awarded the prestigious Léonie Sonning Music Prize.
Thomas Adès, conductor
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The multifaceted pianist Kirill Gerstein is rapidly ascending
into classical music's highest ranks. With a masterful technique,
discerning intelligence, and a musical curiosity that has led him
to explore repertoire spanning centuries and numerous styles, he
has proven to be one of today's most intriguing and versatile
Mr. Gerstein is the sixth recipient of the prestigious Gilmore
Artist Award, presented every four years to an exceptional pianist
who, regardless of age or nationality, possesses broad and profound
musicianship and charisma and who desires and can sustain a career
as a major international concert artist. Since receiving the award
in 2010, Mr. Gerstein has shared his prize through the
commissioning of boundary-crossing new works by Oliver Knussen,
Chick Corea, Brad Mehldau, Timothy Andres and Alexander Goehr. Mr.
Gerstein was also awarded First Prize at the 2001 Arthur Rubinstein
Piano Competition in Tel Aviv, received a 2002 Gilmore Young Artist
Award and a 2010 Avery Fisher Grant.
Highlights of his 2015-16 season in North America include
performances of Scriabin's Prometheus: Poem of Fire with Ricardo
Muti and the Chicago Symphony, Rachmaninoff Concerto No. 2 with
Semyon Bychkov and the Berlin Philharmonic, Rachmaninoff Concerto
No. 1 with the Cleveland Orchestra, and playing both of George
Gershwin's piano concertos in the original jazz-band version to
open New York's 92nd Street Y's 15/16 season; re-engagements with
the Los Angeles Philharmonic as well as with the Toronto,
Cincinnati, Dallas, Houston, Colorado, Utah and Oregon symphonies
and the National Arts Centre Orchestra; a tour to Australia and New
Zealand; his debut with the Royal Concertgebouw with concerts in
Amsterdam and Frankfurt; a European tour with the Czech
Philharmonic; and recitals in New York and Houston.
Kirill Gerstein's recent North American engagements include
performances with the New York Philharmonic, the Philadelphia and
Minnesota Orchestras, and the Boston, St. Louis, San Francisco,
Atlanta, Baltimore, Detroit, Indianapolis and Montreal symphonies
among others. He has also recently appeared at the Aspen Music
Festival, Santa Fe Chamber Music Festival, Chicago's Grant Park,
Tanglewood with the Boston Symphony, Blossom with the Cleveland
Orchestra, and with the Philadelphia Orchestra at the Bravo! Vail
Valley Festival, Mann Music Center and Saratoga; and performed in
recital at New York's 92nd St. Y and Zankel Hall at Carnegie Hall,
the Kennedy Center and in Boston, Toronto, Berkeley, Vancouver,
Detroit, Miami and Princeton.
Internationally, Kirill Gerstein has played with such prominent
European orchestras as the Czech, Munich, Rotterdam and London
Philharmonics, the City of Birmingham Symphony Orchestra, Deutsches
Symphonie-Orchester Berlin, Dresden Staatskappelle, Finnish Radio
Orchestra, Tonkünstler Orchestra Vienna, WDR Symphony Orchestra
Cologne and the Zurich Tonhalle, as well as with the NHK Symphony
Orchestra in Tokyo. He has performed recitals in Paris, Prague,
Hamburg, London's Wigmore Hall and Queen Elizabeth Hall, and at the
Liszt Academy in Budapest. He made his Salzburg Festival debut
playing solo and two piano works with Andras Schiff and has also
appeared at the Lucerne and Jerusalem Chamber Music Festivals as
well as at the Proms in London.
Mr. Gerstein's second solo recording featuring Mussorgsky's
Pictures at an Exhibition and Schumann's Carnaval was released by
Myrios Classics in June 2014. His first solo recording with works
by Schumann, Liszt and Oliver Knussen, also for Myrios, was chosen
by The New York Times as one of the best recordings of 2010. He
also collaborated with Tabea Zimmerman on two recordings of sonatas
for viola and piano for Myrios, released in February 2011 and
November 2012. His most recent recording of the Tchaikovsky Piano
Concerto No. 1 and the Prokofiev Piano Concerto No. 2 with the
Deutsches Symphonie-Orchester Berlin was released by Myrios in
March 2015 and is the first recording using the new critical
edition recently completed by the Tchaikovsky Museum in Moscow
using the composer's original second version.
Born in 1979 in Voronezh, Russia, Mr. Gerstein studied piano at
a special music school for gifted children and taught himself to
play jazz by listening to his parents' extensive record collection.
At the age of 14, he came to the United States to study jazz piano
as the youngest student ever to attend Boston's Berklee College of
Music. After completing his studies in three years and following
his second summer at the Boston University program at Tanglewood,
Mr. Gerstein turned his focus back to classical music and moved to
New York City to attend the Manhattan School of Music, where he
studied with Solomon Mikowsky and earned both Bachelors and Masters
of Music degrees by the age of 20. He continued his studies in
Madrid with Dmitri Bashkirov and in Budapest with Ferenc Rados.
Mr. Gerstein became an American citizen in 2003 and divides his
time between the United States and Germany.
Kirill Gerstein, piano