St. Vincent
Lead Season Sponsor
Thursday, June 4, 2026, 7:30pm
BOSTON POPS
JULES BUCKLEY conducting
RUBY PLUME, opening act
INTERMISSION (30 minutes)
Presenting ST. VINCENT
Selections to be announced from the stage
When can I take photos and videos? You are welcome (and encouraged!) to take photos and videos before and after the concert, and at intermission. Symphony Hall makes for a beautiful backdrop! Photos, videos, and audio recordings are strictly prohibited during the performance. At that time, be a great neighbor to your fellow concertgoers, put your phone or camera away, and enjoy the moment!
Guests are expected to drink responsibly. Intoxication will not be tolerated. Intervention with an impaired guest will be handled in a prompt and safe manner, which may include ejection from the premises.
The Boston Pops welcomes: Harvard Outings & Innings
Steve Colby, Sound Designer | Pamela Smith, Lighting Designer
The Boston Pops Orchestra may be heard on Boston Pops Recordings, RCA Victor, Sony Classical, and Philips Records.
Steinway & Sons Pianos, selected exclusively for Symphony Hall.
Special thanks to Fidelity Investments, Lead Season Sponsor, and Fairmont Copley Plaza, Official Hotel of the Boston Pops.
New arrangements and works for the Boston Pops are generously supported by the Cecile Higginson Murphy Pops Programming Fund.
Broadcasts of the Boston Pops are heard on 99.5 WCRB.
Programs and artists subject to change.
The BSO’s 2025-26 season is supported in part by the Massachusetts Cultural Council.
Boston Symphony Orchestra, Inc.
Board of Trustees | Board of Advisors | Staff and Administration
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Boston Pops
Led by conductor Keith Lockhart, the Boston Pops, known affectionately as “America’s Orchestra,” performs an exciting and eclectic mix of orchestral arrangements from a wide range of traditions including Broadway and the great American songbook, film music, classical, jazz, pop, country, folk, and, of course, holiday classics. The Pops was created in 1885 as the “light classical” summer season venture of the Boston Symphony. The Boston Pops Orchestra reached its current iconic status during the 50-year tenure of the legendary Arthur Fiedler, who was succeeded in 1980 by the equally renowned film composer John Williams. Keith Lockhart took the helm in 1995. It was Fiedler who started the tradition of Pops performances on the Charles River Esplanade, including the annual Fourth of July celebration, brought the Pops to television with Evening at Pops (1970-2004), and initiated Holiday Pops, which marked its 50th anniversary in 2023. Fiedler welcomed to our stages dynamic, world-class guest artists including Ella Fitzgerald, Dizzy Gillespie, Julia Child, and Bob Hope. That tradition continues today with Keith Lockhart working with such stars as Brian Stokes Mitchell, The B-52s, Chaka Khan, Nick Jonas, and Rhiannon Giddens. With the Pops, Keith has made 81 television shows, led 45 national and 5 overseas tours, led the Pops at several high-profile sporting events including the Super Bowl, and recorded fourteen albums. Through it all the orchestra has remained of the most recorded, familiar, and beloved ensembles in the world today.
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![Jules Buckley]()
Jules Buckley
Jules Buckley is a Grammy-winning artist and renowned orchestrator, arranger, and conductor. As the middleman between orchestra and artist, he has created bespoke projects with artists including Quincy Jones, Harry Styles, Jacob Collier, Father John Misty, Jon Hopkins, Michael Kiwanuka, Anoushka Shankar, Florence + the Machine, Moses Sumney, Stevie Wonder, and Paul Weller.
He is Chief Conductor of the Metropole Orkest and Creative Artist in Association with the BBC Symphony Orchestra. In 2016, he won a Grammy for Sylva with Snarky Puppy. In 2025, he marked his 25th BBC Prom, collaborating with St. Vincent and The Jules Buckley Orchestra. After working with Harry Styles on the track "Coming Up Roses" from the 2026 album Kiss All The Time. Disco, Occasionally, he will collaborate with Styles again in summer 2026, leading the Jules Buckley Orchestra for Styles' headline London show as part of Southbank Centre's Meltdown Festival.
In Buckley's words: "I hope to keep bringing the music I love to new spaces and to continue to push the stereotypes of what an orchestra can do in the modern day".
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St. Vincent
Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Her subsequent albums would include Actor (2009), Strange Mercy (2011), her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album. In 2017, her fifth album MASSEDUCTION would break St. Vincent into the U.S. and UK top 10s and win two more GRAMMYs (Best Rock Song for its title track, and Best Recording Package). 2021’s Daddy’s Home found St. Vincent channeling the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC to an ecstatic reception, ultimately winning her a second Best Alternative Album GRAMMY. Following a 2021-2022 global tour that reaffirmed St. Vincent’s status as one of live music's preeminent forces with headline appearances at the likes of the Hollywood Bowl and Radio City Music Hall, Clark would begin work on album number seven: Her first fully self-produced album (having co-produced every one of her previous efforts)—and third Best Alternative Album GRAMMY winner— All Born Screaming is St. Vincent at her most primal. Featuring Clark leading “a curated group of rippers” through the brawny “Broken Man” (her second Best Rock Song GRAMMY winner), infectious Best Alternative Performance GRAMMY-winning “Flea,” and mordant catwalk sashay through deafening assault of self-loathing that is “Big Time Nothing," All Born Screaming is equal parts spiritual desolation and rapturous acceptance. “If you’re born screaming, that’s a great sign,” says Clark, “because it means you’re breathing. You’re alive. My god. It’s joyous. And then it’s also a protest. We’re all born in protest in a certain way. It’s terrifying to be alive, it’s ecstatic to be alive. It’s everything.”
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![Ruby Plume press photo]()
Ruby Plume
Ruby Plume is an alt folk-pop artist from Nashville whose intricate storytelling and lush guitar melodies form a liminal, daydreamy musical canvas. Her vocals carry a quiet intensity, layering youthful clarity over emotional depth reminiscent of artists who defined alt-pop for a new generation. Ruby’s songs are subtly prismatic — shifting effortlessly between vivid emotions and elusive mystery, warmth and introspection.
Beyond her standout singer-songwriter talent, Ruby is a poly-artistic force, incorporating guitar finesse, imaginative illustration, and mixed-media art into her creative arsenal. These visual explorations deepen the vivid daydream that is her developing world — rounding out a creative universe that feels both tangible and dreamlike.
Boston Pops Major Corporate Sponsors, 2025-26 Season
The Boston Pops and Symphony Hall major corporate sponsorships reflect the increasing importance of alliance between business and the arts. The Boston Pops is honored to be associated with the following companies and gratefully acknowledges their partnership. For information regarding BSO, Boston Pops, and/or Tanglewood sponsorship opportunities, contact Joan Jolley, Director of Corporate Partnerships, at (617) 638-9279 or jjolley@bso.org.