John Powell
About
A native of London, Powell was an accomplished violinist as a child, wrote music for commercials out of school, and assisted composer Patrick Doyle in the early 1990s. He moved to the U.S. in 1997, where he worked on numerous projects for Hans Zimmer and his film music company Remote Control. He co-wrote the score for Antz with Harry Gregson-Williams, and quickly became one of the most desirable, versatile, and exciting composers in town.
John Powell was catapulted into the realm of A-list composers by displaying an entirely original voice with his oft-referenced score to the first installment of Matt Damon’s Bourne trilogy, The Bourne Identity, from 2002. He has become the go-to writer for animated family films, scoring such hits as Shrek (co-written with Harry Gregson-Williams), Chicken Run (co-written with Gregson-Williams), Ice Age: The Meltdown, Ice Age: Dawn of the Dinosaurs, Bolt, Rio, Happy Feet, Happy Feet Two, and the two first installments of Kung Fu Panda (co-written with Hans Zimmer). His pulsating action music has provided the fuel for Hancock, Green Zone, Stop Loss, Mr. & Mrs. Smith, and The Italian Job. His music has also sweetened the romance of Two Weeks Notice and P.S. I Love You. In 2006 his music empowered X-Men: The Last Stand and lent gripping, real-time drama to United 93.
His infectious score for How to Train Your Dragon earned him his first Academy Award nomination. Powell has also lent his voice to the score of Dr. Seuss’ The Lorax, Ice Age: Continental Drift, Rio 2, directed by Carlos Saldanha, and DreamWorks’ How to Train Your Dragon 2. His work can be found in Warner Bros.’ Pan starring Hugh Jackman, Universal Pictures’ action thriller Jason Bourne starring Matt Damon, Fox’s Oscar-nominated animated feature Ferdinand, Disney’s highly anticipated Solo: A Star Wars Story, directed by Ron Howard, which gave him the opportunity to collaborate with Maestro John Williams, and the critically acclaimed final installment of DreamWorks Animation’s How to Train Your Dragon: The Hidden World, directed by Dean DeBlois.
In addition to his numerous film scores of all genres, John Powell has also written concert works for choir and orchestra. A selection of these was released on the album Hubris — Choral Works by John Powell, including his deeply moving work A Prussian Requiem.