Wendall Harrington
About
Opera design: Werther at the Met, Julie Taymor's The Magic Flute in Florence, Italy; A View from the Bridge, Die Gezeichneten, Nixon in China, The Photographer, Brundibar, Transatlantic, Grapes of Wrath, Rusalka, Intelligence at HGO (upcoming)
Broadway: Paradise Square, Driving Miss Daisy, Gray Gardens, They’re Playing Our Song, My One And Only, The Heidi Chronicles, The Will Rogers Follies, Having Our Say, Company, Ragtime, The Capeman, and The Who’s Tommy
Off Broadway: Sunday In The Park With George, Angels In America, Hapgood, Merrily We Roll Along
Ballet: The Fairy’s Kiss, Pictures At An Exhibition, Anna Karenina, Firebird, Cinderella and Opera for Alexei Ratmansky, Othello for Lar Lubovich, Ballet Mechanique for Doug Varone, Nutcracker and Firebird for Miami, Sylvia for Houston.
Concert: Kevin Puts’ The Brightness of Light, The Talking Heads “Stop Making Sense” Pete Townshend’s “Psychoderelict” tours for Chris Rock and Simon and Garfunkel.
Ms. Harrington is the recipient of the Drama Desk Award, the Outer Critics Circle Award, the American Theatre Wing Award, the TCI Award for Technical Achievement and the OBIE Award for Sustained Excellence of Projections, the Michael Merrit award for collaboration, Ruth Morely Women in Design Award, USITT Education and Digital technology awards and Lifetime Recognition from the Knights of Illumination.
Ms. Harrington is the head of the Projection Design Concentration at the Yale School of Drama.
