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Stefan Jackiw is one of America's foremost violinists, captivating audiences with playing that combines poetry and purity with an impeccable technique. Hailed for playing of "uncommon musical substance" that is "striking for its intelligence and sensitivity" (Boston Globe), Jackiw has appeared as soloist with the Boston, Chicago, Cleveland, New York, Philadelphia, and San Francisco symphony orchestras, among others.
This season, highlights include performances of the Mendelssohn Concerto with the Dallas Symphony, under Juraj Valcuha, and the Minnesota Orchestra, under Ilyich Rivas. He also returns to the Utah, Omaha, and Kansas City Symphonies, and in Europe, tours with the Antwerp Symphony Orchestra, and performs with the Residentie Orkest, Copenhagen Philharmonic, and the Helsinki Philharmonic. Further afield, he appears with the Singapore Symphony and Tasmanian Symphony, and returns to Korea to perform with the KBS Symphony Orchestra.
In recital, Jackiw performs the complete Ives Violin Sonatas with Jeremy Denk at the Tanglewood Festival, ahead of their upcoming recording of the works for Nonesuch Records. He also joins the acclaimed pianist alongside Benjamin Beilman, and Pamela Frank, in performances of the Mozart Violin Sonatas both at Carnegie Hall and Philadelphia Chamber Music Society. Jackiw will also appear in recital with Conrad Tao playing works by Stravinsky, Lutoslawski, Saariaho, and Brahms.
Last season, following their performance of Korngold with the Cleveland Orchestra, Jackiw reunited with Valc?uha for performances with the Detroit Symphony and Luxembourg Philharmonic. He also made his debut with the National Symphony in Washington, DC, performing Bruch's Violin Concerto with Marek Janowski. In recital, he appeared on tour throughout the US, with performances in Baltimore, Houston, Philadelphia, and with the Boston Celebrity Series. Abroad, Stefan appeared on tour performing the Tchaikovsky Concerto with l'Orchestre National d'Île-de-France in Europe and Asia, which included his debut at the Philharmonie de Paris. He also returned to the Bournemouth Symphony playing Korngold with Andrew Litton, and Amsterdam's Concertgebouw, performing Tchaikovsky with Residentie Orkest.
Highlights of recent seasons include a performance of Prokofiev's Second Violin Concerto at Carnegie Hall with Mikhail Pletnev, as part of a multi-city tour with the Russian National Orchestra; as well as performances with the St. Louis Symphony under Nicholas McGegan, the Rotterdam Philharmonic under Yannick Nézet-Séguin, the Indianapolis Symphony under Krzysztof Urbanski, and the Pittsburgh Symphony under Valc?uha. Other highlights in Europe included his performances Netherland Radio Symphony and Ludovic Morlot at the Concertgebouw. In Asia, Stefan recently appeared for the first time with the Tokyo Symphony at Suntory Hall under the direction of Krzysztof Urbanski, and returned to the Seoul Philharmonic under Venzago. He also toured Korea, playing chamber music with Gidon Kremer and Kremerata Baltica. In Australia, Stefan toured with the Australian Chamber Orchestra play-directing Mendelssohn. He also gave the world premiere of American composer David Fulmer's Violin Concerto No 2 "Jubilant Arcs", written for him and commissioned by the Heidelberg Festival with the Deutsche Kammerphilharmonie under Matthias Pintscher. Recitals included his performance of the complete Brahms violin sonatas at the Aspen Festival, which he has recorded for Sony. He also recorded the Beethoven Triple with Inon Barnatan, Alisa Weilerstein, Alan Gilbert and Academy St. Martin in the Fields.
Jackiw is also an active recitalist and chamber musician. He has performed in numerous important festivals and concert series, including the Aspen Music Festival, Ravinia Festival, and Caramoor International Music Festival, the Celebrity Series of Boston, New York's Mostly Mozart Festival, the Metropolitan Museum of Art, the Washington Performing Arts Society and the Louvre Recital Series in Paris. As a chamber musician, Jackiw has collaborated with such artists as Jeremy Denk, Steven Isserlis, Yo-Yo Ma, and Gil Shaham, and forms a trio with Jay Campbell and Conrad Tao. At the opening night of Carnegie Hall's Zankel Hall in New York, Jackiw was the only young artist invited to perform, playing alongside such artists as Emanuel Ax, Renée Fleming, Evgeny Kissin, and James Levine.
Born to physicist parents of Korean and German descent, Stefan Jackiw began playing the violin at the age of four. His teachers have included Zinaida Gilels, Michèle Auclair, and Donald Weilerstein. He holds a Bachelor of Arts from Harvard University, as well as an Artist Diploma from the New England Conservatory, and is the recipient of a prestigious Avery Fisher Career Grant. He lives in New York City.
Stefan Jackiw, violin
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Jeremy Denk is one of America’s foremost pianists. Winner of a MacArthur "Genius" Fellowship, and the Avery Fisher Prize, Denk was recently elected to the American Academy of Arts and Sciences. Denk returns frequently to Carnegie Hall and in recent seasons has appeared with the Chicago Symphony, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Cleveland Orchestra, as well as on tour with Academy St. Martin in the Fields, and at the Royal Albert Hall as part of the BBC Proms.
In 18-19, Denk embarks on a three-week recital tour of the US, including appearances in Washington, D.C., Seattle, Cleveland, and Pittsburgh, and culminating in his return to Carnegie Hall. His orchestral highlights include play-directing Mozart with the Toronto Symphony, and on tour throughout the US with Academy St Martin in the Fields. He also returns to the Atlanta and Colorado Symphonies, and continues his work as Artistic Partner with the St. Paul Chamber Orchestra, opening the season directing Beethoven 5 from the keyboard.
In the same season, Denk re-unites with his long time collaborators, Joshua Bell and Steven Isserlis, on an eleven-city tour of the US, including appearances in New York, Boston, Washington, and San Francisco. He also performs and curates a series of Mozart Violin Sonatas (‘Denk & Friends’) at Carnegie Hall. Further collaborations include performing Winterreise with Matthias Goerne, and the Ives violin sonatas at Tanglewood with Stefan Jackiw. Abroad, he returns to the Barbican in London to reunite with the BBC Symphony Orchestra, makes his debut with the City of Birmingham Symphony, and returns to the Helsinki Philharmonic. He also appears in recital in Europe, including his return to the Wigmore Hall as part of a three-year residency. His recording c.1200-c.2000 will be released by Nonesuch Records with music ranging from Guillaume de Machaut, Gilles Binchois and Carlo Gesualdo, to Stockhausen, Ligeti and Glass.
In 17-18, Denk reunited with Michael Tilson Thomas and the San Francisco Symphony to perform Bartok 2, following a performance of the same concerto with the BBC Symphony Orchestra at the BBC Proms. He also returned to Carnegie Hall, both to perform Beethoven 5 with Orchestra St. Luke’s, and alongside Joshua Bell. With his return in subscription to the Seattle Symphony, Denk toured with the orchestra performing Beethoven 5, and was featured as Artistic Partner of the St. Paul Chamber Orchestra with multiple performances throughout the season, including the premiere of a new piano concerto written for him by Hannah Lash. He also appeared in recital throughout the US, with his performances in New York, Chicago, Philadelphia, Boston, Houston, Seattle, Los Angeles, Baltimore, and Princeton. His collaborations in 17-18 included a US tour of the complete Ives Violin Sonatas with Stefan Jackiw in a special project in which Denk presented the sonatas with a vocal ensemble performing hymns embedded in the compositions. A recording of the Sonatas with Jackiw is forthcoming from Nonesuch Records. Abroad, Denk was presented by the Barbican in multiple performances as artist-in-residence at Milton Hall. He also returned to play-direct the Britten Sinfonia in London, and on tour in the UK. In Asia, Denk made his debut in recital in Hong Kong, Seoul, and Singapore.
In 2014, Denk served as Music Director of the Ojai Music Festival, for which, besides performing and curating, he wrote the libretto for a comic opera. The opera was later presented by Carnegie Hall, Cal Performances, and the Aspen Festival. Denk is known for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” The pianist’s writing has appeared in the New Yorker, the New Republic, The Guardian, and on the front page of the New York Times Book Review. One of his New Yorker contributions, “Every Good Boy Does Fine,” forms the basis of a book for future publication by Random House in the US, and Macmillan in the UK. Recounting his experiences of touring, performing, and practicing, his blog, Think Denk, was recently selected for inclusion in the Library of Congress web archives.
In 2012, Denk made his Nonesuch debut with a pairing of masterpieces old and new: Beethoven’s final Piano Sonata, Op. 111, and Ligeti’s Études. The album was named one of the best of 2012 by the New Yorker, NPR, and the Washington Post, and Denk’s account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano. Denk has a long-standing attachment to the music of American visionary Charles Ives, and his recording of Ives’s two piano sonatas featured in many “best of the year” lists.
Jeremy Denk graduated from Oberlin College, Indiana University, and the Juilliard School. He lives in New York City, and his web site and blog are at jeremydenk.net.
Jeremy Denk, piano
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Though the six-man ensemble Hudson Shad (five singers and a pianist) debuted officially in 1992, their nucleus formed in 1977 when three of them made their Carnegie Hall debuts as soloists in Penderecki’s Magnificat. In 1989, the Arts at St. Ann’s in Brooklyn asked bass Wilbur Pauley to contract a quartet to perform as The Family in Kurt Weill’s “Seven Deadly Sins” with Marianne Faithfull. The response was favorable.
Over the past three decades, Hudson Shad has most likely racked up more performances as The Family in the "Seven Deadly Sins" than any other group in history. They have performed in almost 60 different locations, from Arezzo to Zagreb, numbering over 100 performances worldwide. They participated in a staging of the work, in a double bill with Weill’s "Der Lindbergflug," at the Macerata Festival. They have twice recorded the work, once with Masur and the NY Philharmonic and once with Ms. Faithfull, Dennis Russell Davies and the RSO-Wien. In 2008, Hudson Shad was honored to participate in the Carnegie Hall premiere of the work, with Ute Lemper and the Toronto Symphony.
Other orchestra appearances by Hudson Shad have featured more Weill: “Kleine Mahagonny” with the St.Paul Chamber Orchestra, and ”Aufstieg und Fall der Stadt Mahagonny” at the Salzburg Festival. The Schubert bicentennial in 1997 found Hudson Shad returning to the NY Philharmonic for orchestral works with men’s voices, and they performed Schubert songs using the Reger orchestrations with the Bruckner Orchester in Linz. Hudson Shad debuted with the Atlanta Symphony Orchestra as "Wild Things" in Oliver Knussen's "Where the Wild Things Are," conducted by the composer. They have developed their own English translation of Stravinsky's "Renard" and have performed it with Charles Dutoit at the Miyazaki Festival and at the Saratoga Performing Arts Center.
In 1999 Hudson Shad was featured on Broadway in a musical tribute to the legendary German singing group, The Comedian Harmonists: Band in Berlin.
Oct.2015 marked Hudson Shad's debut with the Calgary Philharmonic Orchestra in a double bill of Sins (with Ute Lemper) and Philip Glass' Fall of the House of Usher.
In May 2015, Hudson Shad was honored to make their role debut as the barbershop quartet in the quintessential American musical "The Music Man" with the Cincinnati Pops Orchestra.
Other recent performances include the "Seven Deadly Sins" with the Mexico City Symphony Orchestra (Sept2016); BBC Symphony Orchestra (London,Nov2016); and Detroit Symphony Orchestra (June2017), and Houston Symphony (Nov2018). In May2019, Hudson Shad participated in their third recording of the Sins, this time with the Oregon Symphony, conductor Carlos Kalmar and singer Storm Large.
Hudson Shad first performed the hymn verses complementing the Ives Violin Sonatas at the 2014 Ojai Festival with Jeremy Denk and Jennifer Frautschi; they've repeated the program in 2018, with Stefan Jackiw, at the Celebrity Series in Boston and at the People's Symphony Series in NYC.
Upcoming performances include more Sins on a tour of Germany with Kammerakademie Potsdam in Oct2019.
The members of Hudson Shad appearing at Tanglewood are: Mark Bleeke, tenor; Eric Edlund, baritone; Peter Becker, bass/baritone; and Wilbur Pauley, bass.
Hudson Shad, vocal quartet