Tickets & Events

Tanglewood Music Center Orchestra
WAGNER Die Walküre, Acts II and III
 

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

2:30pm
Act II Performance
6:30pm
Act III Performance

Featured Performers

Andris Nelsons, conductor
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The 2018-19 season is Andris Nelsons’ fifth as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. Named Musical America’s 2018 Artist of the Year, Mr. Nelsons leads fourteen of the BSO’s twenty-six subscription programs in 2018-19, ranging from orchestral works by Haydn, Beethoven, Tchaikovsky, Stravinsky, and Copland to concerto collaborations with acclaimed soloists, as well as world and American premieres of pieces newly commissioned by the BSO from Thomas Adès, Sebastian Currier, Andris Dzenītis, and Mark-Anthony Turnage; the continuation of his complete Shostakovich symphony cycle with the orchestra, and concert performances of Puccini’s one-act opera Suor Angelica. In summer 2015, following his first season as music director, Andris Nelsons’ contract with the BSO was extended through the 2021-22 season. In November 2017, he and the orchestra toured Japan together for the first time. In February 2018, he became Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he brings both orchestras together for a unique multi-dimensional alliance. Immediately following the 2018 Tanglewood season, Maestro Nelsons and the BSO made their third European tour together, playing concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam. Their first European tour, following the 2015 Tanglewood season, took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals; the second, in May 2016, took them to eight cities in Germany, Austria, and Luxembourg.

 The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His recordings with the BSO, all made live in concert at Symphony Hall, include the complete Brahms symphonies on BSO Classics; Grammy-winning recordings on Deutsche Grammophon of Shostakovich’s symphonies 4, 5, 8, 9, 10, and 11 (The Year 1905) as part of a complete Shostakovich symphony cycle for that label; and a new two-disc set pairing Shostakovich’s symphonies 6 and 7 (Leningrad). Under an exclusive contract with Deutsche Grammophon, Andris Nelsons is also recording the complete Bruckner symphonies with the Gewandhausorchester Leipzig and the complete Beethoven symphonies with the Vienna Philharmonic.

 The 2018-19 season is Maestro Nelsons’ final season as artist-in-residence at the Konzerthaus Dortmund and marks his first season as artist-in-residence at Hamburg’s Elbphilharmonie. In addition, he continues his regular collaborations with the Vienna Philharmonic and Berlin Philharmonic. Throughout his career, he has also established regular collaborations with Amsterdam’s Royal Concertgebouw Orchestra, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra, and has been a regular guest at the Bayreuth Festival and the Royal Opera House, Covent Garden.

 Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007.

Andris Nelsons, conductor Amber Wagner, soprano (Sieglinde)
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American soprano Amber Wagner has been featured in Opera News as one of twenty-five artists poised to break out and become a major force in classical music in the coming decade. In a recent review of Wagner’s Der fliegende Holländer at the Metropolitan Opera, the New York Times described her as possessing a “powerful, gleaming and richly expressive voice [which] was ideal for the music.”

Amber Wagner’s 2018-2019 season begins with a return to the Metropolitan Opera, for her role debut as Giorgetta in Il Trittico, conducted by Bertrand de Billy. She returns to Opera Australia to sing the title role in Puccini’s Turandot, and later reprises the role of Sieglinde in Die Walküre with Oper Frankfurt, conducted by Sebastian Weigle.

In the 2017-2018 season, Amber Wagner made her role debut as Aida with Opera Australia. With Sir Andrew Davis, she returned to Lyric Opera of Chicago in the title role of Turandot, a role she debuted with Vancouver Opera earlier in the season. Also with Sir Andrew Davis, Ms. Wagner reprised the role of Sieglinde in concert at the Edinburgh Festival and reprised Senta in Der fliegende Holländer in Rome with the Accademia di Santa Cecilia conducted by Mikko Franck, as well as in Turin with the National RAI Symphony Orchestra conducted by James Conlon. In addition, she returned to the Oregon Symphony to sing Verdi’s Requiem under the baton of Carlos Kalmar.

Operatic highlights of Ms. Wagner’s recent seasons include her company debut with Opera Australia as Sieglinde, and her company debut with the Bayerische Staatsoper in the title role of Ariadne auf Naxos opposite Jonas Kaufmann and conducted by Kirill Petrenko, a role she later reprised for her company debuts with Minnesota Opera and Palm Beach Opera. She returned to the Lyric Opera of Chicago to debut the role of Leonora in Verdi’s Il Trovatore conducted by Asher Fisch, and the role of Elisabeth in Tannhäuser conducted by Sir Andrew Davis. Ms. Wagner returned to the Metropolitan Opera as Senta conducted by Yannick Nézet-Séguin (to great critical acclaim), and returned to Oper Frankfurt to sing Senta and Sieglende.

Other recent operatic engagements include her European debut with the Prague State Opera as Brangäne in Tristan und Isolde; appearances as Elsa in Lohengrin with Lyric Opera of Chicago conducted by Sir Andrew Davis; Elsa and Senta with the Savonlinna Opera Festival; Leonora in La forza del destino at Washington National Opera in a new production directed by Francesca Zambello, and her return as Amelia in Verdi’s Un Ballo in Maschera conducted by Fabio Luisi; the title role in Ariadne auf Naxos at Lyric Opera of Chicago and in concert performances at the Palau de les Arts Reina Sofia in Valencia, both conducted by Mo. Davis, as well as with the Canadian Opera Company, and Sieglinde at Oper Frankfurt with Sebastian Weigle.

Symphonic highlights include Verdi’s Requiem with the Melbourne Symphony and Toronto Symphony Orchestra under the baton of Sir Andrew Davis, Los Angeles Master Chorale, Milwaukee Symphony Orchestra under the baton of Asher Fisch, L’Orchestre Philharmonique de Nice conducted by Philippe Auguin, Houston Symphony conducted by Andrés Orozco-Estrada, Taipei Symphony, Pacific Chorale, Kansas City Symphony, Tucson Symphony, Colorado Symphony, and Grant Park Music Festival. Ms. Wagner performed Strauss’ Vier letzte Lieder with the Orquesta Filarmónica de Jalisco, Spokane Symphony, and Oregon Symphony; a concert of Strauss songs with L’Orchestre Philharmonique de Nice; Mahler’s Symphony No. 8 with the Aspen Music Festival conducted by Robert Spano; Sieglinde in Act 1 in concert performances of Die Walküre with the Colorado Symphony; Beethoven’s Symphony No. 9 with the Grant Park Music Festival and Russian National Orchestra at the Napa Valley Festival del Sole, and Rossini’s Stabat Mater with the Oregon Symphony. With the Orquesta Filarmónica de Jalisco in Guadalajara, Mexico, Ms. Wagner performed several Strauss Lieder, Mahler’s Symphony No. 4, and performed an all-Wagner program — later returning for her first recording of select Wagner works. 

Other highlights on the concert stage include a concert of select Wagner works with the Minnesota Orchestra conducted by Asher Fisch, and Senta in a concert performance with the Chicago Symphony Orchestra at the Ravinia Festival conducted by James Conlon. Ms. Wagner also participated in the Metropolitan Opera’s summer concert series in Central Park and Brooklyn Bridge Park in New York City, and in Lyric Opera of Chicago’s Millennium Park concert, where she sang excerpts from Cavalleria Rusticana. Amber Wagner appeared in recital with mezzo-soprano Jamie Barton under the auspices of the Tucson Desert Song Festival and Arizona Opera, and made her New York recital debut with the George London Foundation at the Morgan Library.

 

Amber Wagner is a winner of the Metropolitan Opera National Council Audition Grand Finals, Liederkranz Foundation Competition, and recipient of a Richard Tucker Career Grant Award, Kirsten Flagstad Award from the George London Foundation, and Sullivan Foundation Career Grant. She is also the first place winner of the Palm Beach Opera and Palm Springs Opera Guild Competitions, winner of the Lynne Harvey Scholarship from the Musicians Club of Women, and winner of the Union League Civic and Arts Foundation Competition. As part of her participation in the 2007 Metropolitan Opera National Council Auditions, Ms. Wagner was also featured in the documentary “The Audition.” She is a native of Oregon.

Amber Wagner, soprano (Sieglinde)
Christine Goerke, soprano (Brünnhilde)
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Soprano Christine Goerke has appeared in the major opera houses of the world including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Washington National Opera, Houston Grand Opera, Seattle Opera, Opera Company of Philadelphia, Pittsburgh Opera , New York City Opera, Glimmerglass Opera, Royal Opera House Covent Garden, Paris Opera, Théâtre du Châtelet, Théâtre du Capitole in Toulouse, Deutsche Oper Berlin, La Scala, Maggio Musical Fiorentio, Teatro Real in Madrid, Teatro Municipal de Santiago, and the Saito Kinen Festival.She has sung much of the great soprano repertoire, starting with the Mozart and Handel heroines and now earning critical acclaim for the dramatic Strauss and Wagner roles. She has received praise for her portrayals of the title roles in Elektra, Turandot, and Ariadne auf Naxos, Brünnhilde in the Ring Cycle, Kundry in Parsifal, Ortrud in Lohengrin, Leonora in Fidelio, Eboli in Don Carlos, Dyer's Wife in Die Frau ohne Schatten, Cassandre in Les Troyens, Ellen Orford in Peter Grimes, Female Chorus in The Rape of Lucretia, Alice in Falstaff, and Madame Lidone in Dialogues des Carmelites.

Ms. Goerke has also appeared with a number of the leading orchestras including the New York Philharmonic Orchestra, Boston Symphony Orchestra (in Boston, Carnegie Hall, and the Tanglewood Festival), Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, Radio Vara (at the Concertgebouw), Sydney Symphony, New Zealand Symphony, the Orchestra of the Age of Enlightenment, the BBC Symphony Orchestra at the BBC Proms, and the Hallè Orchestra at the Edinburgh International Festival. She has worked with some of the world's foremost conductors including James Conlon, Sir Andrew Davies, Sir Mark Elder, Christoph Eschenbach, Claus Peter Flor, James Levine, Sir Charles Mackerras, Kurt Masur, Zubin Mehta, Andris Nelsons, Seiji Ozawa, David Robertson, Donald Runnicles, Esa-Pekka Salonen, the late Robert Shaw, Patrick Summers, Jeffery Tate, Christian Thielemann, Michael Tilson Thomas, and Edo de Waart

Ms. Goerke's recording of Vaughan Williams’ A Sea Symphony with Robert Spano and the Atlanta Symphony Orchestra won the 2003 Grammy Award for Best Classical Recording and Best Choral Performance. Her close association with Robert Shaw yielded several recordings included the Brahms' Liebeslieder Waltzes, Poulenc's Stabat Mater, Szymanowski's Stabat Mater, and the Grammy-nominated recording of Dvorak's Stabat Mater. Other recordings include the title role in Iphigenie en Tauride for Telarc and Britten’s War Requiem, which won the 1999 Grammy Award for Best Choral Performance.

This season, Ms. Goerke she returns to the Lyric Opera of Chicago for Siegfried, the Canadian Opera Company for Elektra, and to the Metropolitan Opera for the complete Ring Cycle. She also appears in concert with the Royal Concertgebouw Orchestra and the Atlanta Symphony Orchestra.

Ms. Goerke was the recipient of the 2001 Richard Tucker Award, the 2015 Musical American Vocalist of the Year Award, and the 2017 Opera News Award.

 

Christine Goerke, soprano (Brünnhilde) Stephanie Blythe, mezzo-soprano (Fricka)
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Ms. Blythe has sung in many of the renowned opera houses in the US and Europe including the Metropolitan Opera, San Francisco Opera, Seattle Opera, Royal Opera House Covent Garden, and the Opera National de Paris. Her many roles include the title roles in Carmen, Samson et Dalila , Orfeo ed Euridice, La Grande Duchesse, Tancredi, Mignon, and Guilio Cesare; Frugola, Principessa, and Zita in the Il Trittico, Fricka in both Das Rheingold and Die Walküre, Waltraute in Götterdämmerung, Azucena in Il Trovatore, Ulrica in Un Ballo in Maschera, Baba the Turk in The Rake's Progress, Ježibaba in Rusalka, Jocasta in Oedipus Rex, Mere Marie in Dialogues des Carmélites; Isabella in L'Italiana in Algeri,, Mistress Quickly in Falstaff, Ino/Juno in Semele, and Orlofsky in Die Fledermaus.

Ms. Blythe has appeared with many of the world's finest orchestras including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Opera Orchestra of New York, Minnesota Orchestra, Halle Orchestra, Orchestra of the Age of Enlightenment, and the Ensemble Orchestre de Paris. She has also appeared at the Tangelwood and Ravinia Festival, and at the BBC Proms. The many conductors with whom she has worked include Harry Bicket, James Conlon, Charles Dutoit, Mark Elder, Christoph Eschenbach, James Levine, Nicola Luisotti, Sir Charles Mackerras, John Nelson, Antonio Pappano, Mstislav Rostropovitch, Robert Spano, Patrick Summers, and Michael Tilson Thomas.

A frequent recitalist, Ms. Blythe has been presented in recital with her collaborative partner, Warren Jones, by Zankel Hall, Lincoln Center's Great Performers Series at Alice Tully Hall, the 92nd Street Y, Town Hall, and the Metropolitan Museum of Art in New York; the Vocal Arts Society and at the Supreme Court at the invitation of Supreme Court Justice Ruth Bader Ginsberg in Washington, DC; the Cleveland Art Song Festival, the University Musical Society in Ann Arbor, the Philadelphia Chamber Music Society, and Shriver Hall in Baltimore.

Ms Blythe has also developed a strong relationship with the composer, Alan Smith. She premiered Vignettes: Ellis Island, a song cycle written especially for her, and has since performed it at the Ravinia Festival and with the Chamber Music Society of Lincoln Center. It was also featured in a special television program entitled Vignettes: An Evening with Stephanie Blythe and Warren Jones. Ms. Blythe's most recently collaboration with Mr. Smith was Covered Wagon Woman, a piece commissioned for Ms. Blythe's residency with the Chamber Music Society of Lincoln Center and recorded with the ensemble on their own label, CMS Studio Recordings.

Ms Blythe recently starred in the Metropolitan Opera's live HD broadcasts of Orfeo ed Euridice and Il Trittico. Her recordings of works by Mahler, Brahms, and Wagner and of arias by Handel and Bach are available on the Virgin Classics label.

This season, Ms. Blythe appears as Fricka in the Metropolitan Opera's new productions of Das Rheingold and Die Walküre and makes her debut at the Lyric Opera of Chicago in Un Ballo in Maschera and The Mikado. She also appears in concert at the Concertgebouw and with the Collegiate Chorale in Carnegie Hall.

Ms. Blythe was named Musical America's Vocalist of the Year for 2009. Her other awards include the 2007 Opera News Award and the 1999 Richard Tucker Award.

Stephanie Blythe, mezzo-soprano (Fricka)
Simon O’Neill, tenor (Siegmund)
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A native of New Zealand, Simon O’Neill has established himself as one of the finest helden-tenors on the international stage. He is a principal artist with the Metropolitan Opera, the Royal Opera House, Covent Garden, Teatro alla Scala and both the Bayreuther Festspiele and Salzburger Festspiele, appearing with a number of illustrious conductors including James Levine, Riccardo Muti, Valery Gergiev, Sir Antonio Pappano, Daniel Barenboim, Pietari Inkinen, Pierre Boulez, Sir Charles Mackerras, Sir Colin Davis, Daniele Gatti, Edo de Waart, Fabio Luisi, Donald Runnicles, Sir Simon Rattle, Thomas Hengelbrock, Jaap van Zweden and Christian Thielemann.
Simon’s performances as Siegmund in Die Walküre at the Royal Opera House, Covent Garden with Pappano, Teatro alla Scala and Berlin Staatsoper with Barenboim, at the Metropolitan Opera with Runnicles in the celebrated Otto Schenk production returning with Luisi in the Lepage Der Ring des Nibelungen and in the Götz Friedrich production at Deutsche Oper Berlin with Rattle were performed to wide critical acclaim. He was described in the international press as "an exemplary Siegmund, terrific of voice", "THE Wagnerian tenor of his generation" and "a turbo-charged tenor".
Notable debuts have included: Jenik The Bartered Bride at the Royal Opera House with Mackerras (2005), Die Zauberflöte at the Salzburg Festival with Muti (2005), Gran Sacerdote Idomeneo at the Metropolitan Opera under Levine (2006), Sergei in Shostakovich's Lady Macbeth of Mtsensk with Armstrong for Opera Australia (2009), Siegmund Die Walküre at Teatro alla Scala with Barenboim (2010) and the Bayerische Staatsoper with Nagano (2013), Lohengrin (title role) for the Bayreuth Festival with Nelsons (2010), Parsifal (title role) with Gatti (2011), Chairman Mao Nixon in China with Lawrence Renes with the San Francisco Opera (2012), and Parsifal at the Wiener Staatsoper with Thielemann (2012).
Simon made his Bayreuth festival debut in the title role of Lohengrin in the new Hans Neuenfels production and returned as Parsifal in the celebrated Stefan Herheim production. Other recent engagements have included opening La Scala's season as Siegmund Die Walküre with Barenboim, the Wiener Staatsoper with Welser-Möst, his return as Siegmund in the Keith Warner’s celebrated Der Ring des Nibelungen, Lohengrin, Fidelio, Stolzing Die Meistersinger von Nürnberg and the title role of Parsifal in the Stephen Langridge production at the Royal Opera House Covent Garden, the Tambourmajor Wozzeck with Levine at the Metropolitan Opera, Erik Der Fliegende Holländer at the Ravinia Festival with Conlon and the Chicago Symphony, Cavaradossi Tosca in Tokyo, Berlin and Hamburg, Florestan Fidelio, and Die Walküre at the Houston Grand Opera and Hamburg Staatsoper. Simon also made his debut in the role of Siegfried in concert performances of Götterdämmerung with the Orquesta Sinfonica Galicia, reprised Parsifal with the Balthasar-Neumann Ensemble and Hengelbrock at Teatro Real Madrid and returned to Opera Australia and Houston Grand Opera as the title role in Otello.
Recent highlights include: Die Walküre in his debut with the Berliner Philharmoniker, Boris Katya Kabanova at the Berliner Staatsoper and Gurrelieder at the 2017 BBC Proms, all with Sir Simon Rattle; he also recently performed Die Walkure with Andrew Davis at the Edinburgh Festival, made his debut in the title role Siegfried with Jaap van Zweden and the Hong Kong Philharmonic, and performed Siegfried Götterdämmerung for the first time on stage at the Houston Grand Opera. Forthcoming projects include Das Lied von der Erde at the Barbican Centre and in Luxembourg with Rattle, a return to the Hamburgische Staatsoper as Tambourmajor Wozzeck, Die Walküre with La Fura dels Baus in Taipei, performances under Jaap van Zweden with the New York Philharmonic and Dallas Symphony orchestras, a tour with the Kammerphilharmonie Bremen and Paavo Järvi to China, and a return to the Bayerischer Staatsoper with Petrenko.

At extremely short notice Simon made his debut in the title role of Verdi’s Otello in concert at the Barbican with the London Symphony Orchestra, conducted by Sir Colin Davis (2009). His performance was widely acclaimed by critics, who described his musical and dramatic portrayal of the infamous protagonist as “thrilling”, “a triumph”, “an immense performance”, “a tremendous debut in the title-role, giving notice that he is the best heroic tenor to emerge over the last decade.”
Simon has appeared in many of the world’s leading concert halls including Carnegie Hall for Das Lied von der Erde with Levine and The Met Orchestra, Missa Solemnis with the Boston Symphony Orchestra, Florestan at the Salzburger Festspiele and BBC Proms with Barenboim, Florestan with the National Symphony Orchestra with Eschenbach at the Kennedy Center Washington, Gurrelieder in the BBC Proms at the Royal Albert Hall, Das Lied von der Erde and Parsifal in concert at Accademia Nazionale di Santa Cecilia with Pappano and Gatti, Act Three Parsifal with Nelsons and the Bayerischer Rundfunks Orchestra at the Herkulessaal München, Der Freischütz with Sir Colin Davis and the London Symphony Orchestra, Janacek’s Glagolitic Mass with Dutoit at Tokyo’s NHK Hall and with Boulez in the BBC Proms at the Royal Albert Hall, Mahler’s Symphony No.8 at the Sydney Opera House with Ashkenazy and Beethoven’s Symphony No.9 for the reopening of London’s Royal Festival Hall. He also had the honour of touring Europe with Daniel Barenboim and the West-Eastern Divan Orchestra performing Act One of Die Walküre in concert and performing complete the ring cycle with the Staatskapelle Berlin at the BBC Proms.
Multi-Grammy nominated, his discography includes his debut solo award winning album Father and Son, Wagner Scenes and Arias (Lohengrin, Parsifal, Siegmund and Siegfried) with Pietari Inkinen and the NZSO for EMI, the title role Parsifal on Blu-ray and DVD with Sir Antonio Pappano from Covent Garden, the title role Otello and Max Der Freischütz with Sir Colin Davis for LSO Live, Die Walküre on Blu-ray and DVD with Daniel Barenboim from La Scala, Die Zauberflöte for the Salzburger Festspiele Mozart 25 DVD with Riccardo Muti, Mahler’s Symphony No.8 with Vladimir Ashkenanzy and the Sydney Symphony Orchestra, Beethoven Symphony No.9 with the Deutsche Kammerphilharmonie conducted by Paavo Järvi and with the Montreal Symphony Orchestra under Kent Nagano, Frank Martin’s Der Sturm with the Netherlands Radio Symphony and Thierry Fischer, Chauson’s Le Roi Arthus with Leon Botstein and the BBC Symphony Orchestra, and most recently Voices of German Opera on EMI.

Simon became an Officer of New Zealand Order of Merit in the 2017 Queen’s Birthday Honours list, he is an alumnus and holds a Doctor of Music (Honoris Causa) from Victoria University of Wellington and is an alumnus of the University of Otago, the Manhattan School of Music and the Juilliard Opera Center. He is a Fulbright Scholar, was awarded the 2005 Arts Laureate of New Zealand and was a grand finalist in the 2002 Metropolitan Opera National Auditions returning as guest artist in 2007. He also appears on the 1998 New Zealand one-dollar performing arts postage stamp.

 

Simon O’Neill, tenor (Siegmund) James Rutherford, bass-baritone (Wotan)
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Since winning the inaugural Seattle Opera International Wagner competition in 2006, James Rutherford has become renowned for his interpretations of German romantic opera. He has sung Hans Sachs (Die Meistersinger von Nürnberg) for the Bayreuth Festival (2010, 2011), Wiener Staatsoper, Hamburg Opera, Cologne Opera, Budapest Wagner Festival and Glyndebourne Festival; Wolfram (Tannhäuser) for San Francisco Opera; Kurwenal (Tristan und Isolde) for Washington National Opera, and the title role in Der Fliegende Holländer with the CBSO and Andris Nelsons.

In 2009 he began a major association with the Graz Opera, singing his first Hans Sachs and returning for Barak (Die Frau ohne Schatten), Germont (La Traviata), Iago (Otello), Orestes (Elektra) and the title role in Falstaff. He has performed Jochanaan (Salome) at the Wiener Staatsoper, Berlin Staatsoper and Opéra national de Montpellier. Other appearances include the Royal Opera, Covent Garden, Paris Opera, Lyric Opera of Chicago, Welsh National Opera, English National Opera, Scottish Opera and Opera North.

Recent concert appearances include Adams' Nixon in China (BBC Proms, Berlin Festival) conducted by the composer; Wotan Die Walküre Act 3 (Philharmonia) for Wagner's 200th birthday; and an invitation by Prince Charles to sing Hans Sachs at his 65th birthday Wagner gala at Buckingham Palace.

Last season he sang Mandryka (Arabella) in Amsterdam and Hamburg. In the 2014/2015 season season he sings Tell (Guillaume Tell) and Scarpia (Tosca) in Graz, Orestes in Hamburg, and Lysiart (Euryanthe) in Frankfurt. His CD of Wagner arias with Andrew Litton and the Bergen Philharmonic is now out on the BIS label. 

This is for information only. For a full and up to date biography please contact Imogen Lewis-Holland

James Rutherford, bass-baritone (Wotan)
Franz-Josef Selig, bass (Hunding)
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Franz-Josef Selig has established himself on the international arena as one of the best-known performers of serious bass parts – particularly Gurnemanz, King Marke, Sarastro, Rocco, Osmin, Daland, Fiesco and Fasolt.
Bass singer Franz-Josef Selig first studied church music at the Staatliche Hochschule für Musik, Cologne before taking voice classes under Claudio Nicolai. At the beginning of his career he was a member of the Aalto Theatre ensemble in Essen. He has been a freelance singer since then and has given guest performances at all of the world’s great opera houses.

Recent engagements brought Franz-Josef Selig, to London (Magic Flute under Sir Colin Davis), Vienna (Parsifal under Ingo Metzmacher), New York (Wagner Ring cycle under James Levine), to Munich for a new production of Fidelio by Calixto Bieito and the revival of the Magic Flute and finally again to the Salzburg Festival, where he appeared as Komtur (Don Giovanni) under Yannick Nézet-Séguin and as Bartolo (Le Nozze di Figaro) under Robin Ticciati, to the Opéra de Paris-Bastille under Philippe Jordan and also to the Teatro Real Madrid (Arkel in Débussy’s Pelléas et Mélisande in the production of Bob Wilson under Sylvain Cambreling).
In summer 2012 Franz-Josef Selig made his debut at the Bayreuth Festival as Daland (The Flying Dutchman).
He can be seen there again in 2013 with his engagement as Hunding in The Valkyrie. Further opera engagements of the 2013/14 season take him to Barcelona with Handel’s Agrippina, to Madrid’s Teatro Real in Tristan and Isolde, back at the Opéra National de Paris (Magic Flute and Tristan) as well as to Toulouse (Daphne).

In the 2013/14 season he is also performing in Beethoven’s Ninth Symphony and at the Beethovenfest Bonn under Jonathan Nott and for the centenary of the Konzerthaus under Gustavo Dudamel. He has been commissioned by the Berlin Philharmonic/Nikolaus Harnoncourt to appear in concerts with Schumann’s Scenes from Goethe’s Faust. He can be heard at the Schleswig-Holstein Music Festival in the second act of a concert performance of Tristan and Isolde under Semyon Bychkov. He is ending the season in July with a performance of Entführung aus dem Serail at the Festspielhaus Baden-Baden under Yannick Nézet-Séguin.
In spite of numerous concert and operatic engagements, the singer still finds tome for lieder recitals. ‘Not many real basses dare take on the “Winterreise”, but Selig also sings the top notes in a mellifluous piano, and when the notes do get really low, as in the “tiefsten Felsengründen” of the “Irrlicht”, then the whole wight and velvety blackness of an exceptional bass is suddenly there.’
(General-Anzeiger, Gunild Lohmann, 16 January 2012)

Lieder recitals with Gerold Huber are also planned for the coming season, in, among other places, Frankfurt and Stuttgart. He can be seen in German concert halls with his favourite project, the Liedertafel with Markus Schäfer, Christian Elsner and Michael Volle accompanied by Gerold Huber on the piano, with lieder by Schubert and Brahms. His affinity to early music can be seen in his cooperation with Nikolaus Harnoncourt and the concentus musicus Wien, with Philippe Herreweghe, René Jacobs, and the Akademie für Alte Musik Berlin.

Numerous CD and DVD productions document the artistic range of this unusual singer – from Bach’s St Matthew Passion via Mozart’s Magic Flute (The Royal Opera, London/Sir Colin Davis), Don Giovanni (Wiener Staatsoper/Riccardo Muti), Le nozze di Figaro (Salzburg Festival/Nikolaus Harnoncourt), and Die Entführung aus dem Serail (Gran Teatre del Liceu/Ivor Bolton/Christoph Loy) all the way to L’incoronazione di Poppea (Gran Teatre del Liceu/David Alden/Harry Bicket). He has recorded the part of Gurnemanz in Wagner’s Parsifal both under Christian Thielemann (Vienna State Opera, released by Deutsche Grammophon) and with Marek Janowski and the Rundfunk-Sinfonieorchester Berlin (Pentatone). The DVD recording “Der Ring des Nibelungen” (DG, Metropolitan Opera New York, 2010) with Franz-Josef Selig as Fasolt has received the Grammy award in 2013.

Franz-Josef Selig, bass (Hunding)
Program Notes Audio
WAGNER - Die Walküre, Act II
WAGNER - Die Walküre, Act III

- Concert performance sung in German with English supertitles