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Saturday Morning Open Rehearsal

Saturday Morning Open Rehearsal

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

Featured Performers

Thomas Adès, conductor
Thomas Adès, conductor View biography in full page >

Now in his third year as the BSO’s Deborah and Philip Edmundson Artistic Partner, a position created specifically for him and just recently extended through the BSO’s 2020-21 season, composer-conductor-pianist Thomas Adès was born in London in 1971. Renowned as both a composer and a performer, he works regularly with the world’s leading orchestras, opera companies, and festivals, and was made a CBE in the 2018 Queen’s Birthday Honours. Mr. Adès’s most recent opera, The Exterminating Angel, premiered at the 2016 Salzburg Festival and has also been performed at the Metropolitan Opera and at London’s Royal Opera House. His opera The Tempest was commissioned by and first performed at the Royal Opera House in 2004, with a new production at the Metropolitan Opera in 2012. His first opera, Powder Her Face (1995), was written for the Cheltenham Festival and the Almeida Theatre, London. Orchestral commissions include those from the City of Birmingham Symphony Orchestra, Berlin Philharmonic, Carnegie Hall, the New World Symphony, Berliner Festspiele, BBC Proms, Los Angeles Philharmonic, London’s Royal Festival Hall, and the Boston Symphony Orchestra. His catalog also includes numerous celebrated chamber and solo works. As the BSO’s artistic partner, he leads the orchestra in Boston and at Tanglewood, performs chamber music with the Boston Symphony Chamber Players, and directs the Festival of Contemporary Music at Tanglewood.

 

Thomas Adès coaches piano and chamber music annually at the International Musicians Seminar, Prussia Cove. As a conductor, he appears regularly with the Los Angeles, New York, and London philharmonic orchestras, the Boston, London, BBC, City of Birmingham, Melbourne, and Sydney symphony orchestras, and the Royal Concertgebouworkest. This season he leads the Orchestre de Paris, Britten Sinfonia, and Leipzig Gewandhausorchester. In addition to his own works, he has conducted such operas as The Rake’s Progress and the world and European premieres of Gerald Barry’s Alice’s Adventures Under Ground. Recent piano engagements include solo recitals at Carnegie Hall and London’s Wigmore Hall and concerto appearances with the New York Philharmonic. This season includes a solo Janáček program in London, Paris, Lisbon, and the Czech Republic, Schubert’s Winterreise at Wigmore Hall with Ian Bostridge, and duo-recitals with Kirill Gerstein at Carnegie Hall and Boston’s Jordan Hall. Mr. Adès’s honors include the Grawemeyer Award for Asyla (1999), the Ernst von Siemens Prize for Arcadiana, and the British Composer Award for The Four Quarters. His recording of The Tempest (EMI) won a Gramophone award; the DVD of the Metropolitan Opera’s production was awarded the Diapason d’Or de l’année, Best Opera Grammy Award, and ECHO Klassik Music DVD Recording of the Year. The Exterminating Angel won the World Premiere of the Year at the International Opera Awards. In 2015 Mr. Adès was awarded the prestigious Léonie Sonning Music Prize.

 

Thomas Adès, conductor Inon Barnatan, piano
Inon Barnatan, piano View biography in full page >

“One of the most admired pianists of his generation” (New York Times), Inon Barnatan is celebrated for his poetic sensibility, musical intelligence and consummate artistry. He inaugurated his tenure as Music Director of California’s La Jolla Music Society Summerfest in 2019.

Barnatan is a regular soloist with many of the world’s foremost orchestras and conductors, whose 2019-20 concerto collaborations include Mozart with the Los Angeles Philharmonic, Gershwin and Ravel with the Chicago Symphony, Rachmaninov with the Royal Stockholm Symphony, and a recreation of Beethoven’s legendary 1808 concert with the Cincinnati Symphony. He recently served for three seasons as the inaugural Artist-in-Association of the New York Philharmonic, and made debuts at the BBC Proms, with the London, Helsinki and Hong Kong Philharmonics, the Leipzig Gewandhaus Orchestra, and the Baltimore, Fort Worth, Indianapolis, Nashville, San Diego and Seattle Symphonies.

The recipient of an Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, Barnatan is also a sought-after recitalist and chamber musician. This season he makes his solo recital debut at Carnegie’s Zankel Hall, returns to Alice Tully Hall with Chamber Music Society of Lincoln Center, and reunites with frequent cello partner Alisa Weilerstein for tours on both sides of the Atlantic. He has previously given solo recitals at such major international venues as New York’s 92nd Street Y, the Celebrity Series of Boston, Chicago’s Harris Theater, the Vancouver Recital Society, and London’s Southbank Centre and Wigmore Hall. Passionate about contemporary music, he has commissioned and performed works by many living composers, premiering pieces by Thomas Adès, Sebastian Currier, Avner Dorman, Alan Fletcher, Joseph Hallman, Alasdair Nicolson, Andrew Norman and Matthias Pintscher.

This season brings the release of Beethoven’s complete piano concertos, recorded with Alan Gilbert and London’s Academy of St. Martin in the Fields. Barnatan’s acclaimed discography also includes Messiaen’s 90-minute masterpiece Des canyons aux étoiles, captured live at the Santa Fe Chamber Music Festival; Rachmaninov & Chopin: Cello Sonatas, recorded with Weilerstein for Decca Classics; two solo Schubert albums; and Darknesse Visible, named BBC Music’s “Instrumentalist CD of the Month” and one of the New York Times’s “Best of 2012.”

Inon Barnatan, piano
Program Notes Audio
IVES - Three Places in New England (21 min)
BEETHOVEN - Piano Concerto No. 4 (35 min)
BEETHOVEN - Symphony No. 6, Pastoral (44 min)