Boston Symphony Orchestra
Andris Nelsons conducts Debussy, Mozart, Julia Adolphe and Poulenc
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Boston Symphony Orchestra
Koussevitzky Music Shed
- Lenox, MA
Featured Performers & Ensembles
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Nicole Cabell, the 2005 Winner of the BBC Singer of the World Competition in Cardiff and Decca recording artist, is one of the most sought-after lyric sopranos of today. Her solo debut album, “Soprano” was named “Editor’s Choice” by Gramophone and has received an incredible amount of critical acclaim and several prestigious awards, including the 2007 Georg Solti Orphée d’Or from the French Académie du Disque Lyrique.
Nicole Cabell opens the new season with her first stage performances of Bess in Porgy and Bess with the English National Opera. She will also make her Pittsburgh Opera debut as Mimi in La Bohème before returning to the Minnesota Opera for Violetta in La Traviata and to the Cincinnati Opera for Juliette in Roméo et Juliette. In concert, Ms. Cabell will perform a set of songs on texts by Langston Hughes at the Metropolitan Museum, will sing the Mozart Requiem with the Cincinnati Symphony and David Robertson before joining Master Voices and Ted Sperling at New York’s Alice Tully Hall. Future engagements include returns to Atlanta, Japan, Montreal and Detroit.
Ms. Cabell’s last season included performances of the Countess in Le Nozze di Figaro with the Grand Théâtre de Genève, Flavia in Eliogabalo with the Dutch National Opera, the Countess in Le Nozze di Figaro with Michigan Opera Theatre, and Micaela in Carmen with the Atlanta Opera. Ms. Cabell was also heard in recital at the Frankfurt Opera, Carnegie Hall, the Harris Theater for Music in Dance in Chicago, the University Musical Society in Ann Arbor, and in Louisville, Kentucky. In concert, Nicole Cabell performed with the Lake Forest Symphony (Sisters in Song, a joint program with Alyson Cambridge, which was just commercially released by Cedille Records), the Netherlands Radio Philharmonic, and in Mahler’s Symphony No. 2 with the Yomiuri Nippon Symphony Orchestra.
Ms. Cabell’s 2016-2017 season featured her debut as Bess in Porgy in Bess with the Sydney Symphony Orchestra, as well as performances of Mimi in La Bohème with the Minnesota Opera and the Cincinnati Opera and of the Countess in Le Nozze di Figaro with Angers Nantes Opera in France. In concert, she sang Shéhérazade with the Baltimore Symphony Orchestra and the Rochester Philharmonic Orchestra, Mahler’s Symphony No. 2 with the Nashville Symphony and Beethoven’s Missa Solemnis with the Oregon Bach Festival.
The 2015-2016 season included Ms. Cabell’s debut at the Grand Théâtre de Genève in the title role of Handel’s Alcina and returns to the Royal Opera House, Covent Garden as Violetta in La Traviata, to the Atlanta Opera as Juliette in Roméo et Juliette, to the Michigan Opera Theatre as Mimi in La Bohème and to the Cincinnati Opera in a new role: Rosalinde in Die Fledermaus. On the concert stage, Ms. Cabell performed Beethoven’s Symphony No. 9 in Hiroshima and Nagasaki and a solo recital in Baltimore.
Nicole Cabell’s 2014-2015 season included semi-staged concerts of Don Giovanni with Edo de Waart and the Milwaukee Symphony, her Opéra National de Paris debut (and role debut) as Mimi in La Bohème and Adina in L’Elisir d’Amore with the Minnesota Opera as well as a return to Washington Concert Opera as Giulietta in I Capuleti ed i Montecchi. In concert, she was heard with the Boston Symphony Orchestra in Villa-Lobos’ Bachianas Brasileiras no. 5, with the Orchestre National de Lille in Poulenc’s Stabat Mater, with the San Diego Symphony in Strauss’ Four Last Songs, with the London Symphony Orchestra in Debussy’s La Damoiselle Elue, in a Puccini-Strauss gala concert in Hong-Kong, as Bess in an abridged version of Porgy and Bess at Ravinia with Bobby McFerrin, at the Oregon Bach Festival in Mahler’s Symphony No. 2, at Bard’s Music Festival in Villa-Lobos’ Forest of the Amazon and at SUNY Potsdam in Brahms’ Ein deutsches Requiem.
In the previous season Nicole Cabell made some exciting role debuts: first as Violetta in La Traviata with Michigan Opera Theatre (seen again later in the season at the San Francisco Opera), then as Medora in Il Corsaro with Washington Concert Opera. She reprised the role of her triumphant San Francisco Opera debut: Giulietta in I Capuleti e i Montecchi with the Lyric Opera of Kansas City. In concert, Ms. Cabell made her Paris debut in Poulenc’s Stabat Mater, appeared several times in Spain, first with the Orquesta de Galicia in a Barber/Mahler program, then on tour with the RPO and Charles Dutoit in Poulenc’s Gloria. In London, she was heard with the RPO in the same Poulenc piece as well as with the BBC Orchestra, first in Barber’s Knoxville, Summer of 1915 with Keith Lockhart and later in Elgar’s The Apostles with Sir Andrew Davis. Further concert appearances included duke Ellington’s Sacred Music at Carnegie Hall, Beethoven’s Symphony No. 9 with the Boston Symphony and Charles Dutoit at Tanglewood, and finally in a Barber/Brahms program in Nashville with GianCarlo Guerrero. Nicole Cabell also appeared in recital in Chicago.
Awards include first place in both the Palm Beach Opera Vocal Competition and the Women's Board of Chicago Vocal Competition. Nicole Cabell was a semi-finalist in the 2005 Metropolitan Opera National Council Auditions and earned first place in the American Opera Society competition in Chicago. She is the 2002 winner of the Union League's Rose M. Grundman Scholarship, and the 2002 Farwell Award with the Woman's Board of Chicago. Nicole Cabell holds a Bachelor’s Degree in Vocal Performance from the Eastman School of Music.
|Nicole Cabell, soprano||
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“You realise that this is not usual. This is not just two good pianists playing together. They sense each other’s most small, individual a little bit of interpretation.”Sir Neville Marriner
‘It is like driving a pair of BMWs’, remarked conductor Michael Schønwandt, after directing the Dutch brothers Lucas (25) and Arthur Jussen (21). Despite their young age, they have been part of the international concert world for years and are praised by both the press and audiences.
In addition to all major Dutch orchestras with which Lucas and Arthur have performed, they also received invitations from orchestras such as Mariinsky Orchestra, Dallas, Sydney and Shanghai Symphony Orchestras, Camerata Salzburg and the Academy of
St Martin in the Fields. They collaborate with conductors such as Stéphane Denève, Valery Gergiev, Sir Neville Marriner, Jukka-Pekka Saraste and Jaap van Zweden.
The 2018/19 season begins with their debut with the Philadelphia Orchestra under the baton of Yannick Nézet- Séguin, and is followed by the brothers’ presentation at the traditional Prinsengracht Concert, which is the climax of classical music in the Netherlands every summer, and takes place on the canals of Amsterdam. Further highlights of the season include performances with the City of Birmingham Symphony Orchestra, Danish National Symphony Orchestra, Vancouver Symphony Orchestra, Bruckner Orchester Linz, Orchestre National de Lille, Orchestre Philharmonique du Luxembourg, Netherlands Philharmonic Orchestra, SWR Symphonieorchester and the Münchener Kammerorchester. They continue to champion Dobrinka Tabakova’s new double concerto, which they premiered in Amsterdam last season, and look forward to its regional premieres in France with the Orchestre de Picardie and in the UK with the BBC Concert Orchestra. In recital the duo perform in Munich’s Prinzregententheater, Moscow’s Zaryadye Hall, Palau de la Música in Barcelona and in the Konzerthaus in Vienna and Dortmund. As ‘Junge Wilde’ of the Konzerthaus Dortmund, the Jussen brothers will perform a variety of programmes at the Konzerthaus Dortmund in the next three seasons. They will embark on an Asian tour in June 2019, appearing in Shanghai, Beijing, Guangzhou, Kaohsiung and Macao.
Lucas and Arthur received their first piano lessons in their native town of Hilversum. It became clear quickly that they were great talents. As children, they were already invited to perform for the Dutch queen Beatrix. First awards at competitions followed shortly. In 2005, the brothers studied in Portugal and Brazil for nearly a year at the invitation of Portuguese master pianist Maria João Pires. In the following years they took lessons from both Pires and two renowned Dutch teachers. Lucas completed his studies with Menahem Pressler in the US and Dmitri Bashkirov in Madrid. Arthur graduated from the Amsterdam Conservatory where he studied with Jan Wijn.
Recording exclusively with Deutsche Grammophon since 2010, their debut CD with works by Beethoven received platinum status and was awarded the Edison Klassiek audience award. A Schubert recording and their third CD Jeux, dedicated to French piano music, were subsequently released. In October 2015, they released their recording of Mozart’s piano concertos KV365 and KV242 together with the Academy of St Martin in the Fields under the baton of Sir Neville Marriner. The album reached gold status and was listed by Gramophone UK amongst ‘The 50 Greatest Mozart Recordings’. Their most recent recording featuring works by Poulenc and Saint-Saëns was released in March 2017 (Royal Concertgebouw Orchestra & Stéphane Denève). Their recording of the Poulenc Double Concerto was chosen as the best recording of this piece ever made by the French radio programme "La tribune des critiques de disques".
|Lucas and Arthur Jussen, pianos|
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The 2019-20 season, Andris Nelsons’ sixth as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director, marks his fifth anniversary in that position. Named Musical America’s 2018 Artist of the Year, Mr. Nelsons leads fifteen of the BSO’s twenty-six weeks of concerts this season, ranging from repertoire favorites by Beethoven, Dvoˇrák, Gershwin, Grieg, Mozart, Mahler, Rachmaninoff, Ravel, and Tchaikovsky to world and American premieres of BSO-commissioned works from Eric Nathan, Betsy Jolas, Arturs Maskats, and HK Gruber. The season also brings the continuation of his complete Shostakovich symphony cycle with the orchestra, and collaborations with an impressive array of guest artists, including a concert performance of Tristan und Isolde, Act III—one of three BSO programs he will also conduct at Carnegie Hall—with Jonas Kaufmann and Emily Magee in the title roles. In addition, February 2020 brings a major tour to Asia in which Maestro Nelsons and the BSO give their first concerts together in Seoul, Taipei, Hong Kong, and Shanghai.
In February 2018, Andris Nelsons became Gewandhauskapellmeister of the Gewandhausorchester (GHO) Leipzig, in which capacity he also brings the BSO and GHO together for a unique multi-dimensional alliance including a BSO/GHO Musician Exchange program and an exchange component within each orchestra’s acclaimed academy for advanced music studies. A major highlight of the BSO/GHO Alliance is a focus on complementary programming, through which the BSO celebrates “Leipzig Week in Boston” and the GHO celebrates “Boston Week in Leipzig,” thereby highlighting each other’s musical traditions through uniquely programmed concerts, chamber music performances, archival exhibits, and lecture series. For this season’s “Leipzig Week in Boston,” under Maestro Nelsons’ leadership in November, the entire Gewandhausorchester Leipzig comes to Symphony Hall for joint concerts with the BSO as well as two concerts of its own.
In summer 2015, following his first season as music director, Andris Nelsons’ contract with the BSO was extended through the 2021-22 season. In November 2017, he and the orchestra toured Japan together for the first time. They have so far made three European tours together: immediately following the 2018 Tanglewood season, when they played concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam; in May 2016, a tour that took them to eight cities in Germany, Austria, and Luxembourg; and, after the 2015 Tanglewood season, a tour that took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals.
The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His recordings with the BSO, all made live in concert at Symphony Hall, include the complete Brahms symphonies on BSO Classics; Grammy-winning recordings on Deutsche Grammophon of Shostakovich’s symphonies 4, 5, 8, 9, 10, and 11 (The Year 1905) as part of a complete Shostakovich symphony cycle for that label; and a recent two-disc set pairing Shostakovich’s symphonies 6 and 7 (Leningrad). This November, a new release on Naxos features Andris Nelsons and the orchestra in the world premieres of BSO-commissioned works by Timo Andres, Eric Nathan, Sean Shepherd, and George Tsontakis. Under an exclusive contract with Deutsche Grammophon, Andris Nelsons is also recording the complete Bruckner symphonies with the Gewandhausorchester Leipzig and the complete Beethoven symphonies with the Vienna Philharmonic.
During the 2019-20 season, Andris Nelsons continues his ongoing collaborations with the Vienna Philharmonic. Throughout his career, he has also established regular collaborations with the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, and Royal Concertgebouw Orchestra of Amsterdam, and has been a regular guest at the Bayreuth Festival and the Royal Opera House, Covent Garden.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007.
|Andris Nelsons, conductor|
Tanglewood Festival Chorus
|DEBUSSY - Prelude to The Afternoon of a Faun (8 min)|
|Julia ADOLPHE Underneath the Sheen - Underneath the Sheen|
|POULENC - Gloria, for soprano, chorus, and orchestra|