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Pamela Frank has established an outstanding international
reputation across an unusually varied range of performing activity.
As a soloist she has performed with leading orchestras including
the New York Philharmonic, the Chicago Symphony Orchestra, the San
Francisco Symphony, Academy of St. Martin in the Fields, the Berlin
Philharmonic and the St. Petersburg Philharmonic. Pamela performed
regularly with the Zurich Tonhalle Orchestra, recording the
complete Mozart Violin Concertos with them and David Zinman and has
also recorded a Schubert album and the Beethoven sonata cycle, both
with her father Claude Frank. Pamela is a sought-after chamber
musician and has performed at many international festivals
including Aldeburgh, Verbier, Edinburgh, Salzburg, Tanglewood,
Marlboro and Ravinia.
Pamela Frank, violin
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Vadim Gluzman's extraordinary artistry brings to life the
glorious violinistic tradition of the 19th and 20th centuries.
Gluzman's wide repertoire embraces new music and his performances
are heard around the world through live broadcasts and a striking
catalogue of award-winning recordings exclusively for the BIS
The Israeli violinist appears regularly with major orchestras
such as the Berlin Philharmonic, Boston Symphony, Cleveland
Orchestra, Chicago Symphony, Philadelphia Orchestra, San Francisco
Symphony, Israel Philharmonic, London Philharmonic, London
Symphony, and Leipzig Gewandhaus. Gluzman has enjoyed
collaborations with many of today's leading conductors, including
Riccardo Chailly, Christoph von Dohnányi, Tugan Sokhiev, Sir Andrew
Davis, Neeme Järvi, Michael Tilson Thomas, Semyon Bychkov,
Jukka-Pekka Saraste, Paavo Järvi, and Hannu Lintu. His festival
appearances include performances at Verbier, Tanglewood, Ravinia,
and Lockenhaus, as well as the North Shore Chamber Music Festival
in Chicago, founded by Gluzman and pianist Angela Yoffe, his wife
and recital partner.
Highlights of his 2017-18 season include appearances with the
Boston Symphony under Tugan Sokhiev and debut performances with the
Royal Concertgebouw Orchestra under Riccardo Chailly. Mr. Gluzman
returns to Leipzig's Gewandhaus Orchestra and celebrates Leonard
Bernstein's centennial year with performances of his
Serenade for violin and orchestra with both the BBC
Symphony in London and the San Francisco Symphony. He tours Europe
in a piano trio with pianist Yevgeny Sudbin and cellist Johannes
Moser, including engagements at London's Wigmore Hall and Berlin's
Konzerthaus, and will appear as soloist with the Toronto,
Vancouver, Oregon, Göteborg and Lucerne Symphonies, the Czech
Philharmonic and the Finnish Radio Orchestra. Gluzman will lead
performances with the Vienna Chamber Orchestra and the ProMusica
Chamber Orchestra in Columbus, Ohio, where he continues in his
fourth year as Creative Partner and Principal Guest Artist.
This season, Gluzman will give the European premiere of Sofia
Gubaidulina's Triple Concerto for Violin, Cello, and Bayan with
Johannes Moser, Elsbeth Moser, and the Tonhalle Orchestra Zürich
under Omer Meir Wellber. He has given live and recorded premieres
of other works by Gubaidulina, as well as Giya Kancheli, Peteris
Vasks, Michael Daugherty, Lera Auerbach and most recently Elena
Vadim Gluzman's latest CD for the BIS label features Brahms'
Violin Concerto with Lucerne Symphony conducted by James Gaffigan
and includes the composer's Sonata No.1 for Violin and Piano with
Angela Yoffe. Accolades for his extensive discography include the
Diapason d'Or of the Year, Gramophone's Editor's Choice,
Classica Magazine's esteemed Choc de Classica award, and
Disc of the Month by The Strad, BBC Music
Magazine, ClassicFM, and others.
Born in the former Soviet Union in 1973, Gluzman began violin
studies at age 7. He studied with Roman Sne in Latvia and Zakhar
Bron in Russia before moving to Israel in 1990, where he became a
student of Yair Kless. In the United States, he studied with Arkady
Fomin in Dallas and at The Juilliard School with Dorothy DeLay and
Masao Kawasaki. Early in his career, Gluzman enjoyed the
encouragement and mentorship of Isaac Stern which continued until
the Stern's passing in 2001. In 1994 he received the prestigious
Henryk Szeryng Foundation Career Award.
Vadim Gluzman plays the legendary 1690 'ex-Leopold Auer'
Stradivari on extended loan to him through the generosity of the
Stradivari Society of Chicago.
Vadim Gluzman, violin
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Conductor Michael Stern is in his seventh season as music
director of the Kansas City Symphony, hailed for its remarkable
artistic growth and development since his tenure began. The
Symphony and Stern concluded their first year together by making a
recording for the Naxos label which was released in 2007. Two
additional CD's, Britten's Orchestra and The Tempest, have recently
been released to critical acclaim on the Grammy Award-winning
Reference Recordings label. Stern is also the founding artistic
director and principal conductor of The IRIS Orchestra in
Germantown, Tennessee. This unique group, beginning this season its
second decade, has been widely praised for its virtuosity and
programming, and has produced a string of recordings and acclaimed
commissioned new works by American composers. Other positions
include a tenure as the chief conductor of Germany's Saarbrücken
Radio Symphony Orchestra (the first American chief conductor in the
orchestra's history) and as Permanent Guest Conductor of the
Orchestre National de Lyon in France, a position which he held for
five years, and a stint as the Principal Guest Conductor of the
Orchestre National de Lille, France. Stern has led orchestras
throughout Europe and Asia, including the London Symphony, London
Philharmonic, Royal Stockholm Philharmonic, Orchestre de Paris,
Helsinki Philharmonic, Budapest Radio Symphony Orchestra,
Israel Philharmonic, Moscow Philharmonic, National Symphony of
Taiwan, Tokyo's NHK Symphony and the Vienna Radio Symphony, among
In North America, Stern has conducted the New York Philharmonic,
Chicago Symphony, Cleveland Orchestra, Pittsburgh Symphony, St.
Louis Symphony, Atlanta Symphony, Houston Symphony, Baltimore
Symphony, Philadelphia Orchestra, Toronto Symphony, Cincinnati
Symphony, Seattle Symphony, Montreal Symphony, Indianapolis
Symphony, and the National Symphony in Washington, D.C. He also
appears regularly at the Aspen Music Festival and has served on the
faculty of the American Academy of Conducting at Aspen.
Stern received his music degree from The Curtis Institute of Music
in Philadelphia, where his major teacher was the noted conductor
and scholar Max Rudolf. Stern co-edited the third edition of
Rudolf's famous textbook, The Grammar of Conducting, and also
edited a new volume of Rudolf's collected writings and
correspondence. Stern is a 1981 graduate of Harvard University,
where he earned a degree in American history.
Michael Stern, conductor
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Jeremy Denk is one of America’s foremost pianists. Winner of a MacArthur "Genius" Fellowship, and the Avery Fisher Prize, Denk was recently elected to the American Academy of Arts and Sciences. Denk returns frequently to Carnegie Hall and in recent seasons has appeared with the Chicago Symphony, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Cleveland Orchestra, as well as on tour with Academy St. Martin in the Fields, and at the Royal Albert Hall as part of the BBC Proms.
In 18-19, Denk embarks on a three-week recital tour of the US, including appearances in Washington, D.C., Seattle, Cleveland, and Pittsburgh, and culminating in his return to Carnegie Hall. His orchestral highlights include play-directing Mozart with the Toronto Symphony, and on tour throughout the US with Academy St Martin in the Fields. He also returns to the Atlanta and Colorado Symphonies, and continues his work as Artistic Partner with the St. Paul Chamber Orchestra, opening the season directing Beethoven 5 from the keyboard.
In the same season, Denk re-unites with his long time collaborators, Joshua Bell and Steven Isserlis, on an eleven-city tour of the US, including appearances in New York, Boston, Washington, and San Francisco. He also performs and curates a series of Mozart Violin Sonatas (‘Denk & Friends’) at Carnegie Hall. Further collaborations include performing Winterreise with Matthias Goerne, and the Ives violin sonatas at Tanglewood with Stefan Jackiw. Abroad, he returns to the Barbican in London to reunite with the BBC Symphony Orchestra, makes his debut with the City of Birmingham Symphony, and returns to the Helsinki Philharmonic. He also appears in recital in Europe, including his return to the Wigmore Hall as part of a three-year residency. His recording c.1200-c.2000 will be released by Nonesuch Records with music ranging from Guillaume de Machaut, Gilles Binchois and Carlo Gesualdo, to Stockhausen, Ligeti and Glass.
In 17-18, Denk reunited with Michael Tilson Thomas and the San Francisco Symphony to perform Bartok 2, following a performance of the same concerto with the BBC Symphony Orchestra at the BBC Proms. He also returned to Carnegie Hall, both to perform Beethoven 5 with Orchestra St. Luke’s, and alongside Joshua Bell. With his return in subscription to the Seattle Symphony, Denk toured with the orchestra performing Beethoven 5, and was featured as Artistic Partner of the St. Paul Chamber Orchestra with multiple performances throughout the season, including the premiere of a new piano concerto written for him by Hannah Lash. He also appeared in recital throughout the US, with his performances in New York, Chicago, Philadelphia, Boston, Houston, Seattle, Los Angeles, Baltimore, and Princeton. His collaborations in 17-18 included a US tour of the complete Ives Violin Sonatas with Stefan Jackiw in a special project in which Denk presented the sonatas with a vocal ensemble performing hymns embedded in the compositions. A recording of the Sonatas with Jackiw is forthcoming from Nonesuch Records. Abroad, Denk was presented by the Barbican in multiple performances as artist-in-residence at Milton Hall. He also returned to play-direct the Britten Sinfonia in London, and on tour in the UK. In Asia, Denk made his debut in recital in Hong Kong, Seoul, and Singapore.
In 2014, Denk served as Music Director of the Ojai Music Festival, for which, besides performing and curating, he wrote the libretto for a comic opera. The opera was later presented by Carnegie Hall, Cal Performances, and the Aspen Festival. Denk is known for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” The pianist’s writing has appeared in the New Yorker, the New Republic, The Guardian, and on the front page of the New York Times Book Review. One of his New Yorker contributions, “Every Good Boy Does Fine,” forms the basis of a book for future publication by Random House in the US, and Macmillan in the UK. Recounting his experiences of touring, performing, and practicing, his blog, Think Denk, was recently selected for inclusion in the Library of Congress web archives.
In 2012, Denk made his Nonesuch debut with a pairing of masterpieces old and new: Beethoven’s final Piano Sonata, Op. 111, and Ligeti’s Études. The album was named one of the best of 2012 by the New Yorker, NPR, and the Washington Post, and Denk’s account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano. Denk has a long-standing attachment to the music of American visionary Charles Ives, and his recording of Ives’s two piano sonatas featured in many “best of the year” lists.
Jeremy Denk graduated from Oberlin College, Indiana University, and the Juilliard School. He lives in New York City, and his web site and blog are at jeremydenk.net.
Jeremy Denk, piano
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With a career spanning more than thirty years as a soloist, chamber musician, recording artist, conductor and director, Joshua Bell is one of the most celebrated violinists of his era. His curiosity and clarity of insight are a testament to his belief in the power of music as a unifying cultural force. An artist of precision and passion, Bell is committed to the violin as an instrument of expression and a vehicle for realizing the new and unexplored.
Having performed with every major orchestra in the world on six continents, Bell continues to maintain engagements as soloist, recitalist and chamber musician. Since 2011, Bell has served as Music Director of the Academy of St Martin in the Fields, succeeding Sir Neville Marriner, who formed the orchestra in 1958. Bell’s multifaceted interests range from performing the repertoire’s hallmarks to recording commissioned works, including Nicholas Maw’s Violin Concerto, for which Bell received a Grammy® award. He has also premiered works of John Corigliano, Edgar Meyer, Jay Greenberg, and Behzad Ranjbaran, continually exploring the boundaries of the repertoire and the instrument.
Committed to innovative ways of expanding classical music’s social and cultural impact, Bell has collaborated with various artists and organizations across a multitude of genres. He has partnered with peers including Renée Fleming, Chick Corea, Regina Spektor, Wynton Marsalis, Chris Botti, Anoushka Shankar, Frankie Moreno, Josh Groban, and Sting, among others, emphasizing music as a crucial element of cross-cultural conversation. In Spring 2019, Bell joins his longtime friends and musical partners, cellist Steven Isserlis and pianist Jeremy Denk, for a ten-city American trio tour.
Bell maintains an avid interest in film music, and in 2018-19, commemorates the 20th anniversary of The Red Violin (1998). The film’s Academy-Award winning soundtrack features Bell as soloist; in summer 2018, Bell brings the film with live orchestra to various festivals, and, in October 2018, to the New York Philharmonic. Bell is the featured soloist in a wide array of film soundtracks, from that of Ladies in Lavender (2004) to Defiance (2008), further diversifying the possibilities of the violin. He has also appeared as a guest star on The Tonight Show with Johnny Carson and has made regular appearances on Mozart in the Jungle. Bell is featured on six Live From Lincoln Center specials, as well as a PBS Great Performances episode, “Joshua Bell: West Side Story in Central Park.”
Through music’s interaction with technology, Bell further seeks to expand the boundaries of his instrument. Bell has partnered with Embertone, the leading virtual instrument sampling company, on the Joshua Bell Virtual Violin, a sampler created for producers, engineers, artists, and composers. In an effort to broaden the violin’s accessibility, Bell also collaborated with Sony on the Joshua Bell VR experience. Featuring Bell performing with pianist Sam Haywood in full 360-degrees VR, the software is available on Sony PlayStation 4 VR.
As an exclusive Sony Classical artist, Bell has recorded more than 40 albums garnering Grammy®, Mercury®, Gramophone and ECHO Klassik awards. Sony Classical’s most recent release in June 2018, with Bell and the Academy of St Martin in the Fields, features Bruch’s Scottish Fantasy and G minor Violin Concerto. Bell’s previous release, For the Love of Brahms in 2016, includes 19th-century repertoire with the Academy, Steven Isserlis, and Jeremy Denk. Bell’s 2013 release with the Academy of St Martin in the Fields, featured him conducting Beethoven’s Fourth and Seventh symphonies and debuted at #1 on the Billboard charts.
In 2007, a Pulitzer Prize-winning Washington Post story, centered on Bell performing incognito in a Washington, D.C. metro station, sparked an ongoing conversation regarding artistic reception and context. The feature inspired Kathy Stinson’s 2013 children’s book, The Man With The Violin, and a newly-commissioned animated film, with music by Academy Award-winning composer Anne Dudley. Stinson’s subsequent 2017 book, Dance With The Violin, illustrated by Dušan Petričić, offers a glimpse into one of Bell’s competition experiences at age 12. Bell debuted The Man With The Violin festival at the Kennedy Center in 2017, and, in March 2019, presents a Man With The Violin festival and family concert with the Seattle Symphony.
Bell advocates for music as an essential educational tool, as both a way for classical music to find diverse audiences, and also to deepen his audience’s connection to the art. He maintains active involvement with Education Through Music and Turnaround Arts, which provide instruments and arts education to children who may not otherwise be able to experience classical music firsthand. In 2014, Bell mentored and performed alongside National YoungArts Foundation string musicians in an HBO Family Documentary special, “Joshua Bell: A YoungArts Masterclass.” Bell continues to work alongside young talent to foster the next generation of classical music ambassadors, and currently serves as senior lecturer at his alma mater, the Indiana University Jacobs School of Music.
Born in Bloomington, Indiana, Bell began the violin at the age of four, and at age twelve, began studies with his mentor, Josef Gingold. At age 14, Bell debuted with Riccardo Muti and the Philadelphia Orchestra, and made his Carnegie Hall debut at age 17 with the St. Louis Symphony. At age 18, Bell signed with his first label, London Decca, and received the Avery Fisher Career Grant. In the years following, Bell has been named 2010 “Instrumentalist of the Year” by Musical America, a 2007 “Young Global Leader” by the World Economic Forum, nominated for five Grammy® awards, and received the 2007 Avery Fisher Prize. He has also received the 2003 Indiana Governor's Arts Award and a Distinguished Alumni Service Award in 1991 from the Jacobs School of Music. In 2000, he was named an “Indiana Living Legend” and one of People magazine’s “50 Most Beautiful.”
Bell has performed for three American presidents, most recently former president Barack Obama, participating in Obama’s Committee on the Arts and Humanities’ first cultural mission to Cuba. He joined Cuban and American musicians on a 2017 Live from Lincoln Center PBS special, Joshua Bell: Seasons of Cuba, to celebrate a new landscape of cultural diplomacy.
Bell performs on the 1713 Huberman Stradivarius violin, with a François Tourte 18th-Century bow.
Joshua Bell, violin
Steven Isserlis, cello