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Thomas Ades

Festival of Contemporary Music
featuring FCM director and BSO Artistic Partner Thomas Adès

Tanglewood

2021 Festival of Contemporary Music

Tanglewood Music Center Orchestra
Thomas Adès and Stefan Asbury, conductors
Anthony Marwood, violin

Per NØRGÅRD Dream Play
LIGETI Violin Concerto
Steve REICH Reich/Richter


The 2021 Festival of Contemporary Music is curated and led by renowned composer and BSO Artistic Partner Thomas Adès, the Merwin Geffen, M.D. and Norman Solomon, M.D., Festival of Contemporary Music Director.

The Festival of Contemporary Music has been endowed in perpetuity by the generosity of Dr. Raymond H. and Mrs. Hannah H. Schneider, with additional support from the Fromm Music Foundation, the National Endowment for the Arts and the Helen F. Whitaker Fund.

The Margaret Lee Crofts Concert 

Featured Performers & Ensembles

Thomas Adès, conductor
Thomas Adès, conductor View biography in full page >

Now in his third year as the BSO’s Deborah and Philip Edmundson Artistic Partner, a position created specifically for him and just recently extended through the BSO’s 2020-21 season, composer-conductor-pianist Thomas Adès was born in London in 1971. Renowned as both a composer and a performer, he works regularly with the world’s leading orchestras, opera companies, and festivals, and was made a CBE in the 2018 Queen’s Birthday Honours. Mr. Adès’s most recent opera, The Exterminating Angel, premiered at the 2016 Salzburg Festival and has also been performed at the Metropolitan Opera and at London’s Royal Opera House. His opera The Tempest was commissioned by and first performed at the Royal Opera House in 2004, with a new production at the Metropolitan Opera in 2012. His first opera, Powder Her Face (1995), was written for the Cheltenham Festival and the Almeida Theatre, London. Orchestral commissions include those from the City of Birmingham Symphony Orchestra, Berlin Philharmonic, Carnegie Hall, the New World Symphony, Berliner Festspiele, BBC Proms, Los Angeles Philharmonic, London’s Royal Festival Hall, and the Boston Symphony Orchestra. His catalog also includes numerous celebrated chamber and solo works. As the BSO’s artistic partner, he leads the orchestra in Boston and at Tanglewood, performs chamber music with the Boston Symphony Chamber Players, and directs the Festival of Contemporary Music at Tanglewood.

 

Thomas Adès coaches piano and chamber music annually at the International Musicians Seminar, Prussia Cove. As a conductor, he appears regularly with the Los Angeles, New York, and London philharmonic orchestras, the Boston, London, BBC, City of Birmingham, Melbourne, and Sydney symphony orchestras, and the Royal Concertgebouworkest. This season he leads the Orchestre de Paris, Britten Sinfonia, and Leipzig Gewandhausorchester. In addition to his own works, he has conducted such operas as The Rake’s Progress and the world and European premieres of Gerald Barry’s Alice’s Adventures Under Ground. Recent piano engagements include solo recitals at Carnegie Hall and London’s Wigmore Hall and concerto appearances with the New York Philharmonic. This season includes a solo Janáček program in London, Paris, Lisbon, and the Czech Republic, Schubert’s Winterreise at Wigmore Hall with Ian Bostridge, and duo-recitals with Kirill Gerstein at Carnegie Hall and Boston’s Jordan Hall. Mr. Adès’s honors include the Grawemeyer Award for Asyla (1999), the Ernst von Siemens Prize for Arcadiana, and the British Composer Award for The Four Quarters. His recording of The Tempest (EMI) won a Gramophone award; the DVD of the Metropolitan Opera’s production was awarded the Diapason d’Or de l’année, Best Opera Grammy Award, and ECHO Klassik Music DVD Recording of the Year. The Exterminating Angel won the World Premiere of the Year at the International Opera Awards. In 2015 Mr. Adès was awarded the prestigious Léonie Sonning Music Prize.

 

Thomas Adès, conductor Stefan Asbury, conductor
Stefan Asbury, conductor View biography in full page >

Chief Conductor of the Noord Nederlands Orkest and Artist in Association at the Tapiola Sinfonietta, Stefan Asbury is in demand with many of the leading orchestras worldwide. The 2011/12 season includes performances with the Boston Symphony Orchestra, the Royal Concertgebouw Orchestra (with Lang Lang as soloist), Sinfonieorchester des Bayerischen Rundfunks and the Gewandhausorchester Leipzig amongst others.

Recent seasons have also included guest engagements with the London Symphony Orchestra, Los Angeles Philharmonic, RAI Turin, Seattle Symphony Orchestra, Dresdner Philharmonie, Seoul Philharmonic Orchestra, West Australian Symphony Orchestra and the Orchestra of St Luke's. He enjoys frequent collaborations with the Basel Sinfonietta, WDR Sinfonieorchester, hr-Sinfonieorchester, NDR Sinfonieorchester and ORF Radio-Symphonieorchester Wien. Asbury is also regular guest conductor at festivals such as Automne en Normandie, Wien Modern, Wiener Festwochen, Munich Biennale, the Salzburger Festspiele and La Biennale di Venezia.

Since 1995 Stefan Asbury has served on the faculty of the Tanglewood Music Center and currently holds the Sana H. Sabbagh master teacher chair on the Conducting Faculty which he has held since 2005. From 1999 to 2005 he was Associate Director of New Music Activities. In addition to his regular summer teaching he has given conducting master classes at institutions such as the Hochschule der Kunste (Zurich), Venice Conservatory, Tokyo Wonder Site, and his master classes are featured in the Boston Symphony Orchestra's Inside the TMC.

Stefan conducted John Adams' A Flowering Tree for the 2009 Perth International Arts Festival, a performance which won 'Best Symphony Orchestra Concert' for the 2009 Helpmann Awards. Other recent opera productions have included Wolfgang Rihm's Jakob Lenz for the 2008 Wiener Festwochen, a concert version of Benjamin Britten's Owen Wingrave with Tapiola Sinfonietta, the world premiere of Van Vlijmen's Thyeste with Théâtre Royal de La Monnaie and the Nationale Reisopera, Johannes Maria Staud's Berenice at Munich Biennale and Benjamin Britten's A Midsummer Night's Dream in Karlsruhe. Stefan has collaborated with the Mark Morris Dance Group in their production and tour of Prokofiev's Romeo and Juliet. Performances took place at Lincoln Center and at the Barbican amongst other venues. This season sees him collaborate with them again on Four Saints in Three Acts at the Brooklyn Academy of Music.

Stefan Asbury has particularly strong relationships with many living composers including Oliver Knussen, Steve Reich, Wolfgang Rihm, Unsuk Chin and Mark Anthony Turnage, and collaborates regularly with Ensemble Modern, Klangforum Wien, Musikfabrik and the London Sinfonietta. He was Music Director of the Remix Ensemble Casa da Musica Porto from 2001-2005, working with them to commission new works and programming an innovative mix of jazz, film and music theatre. Notable amongst his recordings are a recording of works by Unsuk Chin with Ensemble intercontemporain on Deutsche Grammophon. His CD of music by Jonathan Harvey was awarded a 'Monde de la Musique CHOC' award, and his complete cycle 'Espace Accoustique' by Gerard Grisey with WDR Sinfonieorchester won the German music critics award (Preis der Deutschen Schallplattenkritik.)

Stefan Asbury, conductor
Anthony Marwood
Anthony Marwood View biography in full page >

British violinist Anthony Marwood enjoys a wide-ranging international career as soloist, director and chamber musician. Recent solo engagements include performances with the Boston Symphony, St Louis Symphony, Leipzig Gewandhaus Orchestra, New World Symphony and Sydney Symphony.

Current invitations include the London Philharmonic at the Royal Festival Hall (Adès Concerto), Schumann with the Adelaide Symphony, his concerto debut in Budapest (Beethoven violin concerto and triple concerto) at the Liszt Academy, conducted by András Keller, his debut with the Spanish National Orchestra in Madrid, and a multi-concert residency at the Adelaide Festival. He will also return to Les Violons du Roy in Canada, where is Principal Artistic Partner, and the Amsterdam Sinfonietta (Mendelssohn double concerto with pianist Alexander Melnikov).

He has worked with conductors Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin, and Douglas Boyd. The 2019/2020 season includes recitals with pianist Aleksandar Madzar in Serbia and London, and with accordionist James Crabb in Australia and New Zealand. In 2020 Anthony will also appear at festivals in the USA including his debuts at Tanglewood and La Jolla Music Society SummerFest) and in Brazil (Illumina Festival São Paulo).

Many leading composers have written concertos for him, including Thomas Adès, Steven Mackey, Sally Beamish and Samuel Carl Adams. Anthony is a prolific recording artist, and his most recent release – his 50th on the Hyperion label – is a recording of Walton’s Violin Concerto with the BBC Scottish Symphony Orchestra and Martyn Brabbins. The disc received wide critical acclaim, including a 5-star review in The Guardian and a ‘Recommended Recording’ in The Strad Magazine, whilst the Sunday Times described him as “a thrilling, virtuosic soloist”.

Anthony studied with Emanuel Hurwitz and David Takeno in London. He has collaborated with numerous actors, Indian classical dancer Mayuri Boonham, Irish singer-songwriter Sinead O’Connor, sculptress Nicole Farhi and South African guitarist Derek Gripper. He was the violinist of the Florestan Trio for sixteen years and won the Royal Philharmonic Society Instrumentalist award in 2006.

Anthony is co-Artistic Director of the Peasmarsh Chamber Music Festival in East Sussex, which celebrated its 20th anniversary in 2018. He performs annually at the Yellow Barn Festival in Vermont and enjoys a close association with the Australian National Academy of Music in Melbourne. He was appointed an MBE in the 2018 Queen’s New Year’s Honours List and was made a Fellow of the Guildhall School of Music in 2013. He plays a 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers, and a 2018 violin made by Christian Bayon.

Anthony Marwood
Tanglewood Music Center Orchestra
Program Notes Audio
Per NØRGÅRD - Dream Play
LIGETI - Violin Concerto (30 min)
Steve REICH - Reich/Richter
Full Program Notes - Available Here