Tickets & Events

Schubert's Summer Journey, Program 2

Tanglewood

Seiji Ozawa Hall - Lenox, MA View Map

A highlight of this summer's Ozawa Hall schedule is the six-concert series, curated by Emanuel Ax and featuring an array of extraordinary performers, entitled Schubert's Summer Journey, encompassing music from Schubert's final year plus complementary works ranging from additional vocal and instrumental music by Schubert to a world premiere by Colin Jacobsen (July 6 and 20; August 3, 8, 17, and 23).

Featured Performers

Andrè Schuen, baritone Andrè Schuen, baritone Thomas Adès, piano
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Born in London in 1971, Thomas Adès studied piano and composition at the Guildhall School of Music and Drama, and read music at King's College, Cambridge.   Renowned as both a composer and a performer he works regularly with the world's leading opera companies and festivals.  

Recent conducting engagements include a tour with the Britten Sinfonia, concerts with the Chamber Orchestra of Europe and the Gulbenkian Orchestra as part of his Gulbenkian Foundation Residency, the London Symphony and Sao Paulo State Symphony Orchestras, his debut with the Royal Concertgebouw Orchestra, the Los Angeles Philharmonic, the City of Birmingham Symphony Orchestra, the Philharmonia Orchestra, Mariinsky Theatre Orchestra, the Royal Stockholm Philharmonic Orchestra, the BBC, Finnish and Danish Radio Symphony Orchestras, the Birmingham Contemporary Music Group (whose Music Director he was between 1998 and 2000), the London Sinfonietta, Ensemble Modern and the Athelas Ensemble.
He recently conducted productions of The Rake's Progress at the Royal Opera House Covent Garden and Zurich Opera.  His most recent piano engagements include a recital at Carnegie Hall with Ian Bostridge, and an appearance with Alan Gilbert and the New York Philharmonic. In 2010 he undertook a piano recital tour that included Carnegie Hall, and London's Barbican Centre featured the premiere of his new piano work Concert Paraphrase from Powder Her Face.  2010/11 saw Adès return to Australia as an artist in residence at the Melbourne Festival.  Future plans include concerts with the Accademia Santa Cecilia in Rome, Barry's "The Importance of Being Earnest" with the Birmingham Contemporary Music Group, and a piano recital at the Festival de Saint Denis.

Between 1993 and 1995 he was Composer in Association with the Hallé Orchestra, which resulted in The Origin of the Harp (1994) and These Premises Are Alarmed for the opening of the Bridgewater Hall in 1996. Asyla (1997) was a Feeney Trust commission for Sir Simon Rattle and the CBSO who performed it at Symphony Hall in August 1998 in Rattle's last concert as Music Director.   From 1999-2008 he was Artistic Director of the Aldeburgh Festival.
Adès' first opera, Powder Her Face (commissioned by Almeida Opera for the Cheltenham Festival in 1995), has been performed all around the world, was televised by Channel Four, and is available on a DVD as well as an EMI CD. Most of the composer's music has been recorded by EMI, with whom Adès has a contract as composer, pianist and conductor. Adès' second opera, The Tempest, was commissioned by the Royal Opera House and was premiered under the baton of the composer to great critical acclaim in February 2004. It was revived at Covent Garden in 2007 - again with the composer conducting and to a sold-out house - and has also been performed in Copenhagen, Strasbourg and Santa Fe. Recently released to outstanding reviews, The Tempest is also available on an EMI CD and in France, the disc was recently awarded the prestigious Diapason d'Or de l'année and the 2010 Classical Brit Award for Composer of the Year. In September 2005 his violin concerto, Concentric Paths, written for Anthony Marwood, was premiered at the Berliner Festspiele and the BBC Proms, with the Chamber Orchestra of Europe under his baton. His second orchestral work for Simon Rattle, Tevot, (2007) was commissioned by the Berliner Philharmoniker and Carnegie Hall. 

Appointed to the Richard and Barbara Debs Composer Chair at Carnegie Hall for 2007/8, he was featured as composer, conductor and pianist throughout that season.  Adès' most recent works include a 'Piano concerto with moving image' entitled In Seven Days, a collaboration with video artist Tal Rosner, commissioned by the Los Angeles Philharmonic and London's Southbank Centre and Lieux Retrouvés, a work for 'cello and piano written for Steven Isserlis and commissioned by Aldeburgh Festival and Wigmore Hall.

Adès' music has attracted numerous awards and prizes, including the prestigious Grawemeyer Award (in 2000, for Asyla), of which he is the youngest ever recipient.

Thomas Adès, piano
Edwin Barker, double bass
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BSO principal bass Edwin Barker has concertized in North America, Europe, and the Far East. He has performed and recorded with the BSO, the Boston Symphony Chamber Players, and the contemporary music ensemble Collage, and is a frequent guest performer with the Boston Chamber Music Society. Mr. Barker gave the world premieres of James Yannatos' Concerto for Contrabass and Chamber Orchestra (which was written especially for him) and of Theodore Antoniou's Concertino for Contrabass and Chamber Orchestra; he was the featured soloist in the New England premiere of Gunther Schuller's Concerto for Double Bass and Chamber Orchestra. Mr. Barker graduated with honors in 1976 from the New England Conservatory, where he studied double bass with Henry Portnoi. That same year, at age twenty-two, while a member of the Chicago Symphony, he was appointed principal double bass of the Boston Symphony Orchestra. His other double bass teachers included Peter Mercurio, Richard Stephan, Angelo LaMariana, and David Perleman. Mr. Barker inaugurated the BSO's 100th Anniversary Season with performances of Koussevitzky's Bass Concerto; other solo engagements have included appearances at Seiji Ozawa Hall, Carnegie Recital Hall, and major universities and conferences throughout the world, as well as concerto performances with the Boston Classical Orchestra and the Boston Symphony Orchestra in Boston and Europe. In July 1995 he was chosen by the late Sir Georg Solti to lead the bass section of the United Nations' "Musicians of the World," an orchestra made up of prominent musicians from the world's finest orchestras. Mr. Barker is an associate professor at the Boston University College of Fine Arts, where he teaches double bass, orchestral techniques, and chamber music. His other major teaching affiliations include the BSO's Tanglewood Music Center, where he is Chairman of Instrumental and Orchestral Studies, and the National Orchestral Institute at the University of Maryland. His solo CDs include "Three Sonatas for Double Bass"; James Yannatos' Variations for Solo Contrabass, and the recently released "Concerti for Double Bass," which includes concertos by Gunther Schuller and Theodore Antoniou.

 

Visit bostonsymphonychamberplayers.org for more information about the Boston Symphony Chamber Players.

Edwin Barker, double bass
Program Notes Audio
SCHUBERT - Auf der Bruck, D.853
SCHUBERT - Der Wanderer an den Mond, D.870
SCHUBERT - Nachtstück, D.672
SCHUBERT - Wanderers Nachtlied II, D.768
SCHUBERT - Willkommen und Abschied, D.767
Mark Anthony TURNAGE - Shroud, for string quartet
SCHUBERT - Quintet in A for piano and strings, D.667, Trout