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Thomas Adès conducts Britten, Adès and Beethoven featuring pianist Emanuel Ax

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

BSO Artistic Partner Thomas Adès opens the Saturday, July 22 BSO program leading his own …but all shall be well, a piece inspired by lines from T.S. Eliot's quotation of Julian of Norwich in Four Quartets: "Sin is Behovely, but All shall be well, and All manner of thing shall be well." The program also features Emanuel Ax in Beethoven's Piano Concerto No. 5, Emperor, the last and most monumental of Beethoven's concertos; as well as the dramatically expressive Sinfonia da Requiem by Benjamin Britten, a composer for whom Mr. Adès has a great affinity. 

Featured Performers

Thomas Adès, conductor
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Thomas Adès was born in London in 1971.  Renowned as both a composer and a performer, Thomas Adès works regularly with the world’s leading orchestras, opera companies and festivals.

His compositions include three operas : the most recent of which The Exterminating Angel premiered at the 2016 Salzburg Festival and subsequently has been performed at the Metropolitan Opera, New York and the Royal Opera House, London; The Tempest  (Royal Opera House and Metropolitan Opera); and Powder Her Face.  His orchestral works include Asyla (CBSO, 1997), Tevot (Berlin Philharmonic and Carnegie Hall, 2007), Polaris (New World Symphony, Miami 2011), Violin Concerto Concentric Paths (Berliner Festspiele and the BBC Proms, 2005), In Seven Days (Piano concerto with moving image - LA Philharmonic and RFH London 2008), and Totentanz for mezzo-soprano, baritone, and orchestra (BBC Proms, 2013).   His compositions also include numerous celebrated chamber and solo works.

Thomas Adès was recently appointed Artistic Partner by the Boston Symphony Orchestra through 2019; he will conduct the orchestra in Boston and at Tanglewood, perform chamber music with the orchestra players, and lead the summer Festival of Contemporary Music. He coaches Piano and Chamber Music annually at the International Musicians Seminar, Prussia Cove.

As a conductor, Thomas appears regularly with, among others, the Los Angeles, New York and London Philharmonic orchestras, the Boston, London, BBC, City of Birmingham, Melbourne and Sydney Symphony orchestras, the Royal Concertgebouworkest and last season he made his debut with the Czech Philharmonic. In opera, in addition to The Exterminating Angel,  he has conducted The Rake’s Progress at the Royal Opera House and the Zürich Opera, The Tempest at the Metropolitan Opera and Vienna State Opera, and Gerald Barry’s latest opera Alice’s Adventures Under Ground in Los Angeles (world premiere) and in London (European premiere).  This season he will conduct the London and Los Angeles Philharmonic orchestras, the Finnish Radio and Boston Symphony orchestras, as well as the Orchestre de Paris, the Leipzig Gewandhausorchester and Britten Sinfonia. 

His recent piano engagements include solo recitals at Carnegie Hall (Stern Auditorium), New York and the Wigmore Hall in London, and concerto appearances with the New York Philharmonic. In recital, this season he will give a solo programme of Janáček in London, Paris, Lisbon and the Czech Republic, Schubert’s Winterreise at London’s Wigmore Hall with Ian Bostridge, and he will join Kirill Gerstein in duo recitals at Carnegie Hall and the Tanglewood Festival. 

His many awards include the Grawemeyer Award for Asyla (1999); Royal Philharmonic Society large-scale composition awards for Asyla, The Tempest and Tevot; and Ernst von Siemens Composers' prize for Arcadiana; British Composer Award for The Four Quarters.  His CD recording of The Tempest from the Royal Opera House (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d'Or de l'année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards); and The Exterminating Angel won the World Premiere of the Year at the International Opera Awards (2017).  In 2015 he was awarded the prestigious Léonie Sonning Music Prize.

Thomas Adès, conductor Emanuel Ax, piano
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Born in modern day Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University where he majored in French. Mr. Ax made his New York debut in the Young Concert Artists Series, and captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists followed four years later by the coveted Avery Fisher Prize. 

In partnership with colleagues Leonidas Kavakos and Yo-Yo Ma, he begins the current season with concerts in Vienna, Paris and London with the trios of Brahms recently released by SONY Classical. In the US he returns to the orchestras in Cleveland, Chicago, New York, Philadelphia, San Francisco, Los Angeles, Minneapolis, Washington, Detroit, Pittsburgh, Nashville and Portland, OR, and to Carnegie Hall for a recital to conclude the season. In Europe he can be heard in Munich, Amsterdam, Berlin, Rome, Vienna, London, and on tour with the Budapest Festival Orchestra in Italy.

Always a committed exponent of contemporary composers, with works written for him by John Adams, Christopher Rouse, Krzysztof  Penderecki, Bright Sheng, and Melinda Wagner already in his repertoire, most recently he has added HK Gruber's Piano Concerto and Samuel Adams' "Impromptus".

A Sony Classical exclusive recording artist since 1987, recent releases include Mendelssohn Trios with Yo-Yo Ma and Itzhak Perlman, Strauss' Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. In 2015 Deutche Grammophon released a duo recording with Mr. Perlman of Sonatas by Faure and Strauss, which the two artists presented on tour during the 2015/2016 season.  Mr. Ax has received GRAMMY® Awards for the second and third volumes of his cycle of Haydn's piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla, and the premiere recording of John Adams's Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004/05 season Mr. Ax also contributed to an International EMMY® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax's recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th century music/Piano).

A frequent and committed partner for chamber music, he has worked regularly with such artists as Young Uck Kim, Cho-Liang Lin, Mr. Ma, Edgar Meyer, Peter Serkin, Jaime Laredo, and the late Isaac Stern. 

Mr. Ax resides in New York City with his wife, pianist Yoko Nozaki. They have two children together, Joseph and Sarah. He is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, Yale University, and Columbia University.

Emanuel Ax, piano
Program Notes Audio
BRITTEN - Sinfonia da Requiem (21 min)
Thomas ADÈS - ...but all shall be well
BEETHOVEN - Piano Concerto No. 5, Emperor (42 min)
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