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Charles Dutoit conducts Stravinsky, Ravel and Berlioz

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

On Saturday, Mr. Dutoit is joined by Pierre-Laurent Aimard for Ravel's Piano Concerto for the left hand, a piece written in 1929 and 1930 for Austrian pianist Paul Wittgenstein, who lost his right arm during World War I.

Featured Performers & Ensembles

Charles Dutoit, conductor
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Captivating audiences throughout the world, Charles Dutoit is one of today's  most sought-after conductors, having performed with all the major orchestras on most stages of the five continents.

Presently Artistic Director and Principal Conductor of the London Royal Philharmonic Orchestra, he recently celebrated his 30-year artistic collaboration with the Philadelphia Orchestra, who in turn, bestowed upon him the title of Conductor Laureate. He collaborates every season with the orchestras of Chicago, Boston, San Francisco, New York and Los Angeles and is also a regular guest  on the stages in London, Berlin, Paris, Munich, Moscow, Sydney, Beijing, Hong Kong, and Shanghai, amongst others.

His more than 200 recordings for Decca, Deutsche Grammophone, EMI, Philips and Erato have garnered multiple awards and distinctions including two Grammys.

For 25 years , Charles Dutoit was Artistic Director of the Montreal Symphony Orchestra, a dynamic musical team recognised the world over.
From 1991 to 2001, he was Music Director of the Orchestre National de France and in 1996, was appointed Principal Conductor and soon thereafter, Music Director of the NHK Symphony Orchestra (Tokyo). He is today Music Director Emeritus of this Orchestra.

He was for 10 years Music Director of the Philadelphia Orchestra's season at the Mann Music Center and for 21 years, at the Saratoga Performing Arts Center.

Charles Dutoit's interest in the younger generation has always held an important place in his career and he has successively been Music Director of the Sapporo Pacific Music Festival and Miyazaki International Music Festival in Japan as well as the Canton International Summer Music Academy in Guangzhou. In 2009, he became Music Director of the Verbier Festival Orchestra.

When still in his early 20's, Charles Dutoit was invited by Von Karajan to conduct the Vienna State Opera.  He has since conducted at Covent Garden, the Metropolitan Opera in New York, Deutsche Oper in Berlin, the Rome Opera and Teatro Colón in Buenos Aires.

In 1991, he was made Honorary Citizen of the City of Philadelphia, in 1995, Grand Officier de l'Ordre national du Québec, in 1996, Commandeur de l'Ordre des Arts et des Lettres by the government of France and in 1998, he was invested as Honorary Officer of the Order of Canada.
In 2007, he received the Gold Medal of  the city of Lausanne, his birthplace and in 2014, he was given the Lifetime Achievement Award from the International Classical Music Awards.

He holds Honorary Doctorates from the Universities of McGill, Montreal, Laval and the Curtis School of Music.

A globetrotter motivated by his passion for history and archaeology, political science, art and architecture, he has traveled in all 196

Charles Dutoit, conductor Pierre-Laurent Aimard, piano
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Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career.

He performs throughout the world each season with major orchestras under conductors including Christoph von Dohnányi Gustavo Dudamel, Peter Eötvös, Nikolaus Harnoncourt, Sir Simon Rattle and Esa-Pekka Salonen. He has been invited to create, direct and perform in a number of residencies, with recent projects including at Carnegie Hall, New York's Lincoln Center, Vienna's Konzerthaus, Berlin's Philharmonie, the Lucerne Festival, Mozarteum Salzburg, Edinburgh Festival, Cité de la Musique in Paris, the Tanglewood Festival and London's Southbank Centre - where he was Artistic Advisor to the 'Exquisite Labyrinth' festival celebrating the music of Pierre Boulez. Aimard is also the Artistic Director of the prestigious and historic Aldeburgh Festival. Commenting on his directorship, the Guardian wrote: "Aimard has ensured that the provincialism Britten himself dreaded has no place here…it reassures music-lovers in search of seriousness and quality."

Current and future highlights include solo recitals in London, New York, Chicago, Paris Tokyo, Vienna, Beijing and Amsterdam and concerto appearances with the Boston Symphony Orchestra, London Philharmonic and  Deutsches Symphonie-Orchester Berlin,.  He also regularly directs concerts from the keyboard with the Chamber Orchestra of Europe. In Autumn 2014 he will join the Bavarian Radio Symphony Orchestra in Munich to give the world premiere of a Piano Concerto by Harrison Birtwistle, with further performances in Porto, London and Boston and in Spring 2015 he will undertake a recital tour with Tamara Stefanovich, playing all of Boulez's completed works for piano in celebration of the composer's 90th birthday.

Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Paris Conservatoire with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition at the age of 16 and being appointed three years later, by Pierre Boulez, to become the Ensemble intercontemporain's first solo pianist.

Aimard has had close collaborations with many leading composers including Kurtag, Stockhausen, Elliott Carter, Pierre Boulez and George Benjamin and had a long association with György Ligeti, recording his complete works for piano.  Most recently he performed the world premiere of Tristan Murail's Piano Concerto as well as Carter's last piece: Epigrams for piano, cello and violin, which was written for Pierre-Laurent and premiered at the Aldeburgh Festival in June 2013. Through professorships at the Hochschule Köln and Conservatoire de Paris, as well as numerous series of concert lectures and workshops worldwide, he sheds an inspiring and very personal light on music of all periods. During 2009 Aimard was invited to give a series of classes and seminars at the College de France, Paris. He was the recipient of the Royal Philharmonic Society's Instrumentalist Award in spring 2005 and was named "Instrumentalist of the Year" by Musical America in 2007.

Pierre-Laurent now records exclusively for Deutsche Grammophon. His first DG release, Bach's Art of Fugue, received both the Diapason d'Or and Choc du Monde de la Musique awards, debuted at No.1 on Billboard's classical chart and topped iTunes' classical album download chart. In recent years Pierre-Laurent has been honoured with ECHO Classik Awards, most recently in 2009 for his recording of solo piano pieces, 'Hommage à Messiaen' and was also presented with Germany's Schallplattenkritik Honorary Prize the same year. His recording of Ives' Concord Sonata and Songs received a Grammy award in 2005.  His highly successful 2011 release, 'The Liszt Project' featuring the music of Liszt alongside Berg, Bartok, Ravel, Scriabin and Messiaen, was followed by a recording of Debussy's Préludes in 2012, the composer's anniversary year.

Pierre-Laurent Aimard, piano
Paul Groves, tenor
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American tenor Paul Groves enjoys an impressive international career performing on the stages of all the world's leading opera houses and concert halls.

Paul Groves makes an important role debut in the 2014-15 season when he performs the title role in Wagner's Lohengrin in a new production with the Norwegian National Opera in Olso. He later returns to the Festival International d'Art Lyrique d'Aix-en-Provence to revive his portrayal in staged performances of Stravinsky's Perséphone as well as to the Vienna Staatsoper where he appears as Florestan in Beethoven's Fidelio. Mr. Groves appears throughout the season in concert, including appearances with the Boston Symphony Orchestra, the Cleveland Orchestra, the Saint Louis Symphony, the Los Angeles Philharmonic, and Zurich's Tonhalle Orchestra.

Highlights of recent seasons for the tenor include his first performances in the title role of Wagner's Parsifal with Lyric Opera Chicago, led by Sir Andrew Davis, appearances as Admète in Gluck's Alceste with Madrid's Teatro Real, Nicias in Massenet's Thais with the Los Angeles Opera, Pylade in Iphigénie en Aulide with Theater an der Wien, and Don Ottavio in Don Giovanni with the Madrid's Teatro Real and the Festival Aix-en-Provence

Paul Groves came to national attention as a winner of the Met's National Council Auditions in 1991. A graduate of the Metropolitan Opera's Young Artists Development Program, Mr. Groves made his Metropolitan Opera debut in 1992 as the Steuermann in Der fliegende Holländer. Mr. Groves returned to the MET for performances as Camille de Rosillon in their new production of The Merry Widow, opposite Placido Domingo and Frederica von Stade; Ferrando in a new production of Cosi fan tutte; Tom Rakewell in The Rake's Progress; Lysander in Britten's A Midsummer Night's Dream; Belmonte in Die Entführung aus dem Serail; Fenton; and Don Ottavio in nationally-televised season-opening performances of Don Giovanni opposite Bryn Terfel and Renee Fleming. In 2006, he created the role of Jianli in the world premiere of Tan Dun's The First Emperor, opposite Placido Domingo, and he returned to the MET in 2008 for further performances of this role. Paul Groves made his debut with San Francisco Opera as Fenton, and he returned in subsequent seasons for performances as Ferrando, Belmonte and Pylade. His debut with Lyric Opera of Chicago was in 1998 as Nadir in a new production of Les pêcheurs de perles, and audiences in Chicago saw him in later seasons as Tamino, Pylade and the title role in La Damnation de Faust. Los Angles Opera audiences first saw him in season-opening performances of the title role in La damnation de Faust, and he recently returned for performances as Fritz in a new production of La Grande Duchesse de Gerolstein directed by famed Hollywood director Garry Marshall. His company debut with The Washington Opera was in 2006 as Nemorino, and he recently appeared in his home state of Louisiana for his first performances of the title roles in Gounod's Faust, Les contes d'Hoffmann, and Verdi's Un ballo in Maschera. Mr. Groves has appeared often with Santa Fe Opera, including performances of Offenbach's Hoffmann and his first performances as Florestan.

He made his debut at La Scala in 1995 as Tamino in the opening night performance of Die Zauberflöte, Riccardo Muti conducting, and he has returned in several roles, including Renaud in Gluck's Armide and Nemorino in L'elisir d'amore - the first American tenor invited to La Scala for this role.  Audiences in Paris have seen the tenor often since his debut in 1996 season when he appeared as Tom Rakewell at the Théâtre Musical de Paris, Châtelet in a new Sellers/Salonen production of The Rake's Progress. He has returned to the Châtelet as Admète in their season-opening production of Alceste, led by Sir John Eliot Gardiner and in the title role in Berlioz's Béatrice et Bénédict. Mr. Groves made his debut with the Opéra de Paris as Fenton in a new production of Falstaff, and he soon returned for performances as Tamino, Berlioz's Faust, Nemorino, Julian in a new production of Charpentier's Louise and his role debut as Mozart's Idomeneo.. The role of Tamino was also the vehicle for his debut at London's Royal Opera, Covent Garden. He has since returned to perform the role of Pylade in Iphigénie en Tauride opposite Simon Keenlyside and Susan Graham. He has performed often with the Vienna Staatsoper in roles including Camille in a new production of Die lustige Witwe, Carlo in a new production of Linda di Chamounix, Tamino, Nemorino, Don Ottavio, Flamand in Capriccio, Count Almaviva in Il barbiere di Siviglia, and the Italian Singer in Der Rosenkavalier. In 2009 the tenor sang his first performances as Massenet's Werther with Opera National du Rhin, the same season he made his debut in the title role of Stravinsky's Oedipus Rex in Japan under the baton of Charles Dutoit. Mr. Groves' work in Europe also includes his debut as Albert Gregor in Janacek's The Makropulos Case with Frankfurt Oper. Mr. Groves has appeared frequently with the Salzburg Festival since his debut there in 1995 as Don Ottavio under the baton of Daniel Barenboim, including his portrayal of the title role in a critically-acclaimed new production of La damnation de Faust as well as performances as Pylade, Belmonte, and Tamino in the 2006 Mozart anniversary season in performances led by Riccardo Muti. Mr. Groves made his debut with the Deutsche Oper Berlin in 1998 as Des Grieux in a new production of Manon and with the Netherlands Opera in 2001 as Bénédict. His debut with the Bayerische Staatsoper was in 1997 as Don Ottavio, and he has returned to Munich for performances as Tamino and as Arturo in a new production of I Puritani, opposite Edita Gruberova.

A gifted musician, Paul Groves is continually in demand for concerts with the world's leading orchestras and conductors. In 2003 Mr. Groves made his debut with the New York Philharmonic as soloist in Berlioz's Requiem in performances conducted by Charles Dutoit, and he returned for performances of the title roles in La Damnation de Faust, and Candide, opposite Kristin Chenowith. His debut with the Boston Symphony Orchestra came also in 2003 in the world premiere of John Harbison's Requiem conducted by Bernard Haitink in performances in Boston and at New York's Carnegie Hall, and he has returned frequently, including performances in Schönberg's Gurrelieder and Tippet's A Child of Our Time as well as La Damnation de Faust,all led by James Levine. Mr. Groves performed Stravinsky's Rossignol and Berlioz's Te Deum with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas and Mahler's Das Lied von der Erde with the Philadelphia Orchestra led by Christoph Eschenbach. The tenor made his debut with the Cleveland Orchestra in performances as Berlioz's Faust, led by Christoph von Dohnanyi, and he has since appeared with them in performances of Beethoven's Ninth Symphony also under the direction of von Dohnanyi at Cleveland's Severence Hall and at New York's Carnegie Hall. Other recent performances at Carnegie Hall include Berlioz's L'enfance du Christ with the Orchestra of St. Luke's and Sir Charles Mackerras. The tenor made his debut with the Los Angeles Philharmonic in a program of works of Mozart and Britten led by Esa-Pekka Salonen, and soon returned for performances of Haydn's Die Schöpfung and Stravinsky's Les Noces. The works of Benjamin Britten figure prominently in Paul Groves' concert work and include performances of Britten's Serenade for Tenor, Horn, and Strings with the Atlanta Symphony and at the Caramoor Festival led by Donald Runnicles, and the composer's War Requiem in performances with Accademia di Santa Cecilia in Rome, the St Louis Symphony and at the Festival de St. Denis in Paris, led by Kurt Masur. In 2010 added Tippet's Child of our Time to his repertoire, a work which he performed with his native St Louis Symphony Orchestra.

Paul Groves made his debut with the Munich Philharmonic in performances of Haydn's Die Schöpfung under the direction of James Levine. He made his debut with the Bayerische Rundfunk in performances of Rossini's Stabat Mater led by Riccardo Muti and recently returned to Munich for performances of Britten's St. Nicholas Cantata. He has sung Berlioz's Te Deum with the Berlin Philharmonic Orchestra led by Seiji Ozawa, as well as the BBC Symphony led by Sir Colin Davis. He appeared with the BBC Symphony again for Szymanowski's Symphony No. 3 led by Sir Andrew Davis, and in 2003 he appeared with Maestro Davis in a performance of Stravinsky's Perséphone at the BBC Proms. The tenor's debut at the Proms was in Haydn's Die Schöpfung in performances led by Sir Charles Mackerras, and he was first seen with the London Philharmonic as Berlioz's Faust. In 2005 Mr. Groves sang his first performances of The Dream of Gerontius, led by Mark Elder, at London's Royal Albert Hall. Mr. Groves made his debut with the Orchestre de Paris in performances of Mahler's Das Klagende Lied, and he was first seen with L'orchestre National de la Radio France in performances of Beethoven's Christ on the Mount of Olives at the Montpellier Festival. He appeared as soloist in Berlioz's Requiem with the Orchestre National du Capitôle de Toulouse under the direction of Michel Plasson and returned for performances of the title role in La Damnation de Faust. He was also invited to perform the rolewith the Rotterdam Philharmonic Orchestra, led by Valery Gergiev. Mr. Groves' debut at the Festival de Saint Denis was in performances of Haydn's Creation, and he appeared in concerts of Mozart's Requiem at La Scala in a memorial performance for Giuseppe Sinopoli led by Riccardo Muti. He appeared with the Czech Philharmonic in performances of Beethoven's Missa Solemnis led by Sir Charles Mackerras, and recently performed Mahler's Das Lied von der Erde with the Orchestre de la Suisse Romande.

Paul Groves has appeared frequently in recital throughout the United States and Europe. In 1996 the tenor gave his New York recital debut at Alice Tully Hall with James Levine accompanying him at the piano, and he has returned twice to Lincoln Center's prestigious "Art of the Vocal Recital" series accompanied by Malcolm Martineau. He has also appeared in recital at Teatro alla Scala, Amsterdam's renowned Concertgebouw, Brussels' Théatre de la Monnaie and London's prestigious Wigmore Hall.

In addition to his several recordings with Maestro Levine, Paul Groves' performances in the Salzburg Festival's productions of Die Zauberflöte and La damnation de Faust were recorded for release on DVD by Deutsche Grammophon and Naxos Records, respectively. He recently recorded Roger Water's new opera Ça Ira opposite Bryn Terfel for SONY Classics as well as Ravel cantatas with Michel Plasson for EMI Classics. He can be heard as Tebaldo in Teldec Classic's recording of I Capuleti e i Montecchi, led by Donald Runnicles. He also recorded the role of Belmonte in a video and audio recording of Die Entführung aus dem Serail, filmed in Istanbul and led by Sir Charles Mackerras, for the Telarc label. Mr. Groves' performances as Admète in Alceste at London's Barbican Centre were recorded for CD and DVD on the Philips Classics label. In 2002 Paul Groves made his debut at the Saito Kinen Festival in performances of Beethoven's Ninth Symphony under the baton of Seiji Ozawa, recorded on DVD for Philips Classics. In 2003 Mr. Groves completed a solo recording of songs by Henri Duparc for Naxos Records. In 2004 Mr. Groves was invited to perform at the prestigious Kennedy Center Honors in front of a live national television audience.

Paul Groves, tenor
Tanglewood Festival Chorus
Tanglewood Festival Chorus
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Tanglewood Festival Chorus
James Burton, BSO Choral Director and Conductor of the Tanglewood Festival Chorus
John Oliver (1939-2018), Founder

Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor, the late John Oliver, who stepped down from his leadership position with the TFC at the end of the 2015 Tanglewood season. In February 2017, following appearances as guest chorus conductor at Symphony Hall and Tanglewood, and having prepared the chorus for that month’s BSO performances of Bach’s B minor Mass led by Andris Nelsons, the British-born James Burton was named the new Conductor of the Tanglewood Festival Chorus, also being appointed to the newly created position of BSO Choral Director. He occupies the Alan J. and Suzanne W. Dworsky Chair on the Boston Symphony Orchestra roster. This season the Tanglewood Festival Chorus joins the BSO for performances of Mahler’s Symphony No. 2 (October 25-30), Bach’s Christmas Oratorio (November 29-December 1), Puccini’s Suor Angelica (February 21 and 22), and Dvořák’s Stabat Mater (February 28-March 2) all under Andris Nelsons, and Estévez’s Cantata Criolla (April 11-13) with conductor Gustavo Dudamel.

Though first established for performances at the BSO’s summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO’s subscription season as well as BSO concerts at Carnegie Hall. Now numbering more than 300 members, the ensemble performs year-round with the Boston Symphony and Boston Pops. It has performed with the BSO on tour in Hong Kong and Japan, and on two European tours, also giving a cappella concerts of its own on those two occasions. The TFC made its debut in April 1970, in a BSO performance of Beethoven’s Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz’s La Damnation de Faust with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with Seiji Ozawa, Bernard Haitink, James Levine, Leonard Bernstein, Sir Colin Davis, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith’s An Unknown Sphere for mezzo-soprano and chorus, commissioned by the BSO for the ensemble’s 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella music marking the TFC’s 40th anniversary; Ravel’s complete Daphnis et Chloé (a 2009 Grammy-winner for Best Orchestral Performance), Brahms’s German Requiem, and William Bolcom’s Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission). On July 4, 2018, the Tanglewood Festival Chorus joined Keith Lockhart for the “Boston Pops Fireworks Spectacular” on the Charles River Esplanade.

Besides their work with the BSO, TFC members have also performed with Zubin Mehta and the Israel Philharmonic and in a Saito Kinen Festival production of Britten’s Peter Grimes under Seiji Ozawa in Japan. The ensemble had the honor of singing at Sen. Edward Kennedy’s funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can be heard on the soundtracks of Clint Eastwood’s Mystic River, John Sayles’s Silver City, and Steven Spielberg’s Saving Private Ryan. TFC members regularly commute from the greater Boston area and beyond to sing with the chorus in Boston and at Tanglewood. Throughout its history, the TFC has established itself as a favorite of conductors, soloists, critics, and audiences alike.

 

 

James Burton
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James Burton was appointed Conductor of the Tanglewood Festival Chorus, and to the new position of BSO Choral Director, in February 2017. Born in London, Mr. Burton began his training at the Choir of Westminster Abbey, where he became head chorister. He was a choral scholar at St. John's College, Cambridge, and holds a master's degree in orchestral conducting from the Peabody Conservatory, where he studied with Frederik Prausnitz and Gustav Meier. He has conducted concerts with the Royal Liverpool Philharmonic, the Orchestra of the Age of Enlightenment, the Hallé, the Orchestra of Scottish Opera, Royal Northern Sinfonia, BBC Concert Orchestra, and Manchester Camerata; in early 2016 he made his debut with the Orquestra Sinfònica Nacional with concerts in the Palacio de Bellas Artes in Mexico City. Opera credits include Don Giovanni and La bohème at English National Opera, Così fan tutte at English Touring Opera, The Magic Flute at Garsington, and Gianni Schicchi and Suor Angelica at the Prague Summer Nights Festival. He has served on the music staff of the Metropolitan Opera, Opéra de Paris, English National Opera, Opera Rara, and Garsington Opera, where he was honored with the Leonard Ingrams Award in 2008. He has also conducted in London's West End and led a UK tour of Bernstein's Wonderful Town in 2012. His extensive choral conducting has included guest invitations with professional choirs including the Gabrieli Consort, the Choir of the Enlightenment, Wrocław Philharmonic, and the BBC Singers, with whom he performed at the Dubai Opera house in its inaugural season earlier this year. From 2002 to 2009 he served as choral director at the Hallé Orchestra, where he was music director of the Hallé Choir and founding conductor of the Hallé Youth Choir, winning the Gramophone Choral Award in 2009. He returned to Manchester in 2014, preparing the choirs for a Grammy-nominated recording under Sir Mark Elder of Vaughan Williams's Sea Symphony. From 2002 to 2017 he was music director of the chamber choir Schola Cantorum of Oxford, touring all over the world and recording with Hyperion Records. He collaborates regularly with leading young musicians and in 2017 appeared as guest director of the National Youth Choir of Japan and the Princeton University Glee Club, as well as the Genesis Sixteen. He teaches conducting, and has given master classes at the Royal Academy of Music and the Royal Welsh College of Music. In 2011 he founded a conducting scholarship with Schola Cantorum of Oxford. His compositions and arrangements have been performed internationally, and his orchestral arrangements for Arlo Guthrie have been performed by the Boston Pops, by many other leading U.S. orchestras, and at the Kennedy Center and Carnegie Hall. His commissions have included the music for the 2010 World Equestrian Games opening ceremony, a setting for chorus and orchestra of Thomas Hardy's The Convergence of the Twain commemorating the 100th anniversary of the Titanic disaster, and a recent Christmas carol premiered by the Choir of St. John's College, Cambridge, live on BBC Radio 3. His choral works are published by Edition Peters. As BSO Choral Director and Conductor of the Tanglewood Festival Chorus, James Burton occupies the Alan J. and Suzanne W. Dworsky Chair, endowed in perpetuity.

The Choral Arts Society of Washington Youth Choir
Program Notes Audio
STRAVINSKY - Chant funèbre (11 min)
RAVEL - Piano Concerto for the left hand (19 min)
BERLIOZ - Te Deum (50 min)
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