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Now in his third year as the BSO’s Deborah and Philip Edmundson Artistic Partner, a position created specifically for him and just recently extended through the BSO’s 2020-21 season, composer-conductor-pianist Thomas Adès was born in London in 1971. Renowned as both a composer and a performer, he works regularly with the world’s leading orchestras, opera companies, and festivals, and was made a CBE in the 2018 Queen’s Birthday Honours. Mr. Adès’s most recent opera, The Exterminating Angel, premiered at the 2016 Salzburg Festival and has also been performed at the Metropolitan Opera and at London’s Royal Opera House. His opera The Tempest was commissioned by and first performed at the Royal Opera House in 2004, with a new production at the Metropolitan Opera in 2012. His first opera, Powder Her Face (1995), was written for the Cheltenham Festival and the Almeida Theatre, London. Orchestral commissions include those from the City of Birmingham Symphony Orchestra, Berlin Philharmonic, Carnegie Hall, the New World Symphony, Berliner Festspiele, BBC Proms, Los Angeles Philharmonic, London’s Royal Festival Hall, and the Boston Symphony Orchestra. His catalog also includes numerous celebrated chamber and solo works. As the BSO’s artistic partner, he leads the orchestra in Boston and at Tanglewood, performs chamber music with the Boston Symphony Chamber Players, and directs the Festival of Contemporary Music at Tanglewood.
Thomas Adès coaches piano and chamber music annually at the International Musicians Seminar, Prussia Cove. As a conductor, he appears regularly with the Los Angeles, New York, and London philharmonic orchestras, the Boston, London, BBC, City of Birmingham, Melbourne, and Sydney symphony orchestras, and the Royal Concertgebouworkest. This season he leads the Orchestre de Paris, Britten Sinfonia, and Leipzig Gewandhausorchester. In addition to his own works, he has conducted such operas as The Rake’s Progress and the world and European premieres of Gerald Barry’s Alice’s Adventures Under Ground. Recent piano engagements include solo recitals at Carnegie Hall and London’s Wigmore Hall and concerto appearances with the New York Philharmonic. This season includes a solo Janáček program in London, Paris, Lisbon, and the Czech Republic, Schubert’s Winterreise at Wigmore Hall with Ian Bostridge, and duo-recitals with Kirill Gerstein at Carnegie Hall and Boston’s Jordan Hall. Mr. Adès’s honors include the Grawemeyer Award for Asyla (1999), the Ernst von Siemens Prize for Arcadiana, and the British Composer Award for The Four Quarters. His recording of The Tempest (EMI) won a Gramophone award; the DVD of the Metropolitan Opera’s production was awarded the Diapason d’Or de l’année, Best Opera Grammy Award, and ECHO Klassik Music DVD Recording of the Year. The Exterminating Angel won the World Premiere of the Year at the International Opera Awards. In 2015 Mr. Adès was awarded the prestigious Léonie Sonning Music Prize.
Thomas Adès, conductor
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Augustin Hadelich is one of the great violinists of our time. From Adès to Paganini, from Brahms to Bartók, he showcases a wide-ranging and adventurous repertoire and is often referred to as a “musician’s musician” by colleagues. Recently named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited for his phenomenal technique, soulful approach, and insightful interpretations in solo appearances around the world.
International highlights of the 2018/2019 season include Mr. Hadelich’s debut with the Bavarian Radio Orchestra in Munich and engagements with the Belgian National Orchestra, Danish National Symphony, Finnish Radio Symphony, Hong Kong Philharmonic, Orchestre National de Lyon, Orquesta Nacional de España, and the symphony orchestras of Bournemouth, City of Birmingham, New Zealand, São Paulo, and Singapore. He will also perform in a 10-concert tour of Germany with the Academy of St. Martin in the Fields, featuring double concertos with violinist Julia Fischer. In the United States, Mr. Hadelich will return to the symphonies of Cincinnati, Dallas, Indianapolis, Minnesota, New Jersey, North Carolina, San Diego, and Seattle, as well as the Los Angeles Philharmonic at the Hollywood Bowl.
Summer 2018 saw his debut at the Salzburger Festspiele, performing the Sibelius concerto with the ORF Vienna Radio Symphony, as well as return appearances at the Aspen, Bravo! Vail, and Colorado music festivals. Other summer appearances include the BBC Proms, the Boston Symphony at Tanglewood, the Cleveland Orchestra at Blossom, Britt, Chautauqua (where he made his U.S. orchestral debut in 2001), Eastern, Grand Teton, Marlboro, and Sun Valley.
Among recent international performances are the BBC Philharmonic (Manchester), Concertgebouw Orchestra (Amsterdam), Hallé Orchestra (UK), Hamburg Philharmonic, London Philharmonic, Mozarteum Orchestra (Salzburg), Munich Philharmonic, Netherlands Philharmonic, Norwegian Radio Orchestra, NHK Symphony (Tokyo), Sapporo Symphony, Seoul Philharmonic, and the radio orchestras of Cologne, Frankfurt, Saarbrücken, and Stuttgart.
Augustin Hadelich has collaborated with such renowned conductors as Thomas Adès, Marin Alsop, Stefan Asbury, Herbert Blomstedt, Andrey Boreyko, Stéphane Denève, Christoph von Dohnányi, Thierry Fischer, the late Rafael Frühbeck de Burgos, Alan Gilbert, Hans Graf, Giancarlo Guerrero, Miguel Harth-Bedoya, Manfred Honeck, Jakub Hruša, Carlos Kalmar, Hannu Lintu, Andrew Litton, Cristian Macelaru, Jun Märkl, Juanjo Mena, Ludovic Morlot, Andris Nelsons, Sakari Oramo, Andrés Orozco-Estrada, Peter Oundjian, Vasily Petrenko, David Robertson, Donald Runnicles, Jukka-Pekka Saraste, Lahav Shani, John Storgårds, Yan Pascal Tortelier, Krzysztof Urbański, Gilbert Varga, Edo de Waart, and Jaap van Zweden, among others.
An active recitalist, Mr. Hadelich’s numerous engagements include appearances at Carnegie Hall, the Concertgebouw (Amsterdam), The Frick Collection (New York), Kennedy Center (Washington), Kioi Hall (Tokyo), the Louvre, and the Wigmore Hall (London). His chamber music partners have included Inon Barnatan, Jeremy Denk, James Ehnes, Alban Gerhardt, Richard Goode, Gary Hoffman, Kim Kashkashian, Robert Kulek, Cho-Liang Lin, Midori, Charles Owen, Vadim Repin, Mitsuko Uchida, Joyce Yang, and members of the Guarneri and Juilliard quartets.
Augustin Hadelich is the winner of a 2016 Grammy Award – “Best Classical Instrumental Solo” – for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony under Ludovic Morlot (Seattle Symphony MEDIA). A prolific recording artist, his newest disc – Paganini 24 Caprices for Warner Classics – was released in January. Germany’s Süddeutsche Zeitung wrote about this recording: “Anyone who masters these pieces so confidently has, so to speak, reached the regions of eternal snow: he has reached the top.” Other recent discs include live recordings of the violin concertos by Tchaikovsky and Lalo (Symphonie espagnole) with the London Philharmonic Orchestra on the LPO label (2017), and an album of duo works for violin and piano on AVIE in collaboration with Joyce Yang (2016). Previous recordings on the AVIE label include the Mendelssohn Violin Concerto and Bartók’s Concerto No. 2 with the Norwegian Radio Orchestra under Miguel Harth-Bedoya (2015), and the violin concertos of Jean Sibelius and Thomas Adès (Concentric Paths) with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra (2014), nominated for a Gramophone Award and listed by NPR on their Top 10 Classical CDs of 2014.
Mr. Hadelich’s career took off when he won the Gold Medal at the 2006 International Violin Competition of Indianapolis. Since then, he has garnered an impressive list of honors, including an Avery Fisher Career Grant (2009); a Borletti-Buitoni Trust Fellowship in the UK (2011); Lincoln Center’s Martin E. Segal Award (2012); the inaugural Warner Music Prize (2015); a Grammy Award (2016); an honorary doctorate from the University of Exeter in the UK (2017); and Musical America’s “2018 Instrumentalist of the Year.”
Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. He holds an Artist Diploma from The Juilliard School, where he was a student of Joel Smirnoff.
Mr. Hadelich plays the 1723 “Ex-Kiesewetter” Stradivari violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
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“The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.”
Augustin Hadelich, violin