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Andris Nelsons is Music Director of the Boston Symphony Orchestra and is Gewandhauskapellmeister of the Gewandhausorchester Leipzig. With these positions, and in leading a pioneering alliance between two such esteemed institutions, Grammy Award-winning Nelsons is firmly underlined as one of the most renowned and innovative conductors on the international scene today.
Nelsons began his tenure as Music Director of the BSO in the 2014/15 season and after one year, his contract was extended through the 2021/22 season. Last season, the BSO and Nelsons embarked on a tour to Japan together for the first time, notably with three performances in Suntory Hall. At the beginning of the 2018/19 seasons, Nelsons toured Europe together with the orchestra for the third time since Nelsons’ Music Directorship, visiting the London Proms, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris and Amsterdam. Nelsons gave his debut with the Gewandhausorchester in 2011, followed by regular performances at the Gewandhaus zu Leipzig in subsequent years. In February 2018, Nelsons received the title of Gewandhauskapellmeister in a four-week inaugural festival, also marking the 275th anniversary of the orchestra. Three joint tours for the Gewandhausorchester Leipzig and Nelsons have been incorporated into the 2018/2019 season: two European tours, one in October 2018, including stops at London’s prestigious Royal Festival Hall, in Scandinavia and in Nelsons' native city, Riga, and the other in January 2019, to venues including the new Hamburg Elbphilharmonie, Philharmonie de Paris and Vienna’s Musikverein. The season’s third tour in May/June 2019 takes the orchestra and Nelsons to Japan and China, where they will appear together for the first time.
The 2018/19 season marks Nelsons’ final season as Artist-in-Residence at the Konzerthaus Dortmund, and Nelsons’ first season as Artist-in-Residence at Hamburg’s Elbphilharmonie. Furthermore, Nelsons continues his regular collaborations with the Berliner Philharmoniker and Wiener Philharmoniker, with whom he lead a tour through China last season in addition to his ongoing guest performances at the Musikverein in Vienna. In 2020, he will conduct the Wiener Philharmoniker’s prestigious New Year’s Day concert, broadcast to millions across the world. Throughout his career, Nelsons has established regular collaborations with Royal Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks and Philharmonia Orchestra. Nelsons has been a regular guest at the Bayreuther Festspiele and at the Royal Opera House Covent Garden.
Andris Nelsons has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects. Nelsons and the BSO partner on recording the complete Shostakovich symphonies, and the opera Lady Macbeth of the Mtensk District. The first and second instalments have both received consecutive Grammy Awards for Best Orchestral performance, the third has been nominated for two Grammy Awards, and the fourth instalment will be released in February 2019. Nelsons and the yellow label also have embarked upon a project with the Gewandhausorchester that sheds new light on the symphonies of Bruckner, and pairs these distinctive symphonic pieces with works by Wagner. The most recent release appeared in April 2018 to widespread critical acclaim. Furthermore, Nelsons will record Beethoven’s complete symphonies with the Wiener Philharmoniker between 2016-2019, and will return to Vienna to perform the complete cycle in 2020, celebrating the 250th anniversary of the composer’s birth.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of Latvian National Opera 2003-2007.
Andris Nelsons, conductor
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Born in London in 1971, Thomas Adès studied piano and
composition at the Guildhall School of Music and Drama, and read
music at King's College, Cambridge. Renowned as both a
composer and a performer he works regularly with the world's
leading opera companies and festivals.
Recent conducting engagements include a tour with the Britten
Sinfonia, concerts with the Chamber Orchestra of Europe and the
Gulbenkian Orchestra as part of his Gulbenkian Foundation
Residency, the London Symphony and Sao Paulo State Symphony
Orchestras, his debut with the Royal Concertgebouw Orchestra, the
Los Angeles Philharmonic, the City of Birmingham Symphony
Orchestra, the Philharmonia Orchestra, Mariinsky Theatre Orchestra,
the Royal Stockholm Philharmonic Orchestra, the BBC, Finnish and
Danish Radio Symphony Orchestras, the Birmingham Contemporary Music
Group (whose Music Director he was between 1998 and 2000), the
London Sinfonietta, Ensemble Modern and the Athelas Ensemble.
He recently conducted productions of The Rake's Progress at the
Royal Opera House Covent Garden and Zurich Opera. His most
recent piano engagements include a recital at Carnegie Hall with
Ian Bostridge, and an appearance with Alan Gilbert and the New York
Philharmonic. In 2010 he undertook a piano recital tour that
included Carnegie Hall, and London's Barbican Centre featured the
premiere of his new piano work Concert Paraphrase from Powder Her
Face. 2010/11 saw Adès return to Australia as an artist in
residence at the Melbourne Festival. Future plans include
concerts with the Accademia Santa Cecilia in Rome, Barry's "The
Importance of Being Earnest" with the Birmingham Contemporary Music
Group, and a piano recital at the Festival de Saint Denis.
Between 1993 and 1995 he was Composer in Association with the
Hallé Orchestra, which resulted in The Origin of the Harp (1994)
and These Premises Are Alarmed for the opening of the Bridgewater
Hall in 1996. Asyla (1997) was a Feeney Trust commission for Sir
Simon Rattle and the CBSO who performed it at Symphony Hall in
August 1998 in Rattle's last concert as Music Director.
From 1999-2008 he was Artistic Director of the
Adès' first opera, Powder Her Face (commissioned by Almeida Opera
for the Cheltenham Festival in 1995), has been performed all around
the world, was televised by Channel Four, and is available on a DVD
as well as an EMI CD. Most of the composer's music has been
recorded by EMI, with whom Adès has a contract as composer, pianist
and conductor. Adès' second opera, The Tempest, was commissioned by
the Royal Opera House and was premiered under the baton of the
composer to great critical acclaim in February 2004. It was revived
at Covent Garden in 2007 - again with the composer conducting and
to a sold-out house - and has also been performed in Copenhagen,
Strasbourg and Santa Fe. Recently released to outstanding reviews,
The Tempest is also available on an EMI CD and in France, the disc
was recently awarded the prestigious Diapason d'Or de l'année and
the 2010 Classical Brit Award for Composer of the Year. In
September 2005 his violin concerto, Concentric Paths, written for
Anthony Marwood, was premiered at the Berliner Festspiele and the
BBC Proms, with the Chamber Orchestra of Europe under his baton.
His second orchestral work for Simon Rattle, Tevot, (2007) was
commissioned by the Berliner Philharmoniker and Carnegie
Appointed to the Richard and Barbara Debs Composer Chair at
Carnegie Hall for 2007/8, he was featured as composer, conductor
and pianist throughout that season. Adès' most recent works
include a 'Piano concerto with moving image' entitled In Seven
Days, a collaboration with video artist Tal Rosner, commissioned by
the Los Angeles Philharmonic and London's Southbank Centre and
Lieux Retrouvés, a work for 'cello and piano written for Steven
Isserlis and commissioned by Aldeburgh Festival and Wigmore
Adès' music has attracted numerous awards and prizes, including
the prestigious Grawemeyer Award (in 2000, for Asyla), of which he
is the youngest ever recipient.
Thomas Adès, piano
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The multifaceted pianist Kirill Gerstein is rapidly ascending
into classical music's highest ranks. With a masterful technique,
discerning intelligence, and a musical curiosity that has led him
to explore repertoire spanning centuries and numerous styles, he
has proven to be one of today's most intriguing and versatile
Mr. Gerstein is the sixth recipient of the prestigious Gilmore
Artist Award, presented every four years to an exceptional pianist
who, regardless of age or nationality, possesses broad and profound
musicianship and charisma and who desires and can sustain a career
as a major international concert artist. Since receiving the award
in 2010, Mr. Gerstein has shared his prize through the
commissioning of boundary-crossing new works by Oliver Knussen,
Chick Corea, Brad Mehldau, Timothy Andres and Alexander Goehr. Mr.
Gerstein was also awarded First Prize at the 2001 Arthur Rubinstein
Piano Competition in Tel Aviv, received a 2002 Gilmore Young Artist
Award and a 2010 Avery Fisher Grant.
Highlights of his 2015-16 season in North America include
performances of Scriabin's Prometheus: Poem of Fire with Ricardo
Muti and the Chicago Symphony, Rachmaninoff Concerto No. 2 with
Semyon Bychkov and the Berlin Philharmonic, Rachmaninoff Concerto
No. 1 with the Cleveland Orchestra, and playing both of George
Gershwin's piano concertos in the original jazz-band version to
open New York's 92nd Street Y's 15/16 season; re-engagements with
the Los Angeles Philharmonic as well as with the Toronto,
Cincinnati, Dallas, Houston, Colorado, Utah and Oregon symphonies
and the National Arts Centre Orchestra; a tour to Australia and New
Zealand; his debut with the Royal Concertgebouw with concerts in
Amsterdam and Frankfurt; a European tour with the Czech
Philharmonic; and recitals in New York and Houston.
Kirill Gerstein's recent North American engagements include
performances with the New York Philharmonic, the Philadelphia and
Minnesota Orchestras, and the Boston, St. Louis, San Francisco,
Atlanta, Baltimore, Detroit, Indianapolis and Montreal symphonies
among others. He has also recently appeared at the Aspen Music
Festival, Santa Fe Chamber Music Festival, Chicago's Grant Park,
Tanglewood with the Boston Symphony, Blossom with the Cleveland
Orchestra, and with the Philadelphia Orchestra at the Bravo! Vail
Valley Festival, Mann Music Center and Saratoga; and performed in
recital at New York's 92nd St. Y and Zankel Hall at Carnegie Hall,
the Kennedy Center and in Boston, Toronto, Berkeley, Vancouver,
Detroit, Miami and Princeton.
Internationally, Kirill Gerstein has played with such prominent
European orchestras as the Czech, Munich, Rotterdam and London
Philharmonics, the City of Birmingham Symphony Orchestra, Deutsches
Symphonie-Orchester Berlin, Dresden Staatskappelle, Finnish Radio
Orchestra, Tonkünstler Orchestra Vienna, WDR Symphony Orchestra
Cologne and the Zurich Tonhalle, as well as with the NHK Symphony
Orchestra in Tokyo. He has performed recitals in Paris, Prague,
Hamburg, London's Wigmore Hall and Queen Elizabeth Hall, and at the
Liszt Academy in Budapest. He made his Salzburg Festival debut
playing solo and two piano works with Andras Schiff and has also
appeared at the Lucerne and Jerusalem Chamber Music Festivals as
well as at the Proms in London.
Mr. Gerstein's second solo recording featuring Mussorgsky's
Pictures at an Exhibition and Schumann's Carnaval was released by
Myrios Classics in June 2014. His first solo recording with works
by Schumann, Liszt and Oliver Knussen, also for Myrios, was chosen
by The New York Times as one of the best recordings of 2010. He
also collaborated with Tabea Zimmerman on two recordings of sonatas
for viola and piano for Myrios, released in February 2011 and
November 2012. His most recent recording of the Tchaikovsky Piano
Concerto No. 1 and the Prokofiev Piano Concerto No. 2 with the
Deutsches Symphonie-Orchester Berlin was released by Myrios in
March 2015 and is the first recording using the new critical
edition recently completed by the Tchaikovsky Museum in Moscow
using the composer's original second version.
Born in 1979 in Voronezh, Russia, Mr. Gerstein studied piano at
a special music school for gifted children and taught himself to
play jazz by listening to his parents' extensive record collection.
At the age of 14, he came to the United States to study jazz piano
as the youngest student ever to attend Boston's Berklee College of
Music. After completing his studies in three years and following
his second summer at the Boston University program at Tanglewood,
Mr. Gerstein turned his focus back to classical music and moved to
New York City to attend the Manhattan School of Music, where he
studied with Solomon Mikowsky and earned both Bachelors and Masters
of Music degrees by the age of 20. He continued his studies in
Madrid with Dmitri Bashkirov and in Budapest with Ferenc Rados.
Mr. Gerstein became an American citizen in 2003 and divides his
time between the United States and Germany.
Kirill Gerstein, piano
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For more than three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today’s finest pianists. He plays a range of solo, chamber, and orchestral repertoire – from Beethoven through Liszt, Grieg, and Saint-Saëns; to Khachaturian and Gershwin, and to contemporary composers Qigang Chen and James MacMillan. From the very start of his career, he delighted in music beyond the standard repertoire, from jazz to opera, which he transcribed himself to play on the piano. His profound professional friendships crisscross the globe and have led to spontaneous and fruitful collaborations in film, fashion, and visual art.
Thibaudet begins the Seattle Symphony's season with Khachaturian's Piano Concerto. In the summer of 2018, he toured Taiwan, China, and South Korea with Michael Tilson Thomas and Carnegie Hall's National Youth Orchestra. He also expresses his passion for education and fostering young musical talent as the first-ever Artist-in-Residence at the Colburn School in Los Angeles, where he makes his home. The school has extended the residency for an additional three years and has announced the Jean-Yves Thibaudet Scholarships to provide aid for Music Academy students, whom Thibaudet will select for the merit-based awards, regardless of their instrument choice.
As one of the premiere interpreters of the solo part in Bernstein's Age of Anxiety, Thibaudet continues to perform the piece around the world as the composer's centennial year comes to a close. In addition to playing it with the Baltimore Symphony Orchestra and Marin Alsop at the orchestra's first-ever appearance at the BBC Proms, he plays it with the Los Angeles and Brussels philharmonics and the Detroit Symphony Orchestra.
In 2018-19 he renews many longstanding musical partnerships, including touring a program of Schumann, Fauré, Debussy, and Enescu with Midori, touring the great concert halls of Europe with Lisa Batiashvili and Gautier Capuçon, and performing chamber music with brothers Renaud and Gautier Capuçon. With Gautier he also premieres Richard Dubugnon's Eros Athanatos, a fantaisie concertante for cello and piano, with the West Australian Symphony Orchestra. They go on to perform it with the Antwerp Symphony Orchestra across Belgium, at the Klavier-Festival Ruhr, and with the Orchestre Philharmonique de Radio France. With the Cleveland Orchestra and Iceland Symphony Orchestra, Thibaudet plays another piece that he introduced to the world: James MacMillan's Piano Concerto No. 3.
Other highlights include beginning 2019 with Messiaen's Turangalîla-Symphonie with Marin Alsop and the Baltimore Symphony Orchestra, then with Susanna Mälkki and the LA Phil. With Kent Nagano and the Montreal Symphony Orchestra, he takes Saint-Saëns' fifth piano concerto on tour to the Elbphilharmonie Hamburg, the Philharmonie Essen, and the Berliner Philharmonie.
Thibaudet’s recording catalogue has received two Grammy nominations, the Preis der Deutschen Schallplattenkritik, the Diapason d’Or, the Choc du Monde de la Musique, the Edison Prize, and Gramophone awards. In 2017 he released to great acclaim Bernstein's Age of Anxiety with the Baltimore Symphony Orchestra and Marin Alsop, with whom he previously recorded Gershwin, featuring big jazz band orchestrations of Rhapsody in Blue, variations on “I Got Rhythm,” and the Concerto in F. In 2016, on the 150th anniversary of Erik Satie's birth, Decca released a box set of Satie's complete solo piano music performed by Thibaudet – one of the foremost champions of the composer's works. On his Grammy-nominated recording Saint-Saëns, Piano Concerti Nos. 2&5, released in 2007, he is joined by Charles Dutoit and Orchestre de la Suisse Romande. Thibaudet's Aria–Opera Without Words, which was released the same year, features aria transcriptions, some of which are Thibaudet's own. His other recordings include the jazz albums Reflections on Duke: Jean-Yves Thibaudet Plays the Music of Duke Ellington and Conversations With Bill Evans.
Thibaudet has also had an impact on the world of fashion, film and philanthropy. He played Aaron Zigman’s soundtrack for Wakefield, a drama by Robin Swicord, which was the first time that the composer had allowed a pianist other than himself to perform his film work. Thibaudet was soloist in Dario Marianelli’s award-winning scores for the films Atonement (which won an Oscar for Best Original Score) and Pride and Prejudice, and recorded Alexandre Desplat’s soundtrack for the 2012 film Extremely Loud & Incredibly Close. He had a cameo in Bruce Beresford's film on Alma Mahler, Bride of the Wind, and his playing is showcased throughout. In 2004 he served as president of the prestigious charity auction Hospices de Beaune. His concert wardrobe is designed by Dame Vivienne Westwood.
Jean-Yves Thibaudet was born in Lyon, France, where he began his piano studies at age five and made his first public appearance at age seven. At twelve, he entered the Paris Conservatory to study with Aldo Ciccolini and Lucette Descaves, a friend and collaborator of Ravel. At age fifteen, he won the Premier Prix du Conservatoire and, three years later, the Young Concert Artists Auditions in New York City. Among his numerous commendations is the Victoire d’Honneur, a lifetime career achievement award and the highest honor given by France’s Victoires de la Musique. In 2010 the Hollywood Bowl honored Thibaudet for his musical achievements by inducting him into its Hall of Fame. Previously a Chevalier of the Ordre des Arts et des Lettres, Thibaudet was awarded the title Officier by the French Ministry of Culture in 2012.
Jean-Thibaudet Yves, piano
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Hailed as "a charismatic baritone" by the New York
Times, "magnificently stentorian and resonant" by Opera
News, and "a first-rate actor" by Opera (UK), David
Kravitz's recent opera engagements include lead roles at Washington
National Opera (Davis Miller in the world premiere of
Approaching Ali), Chautauqua Opera (Captain Balstrode in
Peter Grimes), Skylight Music Theatre (Scarpia in
Tosca), Opera Santa Barbara (The Forester in The
Cunning Little Vixen), Grand Harmonie (Don Pizarro in
Fidelio), Opera Saratoga (Don Magnifico in La
Cenerentola), Ash Lawn Opera (Tevye in Fiddler on the
Roof), Boston Lyric Opera (Abraham in Clemency),
Emmanuel Music (Nick Shadow in The Rake's Progress and
Nick Carraway in The Great Gatsby), and the New England
Philharmonic (Wozzeck in Wozzeck). He recently created the
lead role of De Sade in Nicola Moro's Love Hurts at the
Piccolo Teatro in Milan, Italy, and at Symphony Space in New York.
His many concert appearances include the Boston Symphony Orchestra,
the Philadelphia Orchestra, the Baltimore Symphony, the Virginia
Symphony, the Santa Fe Chamber Music Festival, Emmanuel Music,
Boston Modern Orchestra Project, and Boston Baroque.
In the 2017-18 season, Mr. Kravitz appears with the Boston
Symphony for The Damnation of Faust, for Tristan und
Isolde, and for Schumann's Neujahrslied, the latter
two under music director Andris Nelsons; Odyssey Opera for Dunois
in Tchaikovsky's The Maid of Orleans; the Boston Chamber
Music Festival for Schoenberg's Ode to Napoleon; Emmanuel
Music for Creon and the Messenger in Stravinsky's Oedipus
Rex; Longy School of Music's celebration of Leonard
Bernstein's centennial for Arias and Barcarolles with
mezzo-soprano Sandra Piques Eddy; the Defiant Requiem Foundation
for Hours of Freedom; and Grand Harmonie for On Behalf
of a Madman, a new pastiche opera.
An exceptionally versatile artist, Mr. Kravitz's repertoire
ranges from Bach to Verdi to Sondheim to cutting-edge contemporary
composers such as Matthew Aucoin, Mohammed Fairouz, Paul Moravec,
and Elena Ruehr. Mr. Kravitz has recorded for the Naxos, BIS, Sono
Luminus, Koch International Classics, BMOP/sound, Albany Records,
and New World labels. His distinguished legal career has included
clerkships with the Hon. Sandra Day O'Connor and the Hon. Stephen
David Kravitz, baritone