Tickets & Events

Young People's Concert

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

Building on a tradition of educational concerts for young listeners that dated back decades, in 1958 Leonard Bernstein, who had just begun his tenure as conductor of the New York Philharmonic, initiated his own series of "Young People's Concerts" to be broadcast on CBS television. The fourteen-season series-totaling fifty-three episodes in all-became a model for educational programming, making a point of avoiding condescension and pedantry, not shying away from the unfamiliar, and allowing Bernstein's boundless enthusiasm and charisma to carry the day. It was lightning in a bottle-only rarely have similar programs approached the show's popularity since it went off the air in 1972. Bernstein's guests included Aaron Copland, the then-fifteen-year-old Israeli composer Shulamit Ran, singers Marni Nixon and Walter Berry, conductors Seiji Ozawa and James DePreist, and the "New York Rock and Roll Ensemble," among many others. Between 2004 and 2013, these programs were released on DVD.

 

The first few programs, beginning with the introductory "What Is Music?" telecast in January 1958, had a broad focus-American music, orchestration, the nature of classical music, and the like. As the series progressed, there were segments on more specific subjects-the music of Mahler, Sibelius, Hindemith, and Charles Ives, birthday celebrations of Stravinsky, Aaron Copland, and Dmitri Shostakovich, the acoustics of concert halls, and an entire show on Beethoven's opera Fidelio-subject matter that few elementary educational curricula would dare broach today. But perhaps Bernstein was onto something there: by trusting and challenging his countless young listeners to go beyond their own expectations of themselves, he planted seeds of curiosity that long continued to bear fruit.

Featured Performers

Andris Nelsons, conductor
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The 2018-19 season is Andris Nelsons’ fifth as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. Named Musical America’s 2018 Artist of the Year, Mr. Nelsons will lead fourteen of the BSO’s twenty-six subscription programs in 2018-19, ranging from orchestral works by Haydn, Beethoven, Tchaikovsky, Stravinsky, and Copland to concerto collaborations with acclaimed soloists, as well as world and American premieres of pieces newly commissioned by the BSO from Thomas Adès, Sebastian Currier, Andris Dzenītis, and Mark-Anthony Turnage; the continuation of his complete Shostakovich symphony cycle with the orchestra, and concert performances of Puccini’s one-act opera Suor Angelica. In summer 2015, following his first season as music director, Andris Nelsons’ contract with the BSO was extended through the 2021-22 season. In November 2017, he and the orchestra toured Japan together for the first time. In February 2018, he became Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he brings both orchestras together for a unique multi-dimensional alliance. Immediately following the 2018 Tanglewood season, Maestro Nelsons and the BSO made their third European tour together, playing concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam. Their first European tour, following the 2015 Tanglewood season, took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals; the second, in May 2016, took them to eight cities in Germany, Austria, and Luxembourg.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His recordings with the BSO, all made live in concert at Symphony Hall, include the complete Brahms symphonies on BSO Classics; Grammy-winning recordings on Deutsche Grammophon of Shostakovich’s symphonies 5, 8, 9, and 10, the initial releases in a complete Shostakovich symphony cycle for that label; and a new two-disc set pairing Shostakovich’s symphonies 4 and 11, The Year 1905. Under an exclusive contract with Deutsche Grammophon, Andris Nelsons is also recording the complete Bruckner symphonies with the Gewandhausorchester Leipzig and the complete Beethoven symphonies with the Vienna Philharmonic.

The 2018-19 season is Maestro Nelsons’ final season as artist-in-residence at the Konzerthaus Dortmund and marks his first season as artist-in-residence at Hamburg’s Elbphilharmonie. In addition, he continues his regular collaborations with the Vienna Philharmonic and Berlin Philharmonic. Throughout his career, he has also established regular collaborations with Amsterdam’s Royal Concertgebouw Orchestra, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra, and has been a regular guest at the Bayreuth Festival and the Royal Opera House, Covent Garden.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007.

 

Andris Nelsons, conductor Jamie Bernstein, director
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Jamie Bernstein is a writer, narrator, broadcaster and film maker who has transformed a lifetime of loving music into a career of sharing her knowledge and excitement with others. 

Inspired by her father Leonard Bernstein's lifelong impulse to share and teach, Jamie has devised multiple ways of communicating her own excitement about orchestral music. Beginning 15 years ago with "The Bernstein Beat," a family concert about her father's music modeled after his own groundbreaking Young People's Concerts, Jamie has gone on to design, write and narrate concerts for worldwide audiences of all ages about the music of Mozart, Copland, Stravinsky and many others. Jamie creates and narrates two educational concerts a year with the New World Symphony in Miami; these engaging, informal "Discovery Concerts" are specially designed to attract audiences of all ages who are less familiar with concertgoing. 

Jamie travels the world as a concert narrator, appearing everywhere from Beijing to London to Vancouver. A frequent speaker on musical topics, Jamie has presented talks around the world, from conferences in Japan to seminars at Harvard University. In Spanish-speaking locations such as Madrid and Caracas, Jamie narrates en español - thanks to her Chilean-born mother, Felicia Montealegre, who raised her children to be bilingual.

In her role as a broadcaster, Jamie has produced and hosted shows for radio stations in the United States and Great Britain. She has presented the New York Philharmonic's live national radio broadcasts, as well as live broadcasts from Tanglewood. 

Jamie is the co-director of a film documentary, Crescendo: the Power of Music --  which focuses on children in struggling urban communities who participate in youth orchestra programs for social transformation inspired by Venezuela's groundbreaking El Sistema movement. The film has won numerous prizes on the festival circuit, and is now viewable on Netflix. More about Crescendo: the Power of Music can be found at crescendofilmdoc.com

Jamie has also directed her father's chamber opera, Trouble in Tahiti, in various locations around the country, including the Moab Music Festival and Festival del Sole in Napa, CA.

Jamie is currently at work on a memoir, title to be announced, which will be published by HarperCollins in the spring of 2018, when her father's centennial celebrations will be well under way around the world. Jamie and her siblings, Alexander and Nina, will be racking up unprecedented mileage points!

Jamie also writes articles and poetry, which have appeared in such publications as Symphony, DoubleTake, Gourmet, Opera News, and Musical America. She also edits "Prelude, Fugue & Riffs," a newsletter about issues and events pertaining to her father's legacy.

Jamie Bernstein, director