Tickets & Events


Young People's Concert

Young People's Concert

Tanglewood

Koussevitzky Music Shed - Lenox, MA View Map

Building on a tradition of educational concerts for young listeners that dated back decades, in 1958 Leonard Bernstein, who had just begun his tenure as conductor of the New York Philharmonic, initiated his own series of "Young People's Concerts" to be broadcast on CBS television. The fourteen-season series-totaling fifty-three episodes in all-became a model for educational programming, making a point of avoiding condescension and pedantry, not shying away from the unfamiliar, and allowing Bernstein's boundless enthusiasm and charisma to carry the day. It was lightning in a bottle-only rarely have similar programs approached the show's popularity since it went off the air in 1972. Bernstein's guests included Aaron Copland, the then-fifteen-year-old Israeli composer Shulamit Ran, singers Marni Nixon and Walter Berry, conductors Seiji Ozawa and James DePreist, and the "New York Rock and Roll Ensemble," among many others. Between 2004 and 2013, these programs were released on DVD.

 

The first few programs, beginning with the introductory "What Is Music?" telecast in January 1958, had a broad focus-American music, orchestration, the nature of classical music, and the like. As the series progressed, there were segments on more specific subjects-the music of Mahler, Sibelius, Hindemith, and Charles Ives, birthday celebrations of Stravinsky, Aaron Copland, and Dmitri Shostakovich, the acoustics of concert halls, and an entire show on Beethoven's opera Fidelio-subject matter that few elementary educational curricula would dare broach today. But perhaps Bernstein was onto something there: by trusting and challenging his countless young listeners to go beyond their own expectations of themselves, he planted seeds of curiosity that long continued to bear fruit.

Featured Performers

Andris Nelsons, conductor
Andris Nelsons, conductor View biography in full page >

The 2020-2021 season is Andris Nelsons seventh as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. In summer 2015, following his first season as music director, his contract with the BSO was extended through the 2021-22 season. In February 2018 Mr. Nelsons was also named Gewandhauskapellmeister of the Gewandhausorchester Leipzig. On October 5, 2020, the BSO and GHO jointly announced extensions to Mr. Nelsons current contracts. His contract with the BSO was extended until 2025, and his GHO contract until 2027. An evergreen clause in his BSO contract reflects a mutual intention for a long-term commitment between the BSO and Mr. Nelsons beyond the years of the agreement.

Mr. Nelsons’ two positions, in addition to his leadership of a pioneering alliance between the institutions, have firmly established the Grammy Award-winning conductor as one of the most renowned and innovative artists on the international scene today. In fall 2019 Mr. Nelsons and the BSO hosted the Gewandhausorchester in historic concerts at Symphony Hall that included two performances by the GHO as well as concerts featuring the players of both orchestras together.

In the 2019-20 season, Andris Nelsons led the BSO in repertoire ranging from favorites by Beethoven, Dvořák, Grieg, Mozart, Mahler, Ravel, and Tchaikovsky to world and American premieres of BSO-commissioned works from Eric Nathan, Betsy Jolas, and the Latvian composer Arturs Maskats. The season also brought the continuation of his complete Shostakovich symphony cycle with the orchestra and collaborations with an impressive array of guest artists. Mr. Nelsons’ work with the BSO resumes with his return to Boston at the start of 2021.

Andris Nelsons’ and the BSO’s ongoing series of recordings of the complete Shostakovich symphonies for Deutsche Grammophon has included the composer’s symphonies 4, 5, 8, 9, 10, and 11 (The Year 1905), and most recently a two-disc set pairing Shostakovich’s symphonies 6 and 7 (Leningrad). The cycle has earned three Grammy awards for Best Orchestral Performance and one for Best Engineered Album. The next installment, featuring symphonies nos. 1, 14, and 15 and the Chamber Symphony, Op. 110a (arr. Rudolf Barshai), is scheduled for release in summer 2021. Future releases will go beyond the symphonies to encompass the composer’s concertos for piano, violin, and cello, and his monumental opera Lady Macbeth of the Mtsensk District. Mr. Nelsons’ other recordings with the orchestra include the complete Brahms symphonies for the BSO Classics label and a Naxos release of BSO-commissioned world premiere works by four American composers: Timo Andres, Eric Nathan, Sean Shepherd, and George Tsontakis.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. In November 2017, Mr. Nelsons and the BSO toured Japan together for the first time. They have so far made three European tours together: immediately following the 2018 Tanglewood season, when they played concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam; in May 2016, a tour that took them to eight cities in Germany, Austria, and Luxembourg; and, after the 2015 Tanglewood season, a tour that took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals. A scheduled February 2020 tour to East Asia was canceled due to the COVID-19 pandemic emergency.

In his capacity as BSO Music Director and Gewandhauskapellmeister of the Gewandhausorchester Leipzig, Mr. Nelsons brings the BSO and GHO together for a unique multi-dimensional alliance including a BSO/GHO Musician Exchange program and an exchange component within each orchestra’s acclaimed academy for advanced music studies. A major aspect of the alliance is a focus on complementary programming, through which the BSO celebrates “Leipzig Week in Boston” and the GHO celebrates “Boston Week in Leipzig,” highlighting each other’s musical traditions through uniquely programmed concerts, chamber music performances, archival exhibits, and lecture series. The two orchestras have jointly commissioned and premiered works from Latvian, American, and German and Austrian composers.

In addition to his Shostakovich recordings with the BSO, Mr. Nelsons’ exclusive partnership with Deutsche Grammophon includes two other major projects. With the Gewandhausorchester he continues his critically acclaimed Bruckner symphonic cycle under the Yellow Label, of which four volumes have been released to date. His recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker were released by Deutsche Grammophon in October 2019.

Mr. Nelsons frequently leads such orchestras as the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, and the Concertgebouw in Amsterdam. As an opera conductor, he has made regular guest appearances at the Royal Opera House, Covent Garden and the Bayreuth Festival. Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra (2008-2015), Principal Conductor of Nordwestdeutsche Philharmonie in Herford, Germany (2006-09), and Music Director of the Latvian National Opera (2003-07).

 

Andris Nelsons, conductor Jamie Bernstein, director
Jamie Bernstein, director View biography in full page >

Jamie Bernstein is a writer, narrator, broadcaster and film maker who has transformed a lifetime of loving music into a career of sharing her knowledge and excitement with others. 

Inspired by her father Leonard Bernstein's lifelong impulse to share and teach, Jamie has devised multiple ways of communicating her own excitement about orchestral music. Beginning 15 years ago with "The Bernstein Beat," a family concert about her father's music modeled after his own groundbreaking Young People's Concerts, Jamie has gone on to design, write and narrate concerts for worldwide audiences of all ages about the music of Mozart, Copland, Stravinsky and many others. Jamie creates and narrates two educational concerts a year with the New World Symphony in Miami; these engaging, informal "Discovery Concerts" are specially designed to attract audiences of all ages who are less familiar with concertgoing. 

Jamie travels the world as a concert narrator, appearing everywhere from Beijing to London to Vancouver. A frequent speaker on musical topics, Jamie has presented talks around the world, from conferences in Japan to seminars at Harvard University. In Spanish-speaking locations such as Madrid and Caracas, Jamie narrates en español - thanks to her Chilean-born mother, Felicia Montealegre, who raised her children to be bilingual.

In her role as a broadcaster, Jamie has produced and hosted shows for radio stations in the United States and Great Britain. She has presented the New York Philharmonic's live national radio broadcasts, as well as live broadcasts from Tanglewood. 

Jamie is the co-director of a film documentary, Crescendo: the Power of Music --  which focuses on children in struggling urban communities who participate in youth orchestra programs for social transformation inspired by Venezuela's groundbreaking El Sistema movement. The film has won numerous prizes on the festival circuit, and is now viewable on Netflix. More about Crescendo: the Power of Music can be found at crescendofilmdoc.com

Jamie has also directed her father's chamber opera, Trouble in Tahiti, in various locations around the country, including the Moab Music Festival and Festival del Sole in Napa, CA.

Jamie is currently at work on a memoir, title to be announced, which will be published by HarperCollins in the spring of 2018, when her father's centennial celebrations will be well under way around the world. Jamie and her siblings, Alexander and Nina, will be racking up unprecedented mileage points!

Jamie also writes articles and poetry, which have appeared in such publications as Symphony, DoubleTake, Gourmet, Opera News, and Musical America. She also edits "Prelude, Fugue & Riffs," a newsletter about issues and events pertaining to her father's legacy.

Jamie Bernstein, director