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Saturday Morning Rehearsal - Tilson Thomas, Rachmaninoff and Mahler

Tanglewood

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Michael Tilson Thomas, conductor
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Michael Tilson Thomas is Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony and Conductor Laureate of the London Symphony Orchestra. Born in Los Angeles, he is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.

Mr. Tilson Thomas began his formal studies at the University of Southern California where he studied piano with John Crown and conducting and composition with Ingolf Dahl. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra. He worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles' Monday Evening Concerts. During this same period he was the pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.

In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.

His recorded repertoire of more than 120 discs includes works by composers such as Bach, Beethoven, Mahler, Prokofiev and Stravinsky as well as his pioneering work with the music of Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. He recently finished recording the complete orchestral works of Gustav Mahler with the San Francisco Symphony.

Mr. Tilson Thomas's television work includes a series with the London Symphony Orchestra for BBC Television, the television broadcasts of the New York Philharmonic Young People's Concerts from 1971 to 1977 and numerous productions on PBS Great Performances. Mr. Tilson Thomas and the San Francisco Symphony produced a multi-tiered media project, Keeping Score, which includes a television series, web sites, radio programs and programs in schools.

In February 1988 he inaugurated the New World Symphony, an orchestral academy for graduates of prestigious music programs. In addition to their regular season in Miami Beach, they have toured in Austria, France, Great Britain, South America, Japan, Israel, Holland, Italy and the United States. Prior to their January, 2007 appearance at Carnegie Hall, the New World Symphony was profiled in a feature story in The New York Times. New World Symphony graduates have gone on to major positions in orchestras worldwide. In 1991 Mr. Tilson Thomas and the orchestra were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of From the Diary of Anne Frank, composed by Mr. Tilson Thomas and commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide.

In August 1995 he led the Pacific Music Festival Orchestra in the premiere of his composition Showa/Shoah, commemorating the 50th anniversary of the bombing of Hiroshima. Thomas Hampson premiered his settings of poetry by Walt Whitman, Renee Fleming premiered his settings of the poetry of Emily Dickinson and the San Francisco Symphony premiered his concerto for contrabassoon entitled Urban Legend. As a Carnegie Hall Perspectives Artist from 2003 to 2005, he had an evening devoted to his own compositions which included Island Music for four marimbas and percussion, Notturno for solo flute and strings and a new setting of poems by Rainer Maria Rilke. Other compositions include Street Song for brass instruments and Agnegram, an overture for orchestra.

As Principal Conductor of the London Symphony Orchestra from 1988 to 1995, Mr. Tilson Thomas led the orchestra on regular tours in Europe, the United States and Japan as well as at the Salzburg Festival. In London he and the orchestra have mounted major festivals focusing on the music of Steve Reich, George Gershwin, Johannes Brahms, Toru Takemitsu, Nicolai Rimsky-Korsakov and the School of St. Petersburg, Claude Debussy and Gustav Mahler. As Conductor Laureate of the LSO, he continues to lead the orchestra in concerts in London and on tour.

His eighteen-year tenure as Music Director of the San Francisco Symphony has been broadly covered by the international press with feature stories in Time, Newsweek, The Wall Street Journal, The New York Times, Los Angeles Times, The Times of London and The Frankfurter Allgemeine Zeitung among many others. With the San Francisco Symphony he has presented eight summer festivals including ones devoted to the music of Mahler, Stravinsky, Wagner and American Mavericks. With the San Francisco Symphony he has made numerous tours of Europe, United States and the Far East.

Mr. Tilson Thomas is a Chevalier dans l'ordre des Arts et des Lettres of France, was Musical America's Musician of the Year and Conductor of the Year, Gramophone Magazine's Artist of the Year and has been profiled on CBS's 60 Minutes and ABC's Nightline. He has won eleven Grammy Awards for his recordings. In 2008 he received the Peabody Award for his radio series for SFS Media, The MTT Files. In 2010, President Obama awarded him with the National Medal of Arts, the highest award given to artists by the United States Government.

 

Michael Tilson Thomas, conductor Igor Levit, piano
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Winner of Gramophone's "Recording of the Year 2016" award, Igor Levit has established himself as "one of the essential artists of his generation" (The New Yok Times). The press attests to his performing with a "wealth of meaning without artifice" (Washington Post) leaving the listener "speechless with amazement and admiration" (The Telegraph).

The 2017-18 season marks highly-anticipated debuts including performances with the Royal Concertgebouw Orchestra (Jakub Hrusa), the Royal Stockholm Philharmonic Orchestra (Sakari Oramo), the Vienna and Pittsburgh Symphony Orchestras (both with Manfred Honeck) and reunites him - amongst others - with the Deutsche Kammerphilharmonie Bremen and the Tonhalle Orchestra Zurich (Lionel Bringuier). Summer 2017 marks a performance at the Opening Night of the prestigious BBC Proms alongside the BBC Symphony Orchestra under the baton of Ed Gardner, his debut at the Salzburg Festival and a residency at Germany's Rheingau Music Festival before Igor Levit embarks on a tour of Asia with the Bavarian State Orchestra under Kirill Petrenko.

Recital performances will see him return to his hometown to play at the Berlin Philharmonie as well as making debuts in Stockholm and Barcelona. After the immense success of his Beethoven sonata cycle at London's Wigmore Hall in 2016 - 17, he will take the cycle to Munich's Prinzregententheater and continue the cycle started at the Palais des Beaux Arts in Brussels in the previous season.

Highlights of past seasons included orchestral debuts with the Bavarian State Orchestra (Kirill Petrenko), Berliner Philharmoniker (Riccardo Chailly), Staatskapelle Dresden (Christian Thielemann), Cleveland Orchestra (Franz Welser-Möst) and London Symphony Orchestra (Fabio Luisi). Recital appearances of 2016 - 17 saw "hypnotic" (The New York Times) and "transfixing" (The Boston Globe) debuts at Carnegie Hall, Chicago's Symphony Center, Boston's Celebrity Series, at Amsterdam's Concertgebouw, with Lisbon's Gulbenkian Foundation, at Hamburg's Elbphilharmonie and the Lucerne Piano Festival.

An exclusive recording artist for Sony Classical, Igor Levit's debut disc of the five last Beethoven Sonatas won the BBC Music Magazine Newcomer of the Year 2014 Award, the Royal Philharmonic Society's Young Artist Award 2014 and the ECHO Klassik 2014 for Solo Recording of the Year (19th Century Music/Piano). In October 2015, Sony Classical released Igor Levit's third solo album in cooperation with the Festival Heidelberger Frühling featuring Bach's Goldberg Variations, Beethoven's Diabelli Variations and Rzewski's The People United Will Never Be Defeated!, which has been awarded the "Recording of the Year" and "Instrumental Award" at the 2016 Gramophone Classical Music Awards.

Born in Nizhni Nowgorod in 1987, Igor Levit at age eight moved with his family to Germany. He completed his piano studies at Hannover Academy of Music, Theatre and Media in 2009 with the highest academic and performance scores in the history of the institute. Igor Levit has studied under the tutelage of Karl-Heinz Kämmerling, Matti Raekallio, Bernd Goetze, Lajos Rovatkay and Hans Leygraf. As the youngest participant in 2005 Arthur Rubinstein Competition in Tel Aviv, Igor Levit won the Silver Prize, as well as the Prize for Best Performer of Chamber Music, the Audience Favorite Prize and the Prize for Best Performer of Contemporary Music.

In Berlin, where he makes his home, Igor Levit is playing on a Steinway D Grand Piano kindly given to him by the Trustees of Independent Opera at Sadler's Wells.

 

Igor Levit, piano
Program Notes Audio
Michael TILSON THOMAS - Agnegram (4 min)
RACHMANINOFF - Rhapsody on a Theme of Paganini (24 min)
MAHLER - Symphony No. 1 (58 min)