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Einfelde and Mahler

Einfelde and Mahler

Boston Symphony Orchestra

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BSO Music Director Andris Nelsons conducts Mahler's all-embracing ninety-minute Symphony No. 2, Resurrection, featuring the Tanglewood Festival Chorus, along with Chinese soprano Ying Fang and Argentine-born mezzo-soprano Bernarda Fink. The fourth movement is a setting of "Urlicht," a poem from Des Knaben Wunderhorn, a source of texts for many of Mahler's songs, and the vast finale includes a setting for chorus and soprano of verses from Klopstock's poem "Resurrection." James Burton will conduct Maija's Einfelde's Lux aeterna, for mixed chorus, the first of two Latvian works performed this year to mark the centenary of the country's independence. 

Please note there will be no intermission for these performances.

Featured Performers & Ensembles

Andris Nelsons, conductor
Andris Nelsons, conductor View biography in full page >

The 2020-2021 season is Andris Nelsons seventh as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. In summer 2015, following his first season as music director, his contract with the BSO was extended through the 2021-22 season. In February 2018 Mr. Nelsons was also named Gewandhauskapellmeister of the Gewandhausorchester Leipzig. On October 5, 2020, the BSO and GHO jointly announced extensions to Mr. Nelsons current contracts. His contract with the BSO was extended until 2025, and his GHO contract until 2027. An evergreen clause in his BSO contract reflects a mutual intention for a long-term commitment between the BSO and Mr. Nelsons beyond the years of the agreement.

Mr. Nelsons’ two positions, in addition to his leadership of a pioneering alliance between the institutions, have firmly established the Grammy Award-winning conductor as one of the most renowned and innovative artists on the international scene today. In fall 2019 Mr. Nelsons and the BSO hosted the Gewandhausorchester in historic concerts at Symphony Hall that included two performances by the GHO as well as concerts featuring the players of both orchestras together.

In the 2019-20 season, Andris Nelsons led the BSO in repertoire ranging from favorites by Beethoven, Dvořák, Grieg, Mozart, Mahler, Ravel, and Tchaikovsky to world and American premieres of BSO-commissioned works from Eric Nathan, Betsy Jolas, and the Latvian composer Arturs Maskats. The season also brought the continuation of his complete Shostakovich symphony cycle with the orchestra and collaborations with an impressive array of guest artists. Mr. Nelsons’ work with the BSO resumes with his return to Boston at the start of 2021.

Andris Nelsons’ and the BSO’s ongoing series of recordings of the complete Shostakovich symphonies for Deutsche Grammophon has included the composer’s symphonies 4, 5, 8, 9, 10, and 11 (The Year 1905), and most recently a two-disc set pairing Shostakovich’s symphonies 6 and 7 (Leningrad). The cycle has earned three Grammy awards for Best Orchestral Performance and one for Best Engineered Album. The next installment, featuring symphonies nos. 1, 14, and 15 and the Chamber Symphony, Op. 110a (arr. Rudolf Barshai), is scheduled for release in summer 2021. Future releases will go beyond the symphonies to encompass the composer’s concertos for piano, violin, and cello, and his monumental opera Lady Macbeth of the Mtsensk District. Mr. Nelsons’ other recordings with the orchestra include the complete Brahms symphonies for the BSO Classics label and a Naxos release of BSO-commissioned world premiere works by four American composers: Timo Andres, Eric Nathan, Sean Shepherd, and George Tsontakis.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. In November 2017, Mr. Nelsons and the BSO toured Japan together for the first time. They have so far made three European tours together: immediately following the 2018 Tanglewood season, when they played concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam; in May 2016, a tour that took them to eight cities in Germany, Austria, and Luxembourg; and, after the 2015 Tanglewood season, a tour that took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals. A scheduled February 2020 tour to East Asia was canceled due to the COVID-19 pandemic emergency.

In his capacity as BSO Music Director and Gewandhauskapellmeister of the Gewandhausorchester Leipzig, Mr. Nelsons brings the BSO and GHO together for a unique multi-dimensional alliance including a BSO/GHO Musician Exchange program and an exchange component within each orchestra’s acclaimed academy for advanced music studies. A major aspect of the alliance is a focus on complementary programming, through which the BSO celebrates “Leipzig Week in Boston” and the GHO celebrates “Boston Week in Leipzig,” highlighting each other’s musical traditions through uniquely programmed concerts, chamber music performances, archival exhibits, and lecture series. The two orchestras have jointly commissioned and premiered works from Latvian, American, and German and Austrian composers.

In addition to his Shostakovich recordings with the BSO, Mr. Nelsons’ exclusive partnership with Deutsche Grammophon includes two other major projects. With the Gewandhausorchester he continues his critically acclaimed Bruckner symphonic cycle under the Yellow Label, of which four volumes have been released to date. His recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker were released by Deutsche Grammophon in October 2019.

Mr. Nelsons frequently leads such orchestras as the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, and the Concertgebouw in Amsterdam. As an opera conductor, he has made regular guest appearances at the Royal Opera House, Covent Garden and the Bayreuth Festival. Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra (2008-2015), Principal Conductor of Nordwestdeutsche Philharmonie in Herford, Germany (2006-09), and Music Director of the Latvian National Opera (2003-07).

 

Andris Nelsons, conductor James Burton, conductor
James Burton, conductor View biography in full page >

James Burton was appointed Conductor of the Tanglewood Festival Chorus, and to the newly created position of BSO Choral Director, in February 2017. He made his BSO subscription-series conducting debut in October 2018, leading the Tanglewood Festival Chorus in Maija Einfelde’s Lux aeterna. In August 2019 he led the Boston Symphony Children’s Choir and Boston Symphony Orchestra in the world premiere of his The Lost Words, a BSO co-commission, as part of the summer’s gala Tanglewood on Parade concert. In April 2020 he will conduct the Tanglewood Festival Concert in a post-concert Casual Friday performance of Rachmaninoff’s All-Night Vigil to celebrate the TFC’s fiftieth anniversary. Mr. Burton made his debut with the Boston Pops in December 2017, returned to the Pops podium last December—as he will again for Holiday Pops concerts in December 2019—and led the Pops this past June at Tanglewood in a program celebrating Queen with Marc Martel.

Born in London, James Burton holds a master’s degree in orchestral conducting from the Peabody Conservatory, where he studied with Frederik Prausnitz and Gustav Meier. He began his training at the Choir of Westminster Abbey, where he became head chorister, and was a choral scholar at St. John’s College, Cambridge. He has conducted concerts with the Royal Liverpool Philharmonic, the Orchestra of the Age of Enlightenment, the Hallé Orchestra, the Orchestra of Scottish Opera, the Royal Northern Sinfonia, BBC Concert Orchestra, and Manchester Camerata. Opera credits include performances at English National Opera, English Touring Opera, Garsington Opera, and the Prague Summer Nights Festival, and he has served on the music staff of the Metropolitan Opera and Opera de Paris. Mr. Burton’s extensive choral conducting has included guest invitations with professional choirs including the Gabrieli Consort, the Choir of the Enlightenment, Wrocław Philharmonic, and the BBC Singers, with whom he performed in the inaugural season of Dubai’s Opera House in 2017. From 2002 to 2009 he served as choral director at the Hallé Orchestra, where he was music director of the Hallé Choir and founding conductor of the Hallé Youth Choir, winning the Gramophone Choral Award in 2009. From 2002 to 2017 he was music director of the Schola Cantorum of Oxford. Well known for his inspirational work with young musicians, he was director of the National Youth Choir of Japan in 2017 and founded the Boston Symphony Children’s Choir in 2018. Mr. Burton has given conducting master classes at the Royal Academy of Music in London and at the Tanglewood Music Center, and founded a scholarship for young conductors at Oxford. His growing composition portfolio includes works for commissioners including the National Portrait Gallery in London, the 2010 World Equestrian Games, the Choir of St. John’s College, Cambridge, and the Exon Festival, where he was composer-in-residence in 2015. His works are published by Edition Peters. As BSO Choral Director and Conductor of the Tanglewood Festival Chorus, James Burton occupies the Alan J. and Suzanne W. Dworsky Chair, endowed in perpetuity.

 

James Burton, conductor
Ying Fang, soprano Ying Fang, soprano Bernarda Fink, mezzo-soprano
Bernarda Fink, mezzo-soprano View biography in full page >

Bernarda Fink, daughter of Slovenian parents, was born in Buenos Aires and received her vocal and musical education at the Instituto Superior de Arte del Teatro Colón where she performed frequently. 

Bernarda Fink is one of the most sought-after singers in concerts and recitals. She has been acclaimed for her musical versatility and invited by the leading orchestras and conductors in Europe and America. Her repertoire ranges from ancient music up to music of the 20th century. She frequently appears with such well-known orchestras as the Vienna and Berlin Philharmonic Orchestras, Royal Concertgebouw Orchestra, Staatskapelle Berlin and Dresden, Bavarian Radio Symphony Orchestra, the Cleveland Orchestra, the Chicago Symphony Orchestra, as well as with the best-known Baroque orchestras under such famous conductors as Daniel Barenboim, Herbert Blomstedt, Semyon Bychkov, Riccardo Chailly, Sir John Eliot Gardiner, Valery Gergiev, Bernard Haitink, René Jacobs, Mariss Jansons, Riccardo Muti, Sir Roger Norrington, Trevor Pinnock, Georges Prêtre, Sir Simon Rattle and Franz Welser-Möst. She had a close artistic cooperation with Nikolaus Harnoncourt which is testified by numerous TV and CD recordings.

Bernarda Fink has appeared to widespread critical acclaim in Argentina and at the most important opera houses in Europe. Recent highlights were the roles of Cecilio/LUCIO SILLA led by Nikolaus Harnoncourt at the Theater an der Wien, Idamante/IDOMENEO in a production of Luc Bondy and Jesus Lopez Cobos at the Teatro Real in Madrid, and Irene/THEODORA under Ivor Bolton at the Salzburg Festival. She also sang Sesto/LA CLEMENZA DI TITO and Idamante in concert versions under the baton of René Jacobs, both of which were recorded and highly praised. In June 2017, Bernarda Fink made her debut in Debussy´s PELLÉAS ET MÉLISANDE at the Vienna State Opera.

Bernarda Fink regularly appears in recital at the Wiener Musikverein and Konzerthaus, Schubertiade Schwarzenberg, Berlin Philharmonie, Théâtre Royal de la Monnaie in Brussels, Edinburgh Festival, Carnegie and Alice Tully Hall in New York. Furthermore Bernarda Fink performed Dvořák and Janacek songs together with the Pavel Haas Quartett at London´s Wigmore Hall, at the Concertgebouw in Amsterdam, in Den Haag and in Madrid.

Highlights of the past seasons were, alongside numerous recitals, Pergolesi´s STABAT MATER in Rome, Mahler´s SYMPHONY No. 2 with Mariss Jansons in Copenhagen and with Jakub Hrůša in Bamberg, his SYMPHONY No. 3 in Katowice, a tour across South America with Camerata Salzburg as well as concerts at the Internationale Barocktage Stift Melk. 

In addition to recitals in Cologne, Vienna, Madrid and Paris, concerts of the season 2018/2019 inlcude Dvořák´s BIBLICAL SONGS with Manfred Honeck in Prague and Dresden, Mahler´s SYMPHONY No. 2 with the Boston Symphony Orchestra and Andris Nelsons and with the Orchestre national des Pays de la Loire in Angers und Nantes, Mahler´s SYMPHONY No. 3 in Bamberg, Paris, Muscat and Ostrava as well as his LIED VON DER ERDE with the South Netherlands Philharmonic and Hans Graf in the Netherlands.

Bernarda Fink regularly holds master classes at the Wiener Meisterkurse, the Young Singers Project (YSP) in Salzburg, the Academy of the Festival in Aix-en-Provence, the Schubert-Institute in Baden (near Vienna), at the Aldeburgh Festival and the Fondation Royaumont. She was also on the jury of the International Song Competition of London Wigmore Hall, the Bach Wettbewerb Leipzig, BBC Cardiff Singers of the World, DAS LIED International Song Competition as well as the ARD Music Competition.

Bernarda Fink has made numerous highly acclaimed recordings. Her discography comprises more than 50 releases, ranging from Monteverdi and Rameau to Schubert and Bruckner and Schumann. Many of them have been awarded coveted prizes such as the Diapason d’Or or the Grammy. Bernarda Fink has a close collaboration with Harmonia Mundi. Recent recordings include Bach Cantatas with the Freiburger Barockorchester, and Lieder by Schumann with accompanist Anthony Spiri, Pergolesi’s STABAT MATER with the Akademie für Alte Musik Berlin and programs with Lieder by Slovenian as well as Argentinian composers together with her brother, the baritone Marcos Fink (Grammy nomination). In  2012, albums of Dvořák Lieder (together with Genia Kühmeier), and with Spanish Songs (de Falla, Granados, Rodrigo and others) again with Anthony Spiri at the piano, were released. Her latest album included Mahler Lieder accompanied by the Niederösterreichische Tonkünstlerorchester and Andrés Orozco-Estrada and by the pianist Anthony Spiri.

In February 2006, Bernarda Fink was awarded the Austrian Honorary Medal for Art and Science by the Austrian Chancellor and in February 2013, together with her brother Marcos Fink, the most prestigious cultural award of Slovenia sponsored by the Prešeren-foundation for their recording Slovenija! and the related concerts. In September 2014 she received the title of Österreichische Kammersängerin.

 

Bernarda Fink, mezzo-soprano
Tanglewood Festival Chorus
Tanglewood Festival Chorus
Tanglewood Festival Chorus, (TFC) View biography in full page >

Tanglewood Festival Chorus
James Burton, BSO Choral Director and Conductor of the Tanglewood Festival Chorus
John Oliver (1939-2018), Founder

The Tanglewood Festival Chorus joins the BSO this season for performances of Beethoven’s Choral Fantasy and Poulenc’s Gloria led by Andris Nelsons (September 19-21, the opening program of the 2019-20 subscription season); Galina Grigorieva’s On Leaving and Shostakovich’s Symphony No. 2, also under Maestro Nelsons (November 21-26); Duruflé’s Requiem under Giancarlo Guerrero (February 27-March 3), and Stravinsky’s Perséphone with Thomas Adès conducting (March 26-28). In addition, to mark the TFC’s fiftieth anniversary in April 2020, James Burton leads the ensemble in a post-concert Casual Friday performance of Rachmaninoff’s All-Night Vigil (April 17). Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor, the late John Oliver, who stepped down from his leadership position with the TFC at the end of the 2015 Tanglewood season. In February 2017, following appearances as guest chorus conductor at Symphony Hall and Tanglewood, and having prepared the chorus for that month’s BSO performances of Bach’s B minor Massled by Andris Nelsons, James Burton was named the new Conductor of the Tanglewood Festival Chorus, also being appointed to the newly created position of BSO Choral Director. Mr. Burton occupies the Alan J. and Suzanne W. Dworsky Chair on the Boston Symphony Orchestra roster.

Though first established for performances at the BSO’s summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO’s subscription season as well as BSO concerts at Carnegie Hall; the ensemble now performs year-round with the Boston Symphony and Boston Pops. It has performed with the BSO on tour in Hong Kong and Japan, and on two European tours, also giving a cappella concerts of its own on those two occasions. The TFC made its debut in April 1970 at Symphony Hall, in a BSO performance of Beethoven’s Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz’s La Damnation de Faust with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with Seiji Ozawa, Bernard Haitink, James Levine, Leonard Bernstein, Sir Colin Davis, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith’s An Unknown Sphere for mezzo-soprano and chorus, commissioned by the BSO for the ensemble’s 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella music marking the TFC’s 40th anniversary; Ravel’s complete Daphnis et Chloé (a 2009 Grammy-winner for Best Orchestral Performance), Brahms’s German Requiem, and William Bolcom’s Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission). On July 4, 2018, the Tanglewood Festival Chorus joined Keith Lockhart for the “Boston Pops Fireworks Spectacular” on the Charles River Esplanade.

Besides their work with the BSO, TFC members have also performed with Zubin Mehta and the Israel Philharmonic and in a Saito Kinen Festival production of Britten’s Peter Grimes under Seiji Ozawa in Japan. The ensemble had the honor of singing at Sen. Edward Kennedy’s funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can be heard on the soundtracks of Clint Eastwood’s Mystic River, John Sayles’s Silver City, and Steven Spielberg’s Saving Private Ryan. TFC members regularly commute from the greater Boston area and beyond to sing with the chorus in Boston and at Tanglewood. For more information about the Tanglewood Festival Chorus and upcoming auditions, please visit www.bso.org/tfc.

 

James Burton
James Burton, conductor View biography in full page >

James Burton was appointed Conductor of the Tanglewood Festival Chorus, and to the newly created position of BSO Choral Director, in February 2017. He made his BSO subscription-series conducting debut in October 2018, leading the Tanglewood Festival Chorus in Maija Einfelde’s Lux aeterna. In August 2019 he led the Boston Symphony Children’s Choir and Boston Symphony Orchestra in the world premiere of his The Lost Words, a BSO co-commission, as part of the summer’s gala Tanglewood on Parade concert. In April 2020 he will conduct the Tanglewood Festival Concert in a post-concert Casual Friday performance of Rachmaninoff’s All-Night Vigil to celebrate the TFC’s fiftieth anniversary. Mr. Burton made his debut with the Boston Pops in December 2017, returned to the Pops podium last December—as he will again for Holiday Pops concerts in December 2019—and led the Pops this past June at Tanglewood in a program celebrating Queen with Marc Martel.

Born in London, James Burton holds a master’s degree in orchestral conducting from the Peabody Conservatory, where he studied with Frederik Prausnitz and Gustav Meier. He began his training at the Choir of Westminster Abbey, where he became head chorister, and was a choral scholar at St. John’s College, Cambridge. He has conducted concerts with the Royal Liverpool Philharmonic, the Orchestra of the Age of Enlightenment, the Hallé Orchestra, the Orchestra of Scottish Opera, the Royal Northern Sinfonia, BBC Concert Orchestra, and Manchester Camerata. Opera credits include performances at English National Opera, English Touring Opera, Garsington Opera, and the Prague Summer Nights Festival, and he has served on the music staff of the Metropolitan Opera and Opera de Paris. Mr. Burton’s extensive choral conducting has included guest invitations with professional choirs including the Gabrieli Consort, the Choir of the Enlightenment, Wrocław Philharmonic, and the BBC Singers, with whom he performed in the inaugural season of Dubai’s Opera House in 2017. From 2002 to 2009 he served as choral director at the Hallé Orchestra, where he was music director of the Hallé Choir and founding conductor of the Hallé Youth Choir, winning the Gramophone Choral Award in 2009. From 2002 to 2017 he was music director of the Schola Cantorum of Oxford. Well known for his inspirational work with young musicians, he was director of the National Youth Choir of Japan in 2017 and founded the Boston Symphony Children’s Choir in 2018. Mr. Burton has given conducting master classes at the Royal Academy of Music in London and at the Tanglewood Music Center, and founded a scholarship for young conductors at Oxford. His growing composition portfolio includes works for commissioners including the National Portrait Gallery in London, the 2010 World Equestrian Games, the Choir of St. John’s College, Cambridge, and the Exon Festival, where he was composer-in-residence in 2015. His works are published by Edition Peters. As BSO Choral Director and Conductor of the Tanglewood Festival Chorus, James Burton occupies the Alan J. and Suzanne W. Dworsky Chair, endowed in perpetuity.

 

Program Notes Audio
Maija EINFELD - Lux Aeterna, for mixed chorus (7 min)
MAHLER - Symphony No. 2, Resurrection (85 min)
Audio Concert Preview - Full Program Notes
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