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The 2019-20 season, Andris Nelsons’ sixth as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director, marks his fifth anniversary in that position. Named Musical America’s 2018 Artist of the Year, Mr. Nelsons leads fifteen of the BSO’s twenty-six weeks of concerts this season, ranging from repertoire favorites by Beethoven, Dvoˇrák, Gershwin, Grieg, Mozart, Mahler, Rachmaninoff, Ravel, and Tchaikovsky to world and American premieres of BSO-commissioned works from Eric Nathan, Betsy Jolas, Arturs Maskats, and HK Gruber. The season also brings the continuation of his complete Shostakovich symphony cycle with the orchestra, and collaborations with an impressive array of guest artists, including a concert performance of Tristan und Isolde, Act III—one of three BSO programs he will also conduct at Carnegie Hall—with Jonas Kaufmann and Emily Magee in the title roles. In addition, February 2020 brings a major tour to Asia in which Maestro Nelsons and the BSO give their first concerts together in Seoul, Taipei, Hong Kong, and Shanghai.
In February 2018, Andris Nelsons became Gewandhauskapellmeister of the Gewandhausorchester (GHO) Leipzig, in which capacity he also brings the BSO and GHO together for a unique multi-dimensional alliance including a BSO/GHO Musician Exchange program and an exchange component within each orchestra’s acclaimed academy for advanced music studies. A major highlight of the BSO/GHO Alliance is a focus on complementary programming, through which the BSO celebrates “Leipzig Week in Boston” and the GHO celebrates “Boston Week in Leipzig,” thereby highlighting each other’s musical traditions through uniquely programmed concerts, chamber music performances, archival exhibits, and lecture series. For this season’s “Leipzig Week in Boston,” under Maestro Nelsons’ leadership in November, the entire Gewandhausorchester Leipzig comes to Symphony Hall for joint concerts with the BSO as well as two concerts of its own.
In summer 2015, following his first season as music director, Andris Nelsons’ contract with the BSO was extended through the 2021-22 season. In November 2017, he and the orchestra toured Japan together for the first time. They have so far made three European tours together: immediately following the 2018 Tanglewood season, when they played concerts in London, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris, and Amsterdam; in May 2016, a tour that took them to eight cities in Germany, Austria, and Luxembourg; and, after the 2015 Tanglewood season, a tour that took them to major European capitals and the Lucerne, Salzburg, and Grafenegg festivals.
The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His recordings with the BSO, all made live in concert at Symphony Hall, include the complete Brahms symphonies on BSO Classics; Grammy-winning recordings on Deutsche Grammophon of Shostakovich’s symphonies 4, 5, 8, 9, 10, and 11 (The Year 1905) as part of a complete Shostakovich symphony cycle for that label; and a recent two-disc set pairing Shostakovich’s symphonies 6 and 7 (Leningrad). This November, a new release on Naxos features Andris Nelsons and the orchestra in the world premieres of BSO-commissioned works by Timo Andres, Eric Nathan, Sean Shepherd, and George Tsontakis. Under an exclusive contract with Deutsche Grammophon, Andris Nelsons is also recording the complete Bruckner symphonies with the Gewandhausorchester Leipzig and the complete Beethoven symphonies with the Vienna Philharmonic.
During the 2019-20 season, Andris Nelsons continues his ongoing collaborations with the Vienna Philharmonic. Throughout his career, he has also established regular collaborations with the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, and Royal Concertgebouw Orchestra of Amsterdam, and has been a regular guest at the Bayreuth Festival and the Royal Opera House, Covent Garden.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007.
Andris Nelsons, conductor
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Grammy Award winning Russian pianist Daniil Trifonov – winner of Musical America’s 2019 Artist of the Year award – has made a spectacular ascent of the classical music world as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more ... tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. Trifonov recently added a first Grammy Award to his already considerable string of honors, winning Best Instrumental Solo Album of 2018 with Transcendental, a Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist. As The Times of London notes, he is “without question the most astounding pianist of our age.”
This fall brings the release of Destination Rachmaninov: Arrival. Featuring the composer’s First and Third Concertos, this is the third volume of the Deutsche Grammophon series Trifonov recorded with the Philadelphia Orchestra and Yannick Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Later this fall, Trifonov inaugurates his multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic with accounts of Scriabin’s Piano Concerto under Jaap van Zweden. The residency also sees him take part in the New York premiere of his own Piano Quintet, and rejoin the music director and orchestra for Mozart’s 25th Piano Concerto, first in New York and then on a European tour that includes a stop at London’s Barbican.
The Scriabin concerto is the vehicle for the pianist’s return to the New World Symphony under Michael Tilson Thomas, with whom he reunites for Tchaikovsky’s Piano Concerto with the Los Angeles Philharmonic and for Rachmaninov’s Fourth with the San Francisco Symphony, both at the orchestra’s home and on tour in Europe. Other upcoming orchestral highlights include Alexander Mosolov’s First Piano Concerto with the Nashville Symphony and Beethoven’s First and Fifth Piano Concertos with the Philadelphia Orchestra and Nézet-Séguin, as heard on the pianist’s DG Rachmaninov series. In recital this season, Trifonov tours a solo program of Bach transcriptions and The Art of Fugue to New York’s Lincoln Center, Chicago’s Orchestra Hall, Boston’s Celebrity Series, and destinations in Europe, besides partnering his mentor and fellow pianist Sergei Babayan at Carnegie Hall, Cornell University, Eastman School of Music, and in Dortmund, Germany.
Trifonov launched the New York Philharmonic’s 2018-19 season with back-to back performances, playing Ravel’s G-major Concerto at the opening-night gala and Beethoven’s “Emperor” Concerto the following night. He revisited the Ravel on tour with the London Symphony and Sir Simon Rattle, and during a residency at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto. The “Emperor” also took him to the London Symphony, National Symphony, Cincinnati Symphony, and Cleveland Orchestra, with which he toured Asia. Other orchestral highlights included performances of Scriabin’s concerto during a season-long residency with the Berlin Philharmonic, Prokofiev’s Third with the Chicago Symphony, Rachmaninov’s Third with the Boston Symphony, and Schumann’s concerto with longtime collaborator Valery Gergiev and the Met Orchestra at Carnegie Hall. Trifonov gave solo recitals of Beethoven, Schumann, and Prokofiev on Carnegie’s mainstage and in Berlin, where his Berlin Philharmonic residency featured multiple solo and chamber performances. These included accounts of his own Piano Quintet, of which he also gave the Cincinnati premiere with the Ariel Quartet, and a duo recital with German baritone Matthias Goerne, with whom he also appeared at New York’s 92nd Street Y.
Other highlights of recent seasons include a seven-concert, season-long Carnegie Hall “Perspectives” series, crowned by a performance of Trifonov’s own piano concerto with Gergiev and the Mariinsky Orchestra; curating similar series at the Vienna Konzerthaus and in San Francisco, where the pianist gave a season-closing performance with the San Francisco Symphony; playing Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th anniversary celebrations; headlining complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festival, with London’s Philharmonia Orchestra, and on tour with the Munich Philharmonic; undertaking Asian tours with the Czech Philharmonic and Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia and European tours with the London Philharmonic, Royal Concertgebouw Orchestra, and La Scala Orchestra; and making debuts at London’s BBC Proms and with the Chicago Symphony, Boston Symphony, Cleveland Orchestra, Philadelphia Orchestra, Montreal Symphony, Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia, London’s Royal Philharmonic Orchestra, the Royal Stockholm Philharmonic, the Berlin Staatskapelle, and the Berlin Philharmonic, where he headlined the orchestra’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington D.C., Boston’s Celebrity Series, London’s Barbican and Royal Festival and Queen Elizabeth halls, Amsterdam’s Concertgebouw (Master Piano Series), Berlin’s Philharmonie, Munich’s Herkulessaal, Bavaria’s Schloss Elmau, Zurich’s Tonhalle, the Lucerne Piano Festival, the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris, Barcelona’s Palau de la Musica, Tokyo’s Opera City, the Seoul Arts Center, and Melbourne’s Recital Centre.
The 2013-14 season saw the release of Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist; captured live at his sold-out 2013 Carnegie Hall recital debut, the album scored a Grammy nomination. Besides the Grammy Award-winning Transcendental, Destination Rachmaninov: Departure, and the Grammy-nominated Rachmaninov Variations, Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced. Trifonov’s discography also features a Chopin album for Decca and a recording of Tchaikovsky’s First Piano Concerto with Gergiev and the Mariinsky Orchestra on the ensemble’s own label.
It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics, and in 2016 he was named Gramophone’s Artist of the Year.
Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto in 2013, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”
Daniil Trifonov, piano