Herbert Blomstedt conducts Mozart and Bruckner featuring pianist Martin Helmchen
Herbert Blomstedt
Image credit:J.M. Pietsch
The prominent American-born Swedish conductor Herbert Blomstedt, a frequent and welcome guest of the BSO, is joined by German pianist Martin Helmchen for one of Mozart’s most joyous concertos, No. 17 in G. One of few Mozart piano concertos he probably didn’t write for himself to play, No. 17 may have been written for and premiered by his student Barbara Ployer in June 1784. Bruckner wrote his warm, majestic Fourth Symphony in 1874, but like many of his works the composer subjected it to extensive revision. The 1880 version of the score premiered by Hans Richter in Vienna in 1881 was one of the greatest success of Bruckner’s life.
The prominent American-born Swedish conductor Herbert Blomstedt, a frequent and welcome guest of the BSO, is joined by German pianist Martin Helmchen for one of Mozart’s most joyous concertos, No. 17 in G. One of few Mozart piano concertos he probably didn’t write for himself to play, No. 17 may have been written for and premiered by his student Barbara Ployer in June 1784. Bruckner wrote his warm, majestic Fourth Symphony in 1874, but like many of his works the composer subjected it to extensive revision. The 1880 version of the score premiered by Hans Richter in Vienna in 1881 was one of the greatest success of Bruckner’s life.
The prominent American-born Swedish conductor Herbert Blomstedt, a frequent and welcome guest of the BSO, is joined by German pianist Martin Helmchen for one of Mozart’s most joyous concertos, No. 17 in G. One of few Mozart piano concertos he probably didn’t write for himself to play, No. 17 may have been written for and premiered by his student Barbara Ployer in June 1784. Bruckner wrote his warm, majestic Fourth Symphony in 1874, but like many of his works the composer subjected it to extensive revision. The 1880 version of the score premiered by Hans Richter in Vienna in 1881 was one of the greatest success of Bruckner’s life.
