Andris Nelsons conducts Adés, Mozart, and Sibelius with Anne-Sophie Mutter, violin and Golda Schultz, soprano
The Japan Art Association
Andris Nelsons leads superstar violinist Anne-Sophie Mutter in the American premiere of English composer Thomas Adès’ new Sibelius-inspired Air for violin and orchestra, a BSO co-commission written for Mutter. In her BSO debut, the young South African soprano Golda Schultz sings Jean Sibelius’ Luonnotar, a dramatic tone poem with voice based on Finnish creation myth. Though his Fifth Symphony was an enormous success at its 1915 premiere, Sibelius extensively revised the original four-movement work, completing the final three-movement version in 1919.
Friday afternoon's performance by the vocal soloist is supported by a generous gift from the Ethan Ayer Vocal Soloist Fund.
Andris Nelsons, conductor
Anne-Sophie Mutter, violin
Golda Schultz, soprano
SIBELIUS Luonnotar
MOZART Violin Concerto No. 1
Intermission
Thomas ADÈS Air, for violin and orchestra (American premiere; co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency and the Arthur P. Contas Commissioning Fund.)
SIBELIUS Symphony No. 5
Andris Nelsons leads superstar violinist Anne-Sophie Mutter in the American premiere of English composer Thomas Adès’ new Sibelius-inspired Air for violin and orchestra, a BSO co-commission written for Mutter. In her BSO debut, the young South African soprano Golda Schultz sings Jean Sibelius’ Luonnotar, a dramatic tone poem with voice based on Finnish creation myth. Though his Fifth Symphony was an enormous success at its 1915 premiere, Sibelius extensively revised the original four-movement work, completing the final three-movement version in 1919.
Friday afternoon's performance by the vocal soloist is supported by a generous gift from the Ethan Ayer Vocal Soloist Fund.
Andris Nelsons, conductor
Anne-Sophie Mutter, violin
Golda Schultz, soprano
SIBELIUS Luonnotar
MOZART Violin Concerto No. 1
Intermission
Thomas ADÈS Air, for violin and orchestra (American premiere; co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency and the Arthur P. Contas Commissioning Fund.)
SIBELIUS Symphony No. 5
Andris Nelsons leads superstar violinist Anne-Sophie Mutter in the American premiere of English composer Thomas Adès’ new Sibelius-inspired Air for violin and orchestra, a BSO co-commission written for Mutter. In her BSO debut, the young South African soprano Golda Schultz sings Jean Sibelius’ Luonnotar, a dramatic tone poem with voice based on Finnish creation myth. Though his Fifth Symphony was an enormous success at its 1915 premiere, Sibelius extensively revised the original four-movement work, completing the final three-movement version in 1919.
Friday afternoon's performance by the vocal soloist is supported by a generous gift from the Ethan Ayer Vocal Soloist Fund.
Andris Nelsons, conductor
Anne-Sophie Mutter, violin
Golda Schultz, soprano
SIBELIUS Luonnotar
MOZART Violin Concerto No. 1
Intermission
Thomas ADÈS Air, for violin and orchestra (American premiere; co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency and the Arthur P. Contas Commissioning Fund.)
SIBELIUS Symphony No. 5
