InTune

As we make the fall transition to Symphony Hall, we take a moment to reflect on this past Tanglewood season, the recent BSO tour of Europe, and the BSO 23-24 season ahead. We sat down with BSO violinist Xin Ding, a long-tenured member of the orchestra who experienced first-hand the marvels of the Berkshires, the excitement of touring, and holds an enthusiastic view on the upcoming BSO season and the future of the organization. Joining the BSO in 1999, Ms. Ding draws on her studies from China's Central Conservatory of Music, the Longy School of Music in Cambridge, MA, and her principal teachers included legendary pedagogues Zhenshan Wang, Fredell Lack, and Eric Rosenblith. Ms. Ding now balances teaching, chamber music, orchestra performance, and the added thrill of supporting her son in pursuing his dreams!

Tanglewood 2023

InTune: When you think about Tanglewood this past summer, what jumps out to you as being most memorable?

Xin Ding: Tanglewood is a very breathtaking time of year with each week being full of activity, preparing and performing at least three programs each week. Despite the unpredictable weather ranging from cold, hot, and wet at times, the one constant was the extraordinary audiences. They were so passionate and respectful, and their vibes resonated all the way to us where we felt them on stage. The audience’s enthusiasm creates a sense of shared excitement and connection, influencing the energy, creativity, and emotional connection between performers and the listeners.

This past Tanglewood season was especially energizing with all of the amazing conductors, world-class guest artists, and living composers who worked with the orchestra this summer. After a few weeks off in June, the beginning of Tanglewood season always starts with the joyful return of Maestro Nelsons. The start of the summer is a great reintroduction with the campus as well as a welcome home moment with the Maestro. Additionally, John Williams‘ presence on the podium, conducting his own compositions continues to captivate audiences. The excitement and response he elicits is a testament to the timeless quality of his music and the profound impact he has had on generations of music lovers.

Finally, Xian Zhang, a classmate of mine from the Central Conservatory of Music in China, made her conducting debut with the BSO. It was a truly exceptional program that she led, leaving a huge impression on both the orchestra as well as the audience. As an Asian woman, Xian is quite petite standing just over 5 feet. On the big stage with an enormous orchestra, she stood tall with her thoughtful approach, dynamic skills, and deep understanding of the music. I am immensely proud of our orchestra for embracing diversity and welcoming true talents from all over the world. Xian's performance showcased that the world of music is enriched when it reflects a wide range of backgrounds, experiences, and perspectives - it reaffirms the importance of celebrating diversity in the arts. I can't wait to see where her incredible journey takes her next.

InTune: Outside of Tanglewood, how do you spend your time in the Berkshires?

XD: Once upon a time, my free time at Tanglewood consisted of watching my son run across the lawn and dancing to the music. Now my little son is now 14 years old and pursuing his dream of figure skating. He is dedicated to his craft, training 5 days a week in search of his goal. Not unlike the music world, the sports world requires focus, hard work, and dedication to navigating each new day’s challenge. This summer I drove many miles from Tanglewood to the training center in Boston in support of my son. Win or lose, I really enjoyed experiencing my son develop as an athlete as well as a person.

Return to Europe

InTune: With this tour, it was the first time the orchestra traveled to Europe since 2018. Along the nine-city, twelve-concert European tour, what were some of your favorite moments?

XD: Every city brought unforgettable and incredible energy in terms of passion, history, and sophistication. At the start of the tour, Royal Albert Hall in London set a wonderful tone for the entire trip. The continuous applause and the sight of so many music lovers standing throughout the entire concert filled me with excitement and anticipation as we embarked on this extraordinary musical journey. The Royal Albert Hall's magnificent architectural design and setting make it a breathtaking and visually captivating venue. It's often considered one of the most beautiful and iconic venues in the world. We've been incredibly fortunate to perform at Symphony Hall in Boston, renowned as one of the world's premier concert halls with exceptional acoustics. Additionally, our experience at the Royal Albert Hall was truly remarkable, as its acoustics offered exceptional clarity, allowing each of us to hear our individual contributions more distinctly, enhancing our enjoyment of the performance.

Over the course of the tour, we did deal with travel and health issues. Although difficult to treat illness while traveling, what truly stood out during this challenging period was our unity. We came together as a team, offering support and understanding to one another. Our shared goal was crystal clear: to deliver our absolute best to the audience, despite the adversities that surrounded us. This unwavering commitment to our art and our audience served as a testament to our resilience and dedication.

There were several memorable moments as we performed and traveled in so many significant cities with rich music histories. In Berlin, we were inspired by the spectacular venue as well as the audience’s deep connection with Maestro Nelson. Additionally, it was a great honor being invited to perform at the closing concert of the prestigious Salzburg Festival, which was a source of profound fulfillment for me. This opportunity holds special significance as it marks my first time participating in this iconic event.

Looking ahead to BSO 23-24

InTune: Now back in Boston, there is much to look forward to this BSO season being our 143rd year. For you, what are some of the highlights of the upcoming season at Symphony Hall?

XD: There is so much to look forward to this season, I won’t be able to get to all of the highlights but let’s start with the music! In looking at new music for us, I’m excited to perform Sofia Gubaidulina’s Prologue for Orchestra which is an American premiere and BSO co-commission. Gubaidulina, now in her 90s, has collaborated often with Maestro Nelsons, and is a legendary composer from Russia who is considered one of the foremost composers of our time. As for treasured works, we’re performing the Detlev Glanert Trumpet Concerto, a Tanglewood commission for our principal trumpet, Tom Rolfs, which premiered there in the summer before the pandemic and is finally being reprised here in Boston.

In terms of guest artists, we are collaborating with an extensive and diverse group of world-renowned performers this season. In particular, I am super curious about Yunchan Lim, especially given his remarkable achievement as the youngest winner of the prestigious Van Cliburn competition. It's clear from his performances available on YouTube that he possesses impeccable technique, incredible attention to detail, and a profound depth in his interpretations. It's always exciting to witness emerging talents who have the potential to make a significant impact in the world of classical music.

Looking at the growth of our organization, we are looking forward to the future of the BSO. With our successful recent union negotiations, the arrival of an inspired and exciting new CEO Chad Smith, and continued leadership from Maestro Nelsons, this next season is going to be special for everyone both on stage and off.

InTune: Given your extensive tenure with the BSO, you’ve experienced audiences in a number of settings, with varying repertoire, and a range of venues, what would be your advice for a first-time or new audience member?

XD: We want more people to come and experience the Symphony! While digital music is a great experience, there is something invigorating to see and hear music in person. For first timers, go ahead and choose something from the masters like Beethoven, Mozart, and Tchaikovsky – especially as many of these works are so expertly programmed with new commissions. Finding something familiar creates easy connection with performances while balancing new voices and artists.

Second, Symphony Hall is one of the top three acoustic halls in the world. The unique opportunity of being in the hall allows us to disconnect from our screens and immerse ourselves in live music. I suggest getting to the hall early to walk the halls, hear a talk when available, and investigate the history - grab a drink if that inspires you too!

As for the performance, take in the entire atmosphere of what surrounds you – relax and just be. Connecting with others including audience members, the performers, and the staff is a meaningful human opportunity. Keep in mind it may take a few times and visits to find what resonates with you and Symphony Hall, but please continue to try and share with others. The BSO and Symphony have so much to offer our community, we thank you for your support.