Mozart Sinfonia concertante with Nathan Cole and Steven Ansell

Boston Symphony Orchestra Anna Handler, Conductor Nathan Cole, Concertmaster Steven Ansell, Viola Gabriella SMITH Bioluminescence Chaconne MOZART Sinfonia concertante for violin and viola TCHAIKOVSKY Suite from Swan Lake

Joining BSO Assistant Conductor Anna Handler in her Symphony Hall debut with the BSO is concertmaster Nathan Cole making his Symphony Hall debut as a concerto soloist. Principal Viola Steven Ansell is Cole’s solo partner in Mozart’s Sinfonia concertante, a vivacious masterpiece. American composer Gabriella Smith’s Bioluminescence Chaconne uses the natural world as a metaphor for musical structure and process, or vice versa — part of a multi-season programmatic focus exploring artists’ responses to our environment. Tchaikovsky’s iconic ballet score Swan Lake, for all its supernatural, fairytale narrative, is also very much in the realm of nature pieces. Its lush, romantic music is some of the most familiar in the repertoire.

Boston Symphony Orchestra Anna Handler, Conductor Nathan Cole, Concertmaster Steven Ansell, Viola Gabriella SMITH Bioluminescence Chaconne MOZART Sinfonia concertante for violin and viola TCHAIKOVSKY Suite from Swan Lake

Joining BSO Assistant Conductor Anna Handler in her Symphony Hall debut with the BSO is concertmaster Nathan Cole making his Symphony Hall debut as a concerto soloist. Principal Viola Steven Ansell is Cole’s solo partner in Mozart’s Sinfonia concertante, a vivacious masterpiece. American composer Gabriella Smith’s Bioluminescence Chaconne uses the natural world as a metaphor for musical structure and process, or vice versa — part of a multi-season programmatic focus exploring artists’ responses to our environment. Tchaikovsky’s iconic ballet score Swan Lake, for all its supernatural, fairytale narrative, is also very much in the realm of nature pieces. Its lush, romantic music is some of the most familiar in the repertoire.