Hannu Lintu conducts Lieberson, Berg, and Schumann with Leonidas Kavakos, violin
Please allow additional arrival and entry time before your concert due to MBTA construction at the Symphony Green Line station. Parts of the sidewalk in front of Symphony Hall will be closed Mon-Fri 9:30am–3:30pm until further notice, however sidewalks will reopen two hours before BSO events
Please allow additional arrival and entry time before your concert due to MBTA construction at the Symphony Green Line station. Parts of the sidewalk in front of Symphony Hall will be closed Mon-Fri 9:30am–3:30pm until further notice, however sidewalks will reopen two hours before BSO events
Marco Borggreve
Hannu Lintu, conductor
Leonidas Kavakos, violin
LIEBERSON Drala
BERG Violin Concerto
Intermission
SCHUMANN Symphony No. 4
How do you see the world? Drala, a BSO commission by American composer Peter Lieberson, premiered in 1986 and takes its title from a Tibetan Buddhist term. The word “drala” has many meanings, one of which relates to deepening and expanding one’s perception of the world. Finnish conductor Hannu Lintu leads the BSO and frequent guest Leonidas Kavakos in Alban Berg’s final finished piece; quoting poignantly from Bach, this haunting 1935 Violin Concerto was written in response to the death of a friend’s daughter. In closing, Robert Schumann’s majestic Symphony No. 4, which draws inspiration from Beethoven’s Fifth Symphony in its use of recurring musical themes to tie together the work’s four movements.
Saturday evening’s concert is supported by Alan and Lisa Dynner.
Hannu Lintu, conductor
Leonidas Kavakos, violin
LIEBERSON Drala
BERG Violin Concerto
Intermission
SCHUMANN Symphony No. 4
How do you see the world? Drala, a BSO commission by American composer Peter Lieberson, premiered in 1986 and takes its title from a Tibetan Buddhist term. The word “drala” has many meanings, one of which relates to deepening and expanding one’s perception of the world. Finnish conductor Hannu Lintu leads the BSO and frequent guest Leonidas Kavakos in Alban Berg’s final finished piece; quoting poignantly from Bach, this haunting 1935 Violin Concerto was written in response to the death of a friend’s daughter. In closing, Robert Schumann’s majestic Symphony No. 4, which draws inspiration from Beethoven’s Fifth Symphony in its use of recurring musical themes to tie together the work’s four movements.
Saturday evening’s concert is supported by Alan and Lisa Dynner.
